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Additional information for
The Coverdale Chant-book



Number27
StatusIncluded
Full TitleThe Coverdale Chant-book
Author(s)David Wulstan
PublisherOxenford Imprint, Oxford, UK
Year of Publication1978
ISBN
Pointed text includedNo
Chants numbered continuouslyYes
Chants assigned to PsalmsYes
FormatHardcopy
Sourceon loan from Mr. David Clover
Additional comments In this book chants are numbered according to the psalm number, but several may be assigned to one psalm, the suffix as used by Wulstan is used here. The canticles carry numbers beyond 150. This numbering scheme is maintained in the index.


Table of Contents


The reference format is "p-n" where "p"is the pagenumber and "n" the chant number
If the chant number is colored, click on it to play the midi
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Click on the composer name to go to the page for that composer

p-n T Key Composer Finger
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Psalms/
Notes
1-1 D F Hopkins, Edward John    7  -2  -1   1  -3 1
1-2 T f Anonymous    2   5  -3   5  -2 2
Note: Second part to be omitted for the Gloria
1-3 D e♭ Stainer, John   -4   1   8  -1   0 3
1-4 S b♭ Barnby, Joseph    5   3  -1  -2  -2 4
1-5 D A♭ Marsh, William    2   2   1   2   2 5
1-6-i S c Anonymous    2   1  -3   0   7 6(1-7)
1-6-ii S b Anonymous    2   1  -3   0   7 6(8-end)
Note: For the Gloria, last two bars should be sung in B-major
2-7 D c Cooke, Robert    8  -1  -2  -4   2 7
Note: vss. 5 and 12 second half of the chant
2-8-ii S A Tucker, William    5  -1   1  -5   2 8(2-8)
Note: Chants nr. 8-i and 8-iii on this page are arrangements by David Wulstan for vss 1 and 9, with melody in alto or tenor. They are not seperately included in the index
2-8-iv S A Tucker, William    5   0  -1   1  -5 8(Gloria)
Note: According to David Wulstan the original form of the chant
2-9 D F Parratt, Walter    3   2   2  -4  -2 9(1-12), 10(13-end)
2-10 D f Parratt, Walter    4   1   2  -3  -2 9(13-20), 10(1-12)
3-11 S G Stainer, John    2   2   1   2   2 11
3-12-i S c# Purcell, Edward    5  -4  -1   3  -2 12
3-12-ii S c# Purcell, Edward    5  -4  -1   3  -2 12(Gloria)
Note: Alternative (early) version of chant nr. 2
3-13 D f Ashfield, Robert James   -1   0  -2   7   0 13
3-14 D f Flintoft, Luke    2   0   1   0   2 14
Note: Second half for vs. 7
3-15 S D♭ Kelway, Thomas    0   2   1   5  -3 15
3-16 D c Wesley, Samuel Sebastian    5   3  -1  -2   0 16
4-17 D F Turle, James    2   0   2   3  -5 17
4-18-a D A♭ Turle, James   -2  -2  -3   2   1 18(1-6; 20-3;47-end)
Note: Second half of chant for vs. 6
4-18-b D f Gibbons, Orlando   -2  -2  -1   1   2 18(7-19)
Note: Second half of chant for vs. 15 arranged by D.W.
4-18-c Q D♭ Wulstan, David    0   2   2   1  -3 18(31-46)
Note: arranged by J.F.B. & David Wulstan
5-19-a S D♭ Monk, Edwin George   -8   1   2   2   2 19(1-6)
5-19-b D D♭ Boyce, William   -5  -2  -1   0  -2 19(7-end)
5-20 S E♭ Lloyd, Charles Harford    2  -2  -7   0   2 20
5-21 D E♭ Havergal, William Henry   -2   5  -7   9  -2 21
Note: Second half of chant for vs. 7
5-22-a D e♭ Camidge, Matthew    2   0   1   2   2 22(1-21)
Note: Second half of chant for vs. 21
5-22-b D E♭ Camidge, Matthew    2   0   2   2   1 22(22-end)
Note: Arrangement of the E-flat minor chant by G.J.E. (G.J. Elvey?)
5-23 S G♭ Lloyd, Charles Harford    3  -3  -2  -2   4 23
6-24-a D A♭ Norris, Thomas    4   3  -7   0  -3 24(1; 5-end)
6-24-b S D♭ Kelway, Thomas    0   2   1   5  -3 24(3-4)
6-25 D g Stewart, Charles Hylton    5   0  -1   1   3 25
6-26 S f Weldon, John    4  -4  -1   0   3 26
6-27-a D A♭ Wolstenholme, William    5   4   0  -2  -2 27(1-7; (alt. Gloria))
Note: Second half of chant for vs. 7
6-27-b S E♭ Davey, John    1   4   2   3  -2 27(8-end)
Note: The preceding chant on this page (27a) can alternatively be used for the Gloria
7-28-a D g Hopkins, Edward John   -1  -2  -1   3   1 28(1-6)
7-28-b D G Hopkins, Edward John   -2  -2  -1   3   2 28(7-end)
7-29 D E♭ Buck, Percy Carter    5   0  -5  -2   3 29
7-30 D C Stewart, Charles Hylton    5   0  -2   5  -1 30
7-31-a D F Turle, James    0   2  -3   1   0 31
7-31-b S f Wesley, Samuel Sebastian    0   2  -3  -1   0 31(9-13)
Note: Alternative chant to the preceding (in F major) for verses 9-13
7-32 D E♭ Henley, Phocion   -2  -2   9  -2  -3 32
8-33 D B♭ Turle, James    3   0   5  -5   5 33
Note: vss 3, 14, & 21 to be sung to the second half
8-34 S G Ouseley, Frederick Arthur Gore    0   3  -7   5   0 34
8-35 D f Goss, John   -3   2  -3  -4   5 35
Note: arr. J.G. , most likely John Goss?
8-36-a D d Stanford, Charles Villiers    5  -2  -2  -1  -2 36(1-4)
8-36-b D D Stanford, Charles Villiers    1   2   2   2  -2 36(5-end)
8-37 D E♭ Goss, John    3  -2  -1  -2  -3 37
9-38 D c Turle, James    4  -4  -1   1   9 38
9-39 D c Roseingrave, Ralph    0   5   0  -1  -1 39
Note: Second half of chant for vs. 15
9-40-a D E♭ Foster, John   -1   1   2   3  -1 40(1-13; (Gloria))
9-40-b S E♭ Palmer, Clement Charlton    8  -1  -3  -4   5 40(14-end)
Note: Alternative for Gloria: preceding chant
9-41-a T f Anad    0  -4   2   2  -2 41
Note: For the Gloria, the second and third quarter should be replaced by the arrangement by David Wulstan, resulting in a double chant (next number)
9-41-b D f Wulstan, David    0  -4   2   2  -2 41(13, Gloria)
Note: Alternative setting (by D.W.) for the previous chant Second half to be used for vs. 13
10-42-i D D Turle, James    1  -1  -2   7  -7 42(all except vs. 6 & 14), 43(all except vs. 5)
Note: No Gloria for Psalm 42, Psalm 43 follows on Second half to be used for Ps. 42 vs. 5
10-43-ii D D Wulstan, David    0   0   0   0   0 42(6; 14), 43(5)
Note: Arrangement by D.W. of an original chant by James Turle. Melody in Alto and Tenor
10-44-a D F Ashfield, Robert James    3  -5   3  -1  -2 44(1-9; Gloria)
Note: Second half to be used for the Gloria
10-44-b D d Garrett, George Mursell    1  -1  -1   1   0 44(10-end)
10-45 D E♭ Parratt, Walter   -2  -2   7  -2  -1 45
10-46 D C Luther    0   0  -5   4   1 46
Note: Arranged from Luther Ein Fester Burg
11-47 D C Davy, John   -1  -4   5 -12   9 47
Note: Second half to be used for vs. 9
11-48 S E♭ Ouseley, Frederick Arthur Gore    5  -3  -4  -3   5 48
11-49-i D F Walmisley, Thomas Attwood    0   0   0   1   4 49(all, except 12 & 20)
Note: Verses 12 & 20 to be sung on second half, in the arrangement by David Wulstan (the next chant)
11-49-ii S d Wulstan, David   -5   5   2  -5   0 49(12; 20)
Note: Arrangement by David Wulstan of second half of previous chant by T. A. Walmisley
11-50 D F Langdon, Richard    0   2   2   0  -2 50
Note: Second half to be used for vs. 15
11-51 D d Morley, William    0   2   1   0  -1 51
Note: Second half to be used for vs. 13
12-52 D f Brownsmith, John Leman    7  -4  -1   1   2 52
12-53 D f Flintoft, Luke    2   0   1   0   2 53
12-54-a S g Turner, William   -1  -2  -1   3  -7 54(1-3)
12-54-b S G Monk, Edwin George   -2  -2  -1   3  -7 54(4-6)
12-55 D f Edmundson, Colin    1   2   2   0   2 55
12-56 D A♭ Ouseley, Frederick Arthur Gore    2  -2  -1  -4   2 56
Note: Second half to be used for vs. 11
13-57-i S G♭ Anonymous    2   2   0   0   1 57(1-5; 7-11)
13-57-ii S G♭ Wulstan, David    5  -5   8  -3   5 57(6; 12)
Note: Arrangement by David Wulstan of the preceding chant with organo obligato
13-58 S f# Purcell, Thomas   -3   3  -1   5  -7 58
13-59-i D E♭ Goss, John    2   3  -1   0   1 59(all, except 6; 9; 14; 17)
13-59-ii S B♭ Porter, Ambrose   -2  -5   2   4   1 59(6; 14)
Note: Arrangement by Ambrose Porter of the first half of the preceding chant (59-i) by John Goss (Melody in tenor)
13-59-iii S E♭ Porter, Ambrose    2   3   4 -12   3 59(9; 17)
Note: Arrangement by Ambrose Porter of the second half of the preceding chant (59i) by John Goss (Melody in tenor)
13-60 S b♭ Lloyd, Charles Harford    1   0  -1   0   8 60
14-61 S d Anonymous    0  -1   1   3  -1 61
Note: Alternative (original) ending - second quarter - for the Gloria not separately indexed.
14-62-i S C Wulstan, David    5  -2  -2  -1   0 62(1; 5)
Note: Adaptation by David Wulstan of the first quarter of the next chant (62-ii) by John Jones with melody in tenor
14-62-ii D A♭ Jones, John   -2  -2  -1   1   0 62(2-4; 6-end)
Note: Second half for vss. 2 & 6
14-63 S f MacPherson, Charles    3   2   2   0   3 63
Note: final bar first quarter to be omitted for vs. 1
14-64 D c Goss, John    0  -1  -2   3   4 64
14-65-a D E♭ Russell, William    5   0  -1   3   5 65(1-8)
14-65-b S B♭ Battishill, Jonathan    2   2   1   0   2 65(9-end)
15-66-a S D Ouseley, Frederick Arthur Gore   -3  -2   0  -3   8 66
15-66-b S f# Ouseley, Frederick Arthur Gore    3  -1  -3   3   5 66(4-6; 14-16)
15-67-i D G Wesley, Samuel   -2  -2   5  -1  -2 67(1-2; 7; Gloria)
Note: Probably vs. 7 should be sung to the second half of the chant, although this is not indicated by Wulstan.
15-67-ii D G Wulstan, David    2   2   1   2  -2 67(3-6)
Note: Same chant as previous (67-i); in first half melody in bass, arrangement by David Wulstan. Vss. 4 and 6 to second half of chant
15-68-a D D♭ Elgar, Edward William    5  -3  -4  -1   5 68(1-18; 28-end)
Note: vss. 11-14 may alternatively be sung to chant 68-b.
15-68-b S F Elgar, Edward William    2  -2  -3  -2   5 68(19-27)
Note: Optionally vss. 11-14 may also be sung to this chant
15-69-a D a Battishill, Jonathan   -2  -2  -1   8  -1 69(1-29)
15-69-b D A Battishill, Jonathan   -1  -2  -2   9  -2 69(30-end)
16-70 S E♭ Palmer, Clement Charlton    8  -1  -3  -4   5 70
16-71 D E♭ Robinson, John    5  -3  -2  -3   2 71
16-72 D A♭ Monk, Edwin George    2  -7   9   0  -2 72
Note: vss. 5 and 14 to the second half of the chant vss. 18-19 can be sung to a descant (by David Wulstan?) which is not indexed.
16-73-a D D Soaper, John   -2   2   1   4  -2 73
Note: vs. 11 to the second half of the chant. Vs. 15-21 can be sung to an alternative chant (next, by William Croft)
16-73-b S a Croft, William   -2  -2  -1   8  -1 73(15-21)
Note: Alternative chant to the previous one for vs. 15-21
16-74-a D f Wesley, Samuel    0   0  -1   1  -3 74(1-12)
16-74-b S B♭ Ouseley, Frederick Arthur Gore    5   4  -2  -3   1 74(13-20)
16-74-c D f Turle, James    0   0   0   0   2 74(19-24)
Note: from H. Purcell
17-75 D C Parratt, Walter    0   0   9  -4  -3 75
17-76 T b♭ Wulstan, David    1   0  -1   0  -4 76
Note: 3rd and 4th quarter omitted for the Gloria Arrangement by David Wultan and J.F. B.
17-77 D g Clark, Richard    3  -3  -1   0   1 77
Note: vss 9 and 12 to second half of the chant
17-78-a Q c Wulstan, David    5  -1   1   2   1 78(1-17; 41-56; 66-end)
Note: Arranged by David Wulstan vs. 9 starts at the 7th quarter; Gloria starts at second half (5th quarter) of the chant
17-78-b S g Hine, William   -1   1   2   1  -1 78(18-21; 32-34; 57-59)
17-78-c D g Anonymous    0   0   0  -2   0 78(22-31; 35-40; 60-65)
18-79 D c Wesley, Samuel   -4  -3   8  -1   4 79
18-80 D a♭ Barnby, Joseph    3  -2  -1   4   1 80
Note: vss. 4, 8 and 20 to the second half of the chant Wultan provides an arrangement of this chant for vss 3, 7 and 19. This is not separately indexed.
19-81-a X A Wulstan, David    0   0   1   0   0 81(1-5)
Note: Single chant with flex (2 bars inserted between first and second half) for vs. 5. Arrangement by David Wulstan
19-81-b X a Wulstan, David    0   0   2   0   0 81(6-11)
Note: Single chant with flex (2 bars inserted between first and second half) for vv. 7 and 11. Arrangement by David Wulstan
19-81-c S A Wulstan, David    0   0   2   0   0 81(12-17)
Note: Arrangement by David Wulstan
19-82 S e Anonymous    0  -2  -2   4  -7 82
Note: alternative/original ending (second half) for the Gloria, not separately indexed
20-83 D c Crotch, William    3   4   5   0  -2 83
20-84 D E♭ Pye, Kellow John    3  -3  -4   7   2 84
20-85 D F Elvey, Stephen    0  -2  -2   0   2 85
20-86 S F Dyce, William    3  -1   1  -3  -2 86
20-87 S A♭ Goss, John    4  -2   3  -1  -2 87
20-88 D f Anonymous   -2  -2  -1   5   5 88
21-89-a D C Turle, James   -7   2   2   0   0 89(1-36; 50b; Gloria)
Note: vss 19 and 28 to second half of the chant
21-89-b D c Turle, James   -7   2   1   2   2 89(37-50a)
21-90 D f Hervey, Frederick Alfred John   -1   0  -2   5   0 90
21-91 D A♭ Garrett, George Mursell   -2   2  -4   0  -3 91
Note: chant altered (by D.W.??): fist two bars of last quadrant
21-92 D G Horton, Peter    0   2   2   0   1 92
21-93 S B♭ MacFarren, George Alexander    2   3   4  -5   1 93
22-94 Q f Wulstan, David    0   2   2   0  -2 94
Note: Arrangement by David Wulstan vs. 7 starts at seventh quarter instead of fifth. Gloria starts at fifth quarter. Alternative setting (different middle voices) for seventh and eighth quarter for Gloria
22-96 T A♭ Wulstan, David   -2  -2   7  -3  -2 96, 98
Note: Arr. David Wulstan Third and fourth quarter omitted for Gloria Ps. 96 vs 13 and Ps. 98 vs 14 start at the fifth quarter (third part) of the chant.
22-97 T B♭ Wulstan, David    9  -2  -2  -5   2 97
Note: Triple chant based on double chant by Henry Lawes. Arrangement (insertion of second part??) by J.C. and D.W. Second part (thid/fourth quarter) omitted for Gloria
22-99-a S E♭ Battishill, Jonathan    0  -3   8  -3  -7 99
Note: vss. 3, 5 and 9 may be sung to the next chant
22-99-b S E♭ Battishill, Jonathan   -2  -2  12  -3  -7 99(3, 5, 9)
Note: Alternative for the preceding chant
23-100 S F Battishill, Jonathan   -1   1   5  -1   5 100
23-101 D E♭ Elvey, Stephen    1  -1   5  -2   4 101
23-102 D f Stonex, Henry    0   2   1   0   0 102
Note: vss. 11 and 22 start at third quarter
23-103 D D♭ Lemon, John   -1  -4   2   0  -2 103
Note: vss. 5 and 10 start at third quarter
23-104 D F Rogers, Thomas    5  -2   0  -2   2 104
Note: vss. 9, 18, 23, 30 and 35 start at third quarter
23-105 D G Smart, Henry Thomas    5   4  -2   5  -7 105
Note: vss. 15, 22, 27 and 36 start at third quarter
24-106 D E Parry, Charles Hubert Hastings    1   2  -7   2   3 106
Note: vss. 5, 12, 23 and 46 start at third quarter
24-107-i D F Hayes, William    0  -2  -2   5   0 107(all except 6, 8, 13, 15, 19, 21, 28 and 31)
Note: vss. 3, 12, 27, 30 and 43 start at third quarter Rebarred (DW) asymmetrical chant
24-107-ii D F Wulstan, David    0  -2  -2   5   2 107(6, 13, 19 and 28)
Note: Arrangement by David Wulstan of preceding chant by William Hayes
24-107-iii D F Wulstan, David    2   2   1  -7   2 107(8, 15, 21 and 31)
Note: Arrangement by David Wulstan of preceding chant by William Hayes
24-108-a S a♭ Anonymous    2   2   0   0   1 108(1-5)
Note: misprint: first bar second quarter tenor should have C-flat (as in Psalm 57)
24-108-b S b♭ Lloyd, Charles Harford    1   0  -1   0   8 108(6-end)
24-109 D a Smart, Henry Thomas    0   5  -1   0   1 109
Note: vss 19 and 24 start at second half
25-110 S A Turner, William    2   0   2  -4   5 110
25-111 S G Russell, William    1  -3   5  -7   5 111
25-112 S G Nares, James    1  -3  -2  -1   1 112
25-113 S G Aldrich, Henry   -2   2   1  -1  -2 113
25-114 S e Wulstan, David   -2   3  -1  -2  -2 114
Note: Arranged by David Wulstan For vss. 5-6 arrangement for boys only Gloria to end with major chord (add g-sharp)
25-115 S E♭ Parisian Tone II    3  -2  -1  -2   0 115
Note: First bar of second quarter omitted for vss. 2, 4, 5, 6, 13, 14 and 15
25-116 D B♭ Hemmings, Alan Stephen    0  -2  -3   5   3 116
25-117 S C Humphrey, Pelham    0   0  -1   0   1 117
26-118 D A♭ Parry, Charles Hubert Hastings   -1   1  -5   2   5 118
Note: vs. 29 starts at second quarter Alternative ending in a-flat major for the Gloria (for other verses chant ends in e-flat major)
26-119 O F Wulstan, David    0   0   5   2   2 119
Note: Arranged by David Wulstan See chant nr. 1 on page 36 for alternative chant Structure is ABCC (=midi file); when the Gloria is added: ABCB (not in midi)
26-120 S f Anonymous   -2  -2   2   2  -4 120
27-121 D A♭ Woodward, Richard   -2  -2  -1   1   2 121
27-122 D F Cutler, Edward    0   0   5   2  -3 122
Note: vs. 5 with second half
27-123 D E♭ Bairstow, Edward Cuthbert    3   0  -1  -2  -2 123
27-124 S c Heywood, Thomas    5   2  -3   0   3 124
27-125 X f Wulstan, David    1   2  -3  -5   1 125(Gloria)
Note: Arranged by David Wulstan Alternative ending of previous chant for Gloria (last two bars)
27-125 X f Wulstan, David    1   2  -3  -5   0 125(all, except Gloria)
Note: Arranged by David Wulstan With flex: bar 4 to be omitted for vs. 5. Alternative ending for Gloria (included as a seperate chant)
28-126 X d Ashfield, Robert James    2   2   1  -1   3 126
Note: symmetrical: both halves have three bars
28-127 S G Dix, Leopold McClintock Lancaster    2   5  -2  -1  -4 127
28-128 D B♭ Monk, Edwin George    5  -1   1  -3   5 128
Note: vs. 5 starts at second half
28-129 X E♭ Wulstan, David    5   0  -1   0   1 129
Note: asymmetrical: second quarter has only three bars. Possibly an arrangement by Wulstan of chant no. 114 in book no. 2 (Rimbault)
28-130 X c Anonymous    0   2   5   0   8 130
Note: asymmetrical. Alternative ending for Gloria (ending in C-minor) for the previous chant.
28-130 X c Anonymous    0   2   5   0   8 130(all except Gloria)
Note: asymmetrical. Alternative ending for Gloria (ending in C-minor) separately included here.
28-131 S E♭ Stewart, Charles Hylton    3  -3  -2   2  -4 131
Note: Originally symmetrical, rebarred.
29-132-i F F Wulstan, David    2   2   1  -1  -2 132(all, except Gloria)
Note: Arranged by David Wulstan. Based on a Geneva psalmmelody (Psalm 124). Vs. 13 starts at third part with specific pointing. Gloria starts at 4th part and has seperate ending (from the original version). This is included as a separate chant (next number).
29-132-ii D F Wulstan, David    0  -2  -1  -2   2 132(Gloria)
Note: Arranged by David Wulstan. Gloria starts at 4th part of the original Quintuple chant (preceding number) and has seperate ending. Therefore included as a separate chant.
29-133 S F Hayes, Philip   -3   1  -1  -2   2 133
29-134 S B♭ Woodward, Richard    2   2   1   2   2 134
30-135-a D F Buck, Percy Carter    5  -3   5  -3  -2 135
30-135-b S F Parisian Tone II    3  -2  -1  -2   0 135
30-136-a X A♭ Lloyd, Charles Harford    2   3  -5   0   2 136
Note: Second and fourth quarters have an extra bar Vss. 3, 12, 25 start at second half
30-136-b D B♭ Parratt, Walter    9  -4   7  -2  -1 136
Note: Vss. 3, 12, 25 start at second half
30-137 T e Whitlock, Percy William   -3   2  -2   5   2 137
Note: Second part (3rd and 4th quarter) omitted for Gloria Special pointing for vss. 4, 6 an 7.
31-138-i T e Anonymous    0   1   2  -7   5 138(all, except Gloria)
Note: Although listed as such by Wulstan, this is not a true Triple chant: parts 1 and 3 are symmetrical (first and second quarter both 3 bars) vs. 7 special pointing For Gloria second part is omitted and last quarter changed. This is included as a separate chant (next number)
31-138-ii X e Anonymous    0   1   2  -7   5 138(Gloria)
Note: Shortened version of preceding chant and last quarter different.
31-139 D f Barnby, Joseph    0   3  -1   0   1 139
Note: vss. 5 and 14 start at second half
31-140 S c Rimbault, Edward Francis    5  -2  -3   0   0 140
31-141 S f Blow, John    0   2   2   0  -2 141
32-142 D E♭ Bayley, William    0   2   2   0   8 142
Note: vs. 5 starts at second part
32-143 D A♭ Whitlock, Percy William    2   3   2  -3   1 143
32-144-a D G Turle, James    0   0   0   4  -7 144(1-8)
32-144-b S C Tallis, Thomas    0  -5   2   0   2 144(9-end)
32-145 S A♭ Battishill, Jonathan   -5   9  -2   3  -1 145
32-146 S D♭ Battishill, Jonathan   -5   0  -7   0   9 146
32-147 D E♭ Stanford, Charles Villiers    5  -3   2  -4   2 147
Note: vss. 9 and 18 start at second part
33-148 X F Ashfield, Robert James    5  -5   3  -1   8 148
Note: Symmetrical Single chant: both quarts have 3 bars
33-149 D A♭ Stanford, Charles Villiers   -2  -2   2  -2   2 149
33-150 X C Stanford, Charles Villiers   -3   3   2  -2   0 150
Note: Through-composed chant, based on the single chant formula
35-156 D A♭ Goss, John    2   2   1   2   2 Te Deum Laudamus(1-13)
35-157 D E♭ Russell, William    5  -1  -2  -2  -3 Te Deum Laudamus(14-21)
35-158 S A♭ Turle, James    0   2   2   0   3 Te Deum Laudamus(22-end)
35-159 D G Crotch, William   -2  -2  -1   1   2 Te Deum Laudamus(1-13)
35-160 D D Woodward, Richard    0   0   5  -8   5 Te Deum Laudamus(14-21)
35-161 S G Purcell, Daniel    0  -1   1   5  -6 Te Deum Laudamus(22-end)
36-162 Q F Wulstan, David    0  -3   5  -2   0 Te Deum Laudamus
Note: arr. David Wulstan
36-163 D G Garrett, George Mursell    0   0   2   0   2 Benedictus (Luke 1, 67-79)
36-164 D E♭ Barnby, Joseph    4   5  -2   0   5 Benedictus (Luke 1, 67-79)
37-165 D D Taylor, William    1   2  -3   0   0 Magnificat (Luke 1, 46-55)
37-166 D B Davies, Henry Walford    0   5   0  -1   1 Magnificat (Luke 1, 46-55)
Note: Comment by David Wulstan: passing notes are better left out
37-167 D F Turle, James    7   2  -2  -3   1 Magnificat (Luke 1, 46-55)
37-168 S g Kelway, Thomas    0   2  -3   1  -3 Nunc Dimittis (Luke 2, 29-32)
37-169 S E Goss, John   -2   0   5  -3   1 Nunc Dimittis (Luke 2, 29-32)
37-170 S d Anonymous   -2  -2   2  -2   2 Nunc Dimittis (Luke 2, 29-32)
Note: Gloria should end with D-major chord D-Fsharp-A
37-171 S c Hervey, Frederick Alfred John   -2  -2  -1   0   0 Nunc Dimittis (Luke 2, 29-32)
38-151 S A♭ Anonymous    0  -1   1   0  -1 Venite, Easter Anthems(1-3)
Note: Arranged by A.B.
38-152 S A♭ Imperial Tune    0   0   2   0   2 Venite, Easter Anthems(4-5)
Note: Arranged by W.C.
38-153 S G♭ Anonymous   -4   2   3  -1  -2 Venite, Easter Anthems(6-end)
38-154 S A Crotch, William    0  -1   1  -3  -2 Venite
38-155 S G MacFarren, George Alexander    2   2   1  -8   2 Venite


Last updated/corrected 3-8-2017