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Additional information for
The Loose Leaf Collection



Number33
StatusIncluded
Full TitleThe Loose Leaf Collection
Author(s)Meijer, Ton
PublisherPrivate Collection
Year of Publication2014
ISBN
Pointed text includedNo
Chants numbered continuouslyYes
Chants assigned to PsalmsYes
Formatpdf
Sourceseveral
Additional comments This is a collection of chants that were found on loose leafs in chant books and other places. They are included here if they have not (yet) been found in the Chant Books included. Note that for most chants no pointed tekst is provided and that not all chants in this collection are assigned to specific Psalms. In this collection the 'page number' refers to each addition (usually a set of chants) and the 'chant number' to the sequence of the chant in in that set.


Table of Contents


Click here for an explanation of the conventions used in the listings

p-n T Key Composer Finger
print
Psalms/
Notes
1-1 D D Allbright, Terence    1   2  -7   0   7 138
Note: Found in the back of (borrowed copy of) The Coverdale Psalter. Full choir throughout. Later another version (slightly different) was received from the composer himself, together with a simplified version and four other chants (nrs. 9-14 in this collection)
1-2 D A Marlow, Richard Kenneth [Fauré, Gabriel Urbain]    5   0  -1   1   5 91
Note: Found in the back of (borrowed copy of) The Coverdale Psalter. After Fauré.
1-3 D A♭ How, Martin J. R.    0  -2  -7   5   4 128
Note: Found in the back of (borrowed copy of) The Coverdale Psalter
1-4 D A Berry, Alexander    4  -2   5   0   0 114
Note: Found in the back of (borrowed copy of) The Coverdale Psalter Chant written under the pseudonym Semolina Greenridge-Rumpion
1-5 D C Griffith-Griffiths, Jonas P.    3   2   3  -1   3 119(161-168), 119(169-176)
Note: Found in the back of (borrowed copy of) The Coverdale Psalter
1-6 D c James, Donald    5  -2   5  -7  -1 Note: Pasted in the back of (borrowed copy of) The Coverdale Psalter
2-7 D D♭ Lloyd, Richard Hey    3   7  -2  -7   4 111
Note: Chant contributed by Neville Richards, based on an original copy from the composer.
3-1 Q F Oakeley, Herbert Stanley   -2  -2   5  -1   0 84(1-9; Gloria)
Note: The second half of the chant to be used for the Gloria. For verses 10-13 see the Triple chant arrangement (nr. 3-2)
3-2 T F Meijer, Antonie (Ton) [Oakeley, Herbert Stanley]   -2  -2   5  -1   0 84(10-13)
Note: Arrangement by Ton Meijer. Based upon Oakeley's Quadruple chant. This chant was used for the Dutch translation of Psalm 84, as found in book nr. 11. The last three verses did not fit the Quadruple chant, therefor this triple chant arrangement was made (using the first quarter of part three and the last quarter of part 4)
4-1 D D Allbright, Terence    1   2  -7   0   7 Note: Found in the back of (borrowed copy of) The Coverdale Psalter. Full choir throughout. Later this original version was received from the composer himself, together with a simplified form and four other chants (nrs. 2-5)
4-1-a D D Allbright, Terence    1   2  -7   0   7 Note: Simplified version of chant nr. 1. Received from the composer through private e-mail.
4-2 D A Allbright, Terence   -4  -3  10  -5  -3 Note: Received from the composer through private e-mail.
4-3 D F# Allbright, Terence    0   0   7  -5   5 Note: Received from the composer through private e-mail.
4-4 D f Allbright, Terence    2  10  -5   0   3 Note: Received from the composer through private e-mail. The doxoloy should start with a major third (tenor A for A-flat)
4-5 D G Allbright, Terence   -2  -7   4  -2   3 Note: Received from the composer through private e-mail.
5-1 D G Wills, Arthur    2   1   5  -1  -2 84
Note: One single sheet with two chants by Arthur Wills. Received (for free) from Fagus Music Publishing, together with the "Twenty Anglican Chants" by John Barnard.
5-2 D E♭ Wills, Arthur    2  -7   5  -7   2 121
6-1 D G Knight, Gerald Hocken    2   3   2   2  -2 Note: Handwritten copy pasted in the back of (my copy of) The New Cathedral Psalter Chants. Slightly different harmonisation from the one in "Chants old and new"
7-1 S G Anonymous   -1   1   2   2   1 Te Deum Laudamus(1-4; 18-end)
Note: Loose leaf found in Jason Smart's copy of "The Handbook of One Hundred Chants" (Martin). It is a set of four single chants for the Te Deum (actually three, nos. 1 and 4 are the same).
7-2 S G Anonymous    2   2   2   1   0 Te Deum Laudamus(5-9)
7-3 S G Anonymous   -2  -2   5  -1  -2 Te Deum Laudamus(10-17)
8-1 D E♭ Sartin, Paul Jonathan   -2   7  -5   0  -7 Note: Received through e-mail from composer
8-2-a D f Sartin, Paul Jonathan    0   2   0  -2   5 Note: STB voices. No. 2-b to be used for the Gloria
8-2-b D f Sartin, Paul Jonathan    0   2   0  -2   5 Note: For the Gloria, with no. 2-a
8-3 D c Sartin, Paul Jonathan    5   2   1   0  -1 Note: For SSAATTBB
9-1 D b♭ Walker, Frikki    8  -3  -5   3   0 Note: Received from composer via email
9-2 D E Walker, Frikki    3  -2  -1   5   0
9-3 T E Walker, Frikki    4  -2  -7   2   5
10-1 D E♭ Bairstow, Edward Cuthbert    1   2   2   0   2 85
Note: Private communication from a chorister who sang this chant under a pupil of Bairstow. This is assumed to be the original version and key. It is also assumed to be the original pairing with Psalm 85 for which Bairstow composed it (including Bairstow's pointing).
11-1 D C Goodenough, Robert Philip   -5  -3  -4  16  -2 150
Note: Descant: alto 1 octave up
12-1 D D Veerman, Joost [Bourgeois, Louis]   -3   1   2   0   5 27(1-6; 13-14; Gloria)
Note: after Louis Bourgeois (1551; Genevan Psalter)
12-2 D D Veerman, Joost [Bourgeois, Louis]   -2  -1  -2   0   3 27(7-12)
Note: after Louis Bourgeois (1551; Genevan Psalter)
12-3 D G Veerman, Joost    5  -1  -2   0   2 89
12-4 D d Veerman, Joost [Bourgeois, Louis]    1  -3   2  -4   2 90(3-6; 13-14)
Note: after Louis Bourgeois (1551; Genevan Psalter)
Intended for use in alternating between this chant and the Geneva setting for the other verses.
13-1 D G♭ Pratt, Tim   -2   2   1  -1   3 Note: Private communication Tim Pratt via Fred Vonk
13-2 D E♭ Pratt, Tim    9   0   0   0  -2 Note: Private communication Tim Pratt via Fred Vonk
13-3 D e♭ Pratt, Tim    0   2   2   0   2 Note: Private communication Tim Pratt via Fred Vonk
13-4 D g Pratt, Tim    0   0   1   1  -2 Note: Private communication Tim Pratt via Fred Vonk
13-5 D E Johnson Manning, Sasha    1  -1   0  -4   0 Note: Private communication Tim Pratt
14-1-a D g Mold, Simon Peter   -1   5  -7   0   5 89(37-50a)
Note: Via private email from the composer 2018-03-09
14-1-b S g Mold, Simon Peter   -2   5  -6  -4  10 89(50b)
Note: Second half of no. 1a, slightly modified
14-2 D B♭ Mold, Simon Peter    5  -5   2   2   1 147
14-3 D e Mold, Simon Peter    7  -5   1   2  -3
14-4 D G Mold, Simon Peter   -5   1   4  -2   3
14-5 D G Mold, Simon Peter    1  -1  -7   2   1 89(1-19)
14-6 D D Mold, Simon Peter    1   2   2  -2   0 89(20-36)
15-1 S c Ouseley, Frederick Arthur Gore    0   0   1  -1   5 14
Note: Private collection of Sydney Campbell. Scans via email from Jason Smart.
15-2 S A Pring, Joseph    5   5  -1  -2   2 23
Note: 'Pring' - could also be Isaac Pring?
15-3 D E♭ Stainer, John    5  -8   5  -2  -2 33
15-4 D A Elvey, George Job   -4  -5   2   0   8 48
15-5 S A♭ Tomkins, Thomas    0  -2   3  -3   5 61
15-6 D D Ley, Henry George    4   3  -5  -2  12 69(30-end)
Note: note in Campbell's handwriting: vss 1-29 with Morley in D minor
15-7 D B Best, William Thomas    0  -5   2   0   2 72
15-8 D c# Garrett, George Mursell    1  -1  -1   1   0 74
15-9 D E♭ Stocks, Harold Carpenter Lumb    5  -5   2   0  -2 104
15-10 D A Walmisley, Thomas Attwood    4   0   3 -10   2 115
15-11 S g Parratt, Walter    1   4   3  -2  -1 130
15-12-a D A Campbell, Sidney Scholfield    2   0   1  -1   3 Note: Note from Campbell: "Written and sung at a funeral. Never used since. All copies stolen by students who sang it"
15-12-b D A Campbell, Sidney Scholfield    2   0   1  -1   3 Note: Same as 12a with original final quart
15-13 D a Fleming, M. P. M.   -2  -2   2   2   1
16-1 D d Grindle, William Henry (Harry)    2   3   2   0   3 30(7-11)
Note: Collection of chants by Harry Grindle, housed in the Linenhall Library (Belfast). Documents kindly made available by Philip Prosser
16-2 D d Grindle, William Henry (Harry)    3   4   3  -5   3 51
16-3-a X D Grindle, William Henry (Harry)    1   2   5  -5   3 82(1; 8)
Note: 3-3 bars
16-3-b D d Grindle, William Henry (Harry)    3  -1  -2   3   2 82(2-7)
16-3-c X D Grindle, William Henry (Harry)    1   2   5  -5   3 82(Gloria)
Note: Irregular double 3-3-3-3 bars
16-4 D D Grindle, William Henry (Harry)   -1  -4  -3   3   3 46
16-5 D D Grindle, William Henry (Harry)    0  -2   7  -1   3 105(1-11)
16-6-a D E♭ Grindle, William Henry (Harry)    3  -7   5  -1   1 23(All, except Gloria)
16-6-b D E♭ Grindle, William Henry (Harry)    3  -7   5  -1   1 23(Gloria)
Note: final quart slightly different from no. 6a
16-7 D E Grindle, William Henry (Harry)   -3  -2  -3  -2   3 76
16-8 D F Grindle, William Henry (Harry)    5  -1   0  -2  -2 7
16-9 D G Grindle, William Henry (Harry)   -5   5   2   3   0 71(1-6)
16-10 X a Grindle, William Henry (Harry)    1   4   3   4  -2 130
Note: Irregular double: 3-3-3-3 bars
16-11-a D A♭ Grindle, William Henry (Harry)    2   0  -2   7  -2 119(33-48)
Note: composed as a pair with no. 11b
16-11-b D A♭ Grindle, William Henry (Harry)   -5   1   7  -3  -2 119(49-56)
Note: composed as a pair with no. 11a
16-12-a D A Grindle, William Henry (Harry)    9  -2   5  -7  -1 9(1-12; 19-20; Gloria)
Note: composed as a pair with no. 12b and c
16-12-b D C Grindle, William Henry (Harry)   -4   2   2   0   1 9(13-14)
Note: composed as a pair with no. 12a and c
16-12-c D a Grindle, William Henry (Harry)   -4   2   2   0   1 9(15-18)
Note: composed as a pair with no. 12a and b
16-13 D A Grindle, William Henry (Harry)   -2  -5  -2   0   5 27(8-16)
16-14 D A Grindle, William Henry (Harry)    9  -4   7  -5   3 75
16-15 D A Grindle, William Henry (Harry)    0  -2   3  -8   0
16-16 D B♭ Grindle, William Henry (Harry)    3  -1  -7   3   2 119(17-24)
16-17-a X B♭ Grindle, William Henry (Harry)   -5   5   2   2  -4 150(2)
Note: Throug-composed irregular single chant (3-3 bars). Only the first harmonized version (vs. 2, no. 17a) and second half of Gloria (no. 17b, with descant) indexed; incorrectly listed as C Major.
16-17-b X B♭ Grindle, William Henry (Harry)   -4   4   1   2   2 150(second half of Gloria)
Note: As no. 17a, men unison melody with descant for two trebles and alto and obligato organ
16-18-a S d Grindle, William Henry (Harry)    0  -2  -7   2   2 137(1-6)
16-18-b S d Grindle, William Henry (Harry)    0  -2  -7   2   2 137(end of Gloria)
Note: final bars changed
16-18-c S d Grindle, William Henry (Harry)    0  -2  -7   2   2 137(end of Gloria)
Note: as no. 18b, optional bass chord in final bar
16-19 S A♭ Grindle, William Henry (Harry)   -9   0   2   3   0 67
16-20-a S B♭ Grindle, William Henry (Harry)    5  -2   5   2   3 8(1; 10)
Note: Unison with organ
16-20-b D B♭ Grindle, William Henry (Harry)    0   9  -2  -2   7 8(2-9)
16-20-c S B♭ Grindle, William Henry (Harry)    5  -2   5   2   3 8(first half of Gloria)
Note: as no. 20a, harmony; Transcription error(?): first note treble should be D, not E-flat
16-20-d S B♭ Grindle, William Henry (Harry)    5   2   2   1  -3 8(second half of Gloria)
Note: as no. 20a, treble/alto descant, men melody; obligato organ
17-1 Q G Richardson, Alfred Madeley   -4   2   2   0   5 119(73-88)
17-2 D G Meijer, Antonie (Ton) [Richardson, Alfred Madeley]   -4   2   2   0   5 119(Gloria after vs. 73-88)
Note: Double chant using parts of the preceding chant by Richardson (no. 1) and the next chant by Mann (no. 3)
17-3 Q G Mann, Arthur Henry   -3  -2  -2   0   9 119(105-120)
17-4 D G Meijer, Antonie (Ton) [Mann, Arthur Henry]   -3  -2  -2   0   9 119(Gloria after vss 105-120)
Note: Lamb (book no. 83, Lichfield Psalter) suggests the second half of the preceding Quadruple (no. 3) for the Gloria. Other sources do not make suggestions. This double is formed with the first three quarters and the last quarter.


Last updated/corrected 14-10-2018