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Additional information for
The Southwark Psalter



Number56
StatusIncluded
Full TitleThe Southwark Psalter
Author(s)A. M. Richardson & B.F. Westcott
PublisherLongmans, Green & Co., London
Year of Publication1905
ISBN
Pointed text includedYes; language: English; Version: Coverdale
Chants numbered continuouslyNo
Chants assigned to PsalmsYes
Formathardcopy
Sourceown property
Additional comments All chants in this Psalter are by A. Madeley Richardson, Organist and director of the choir of the Collegiate Church of Southwark.
For most Psalms preludes, interludes and postludes are provided. These are not included in the index and the midifiles. Where the organ accompaniment is relevant for the chant, it is included in the midi.
Most chants provided are regular Single or Double chants, although there are several of irregular form.
Where triplets are used in one or more voices, the remaining voices are also played as triplets (first two notes tied) in the midi files.

Quote from Maurice Frederick Bell Church Music, p.109:
Dr. Madeley Richardson's book, based on Dr. Westcott's Paragraph Psalter, goes still further, aiming at a complete and faithful rendering of the Psalms, unshackled by antiquated and meaningless traditions.
Dr. Richardson maintains that each Psalm (or each paragraph of a Psalm) should, if possible, have specialmusic written for it,adapted to its meaning and spirit. He has thus written original music for the whole Psalter,consisting mainly of chants in a variety of forms. In his pointing he often omits notes; in his chants he avoids full closes, introduces triplets, uses double, triple,and quadruple forms where required, and allows for the monotoning of certain sections with free organ accompaniment. He writes small anthems for various refrains, and allows for the insertion of instrumental preludes, interludes,and postludes.
Those who have heard the Southwark Cathedral choir recognize to the full the extraordinary beauty of this most artistic effort to make the singing of the Psalter intelligent. But, with all its excellencies of theory and its high aim, it somehow proved impracticablea, and it is no longer in use at Southwark.


Table of Contents


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Psalms/
Notes
xvii-1 S F Richardson, Alfred Madeley    1   4  -2  -2  -1 Venite(1-7; Gloria)
xvii-2 S B♭ Richardson, Alfred Madeley    4  -2  -2   2   2 Venite(1-7; Gloria)
xviii-1 S C Richardson, Alfred Madeley    1   4  -2  -2  -1 Venite(8-11)
xviii-2 S g Richardson, Alfred Madeley    3  -1  -2   2   1 Venite(8-11)
xix-1 X G Richardson, Alfred Madeley    2   2   1   2  -2 Venite(1-7)
xix-2 X A Richardson, Alfred Madeley    2   2   1  -3  -2 Venite(1-7; Gloria)
xx-1 X C Richardson, Alfred Madeley    2   1   2   2  -2 Venite(8-11)
xx-2 X a Richardson, Alfred Madeley    2   1   2  -3  -2 Venite(8-11)
xxi-1 X C Richardson, Alfred Madeley    2   2   1   2  -2 Venite(Gloria)
Note: Combination of chants xix-1 and xx-1 for the Gloria
xxii-1 X C Richardson, Alfred Madeley    2   2   1  -1  -2 Easter Anthems(1; 3; 6; Gloria)
Note: Unison chant with obligato organ
xxii-2 X C Richardson, Alfred Madeley   -2  -2   2   2   3 Easter Anthems(2; 4-5; 7-8)
xxiv-1 X A Richardson, Alfred Madeley    2   3   2  -2   0 Quicunque vult(1-2)
Note: Unison chant
xxiv-2 X E Richardson, Alfred Madeley    1  -1   0  -4   2 Quicunque vult(3-4; 6; 11-12; 14; 16; 18-23; 25-27)
Note: Unison chant
xxiv-3 X E Richardson, Alfred Madeley   -1   0   1  -1   0 Quicunque vult(5; 7-10; 13; 15; 17; 24)
Note: Unison chant
xxvi-1 X A Richardson, Alfred Madeley    2  -2   0  -3  -2 Quicunque vult(28-29; 42)
Note: Unison chant. Omit bar 3 for vs. 42
xxvi-2 X D Richardson, Alfred Madeley    1  -1   0  -4   2 Quicunque vult(30-41)
Note: Unison chant. Omit bar 3 for vs. 42
xxvii-2 X A Richardson, Alfred Madeley    2   3   2  -2   0 Quicunque vult(Gloria)
Note: Unison chant.
1-1 S C Richardson, Alfred Madeley    2  -2  -1  -2  -2 1(1-3; Gloria)
1-2 S G Richardson, Alfred Madeley    2  -2  -1  -2  -2 1(5-7)
2-2 T f Richardson, Alfred Madeley    3  -1  -2  -1   1 2(all except Gloria)
2-3 T f Richardson, Alfred Madeley    3  -1  -2  -1   1 2(Gloria)
Note: Same as preceding, middle part (bars 8-14) omitted
4-1 D D♭ Richardson, Alfred Madeley    0   0  -4   2   2 3
5-1 S A Richardson, Alfred Madeley   -2  -2  -1  -2  -2 4
6-1 S D Richardson, Alfred Madeley   -2   2   1   4  -2 5
7-1 S f Richardson, Alfred Madeley   -3   2  -7  12   0 6
9-1 D F Richardson, Alfred Madeley    0   0   0   1  -3 7
11-1 D B♭ Richardson, Alfred Madeley   -3  -4   9  -7   5 8(1b-8)
Note: Verses 1a and 9 to a unison, (non-anglican) psalmody
12-1 D B♭ Richardson, Alfred Madeley    5   4   3  -2  -1 9(1-10)
13-1 D F Richardson, Alfred Madeley    1  -1  -2   2  -4 9(11-20)
15-1 X f Richardson, Alfred Madeley    2  -2  -1 10(1-12)
16-1 X A♭ Richardson, Alfred Madeley    1   2   2 10(13-17)
16-2 S F Richardson, Alfred Madeley    0   2  -2  -3   0 10(18-20)
17-1 X A Richardson, Alfred Madeley   -1  -2   2  -4   0 11(1-3)
Note: Second half of the chant is monotone, unison.
18-1 S A Richardson, Alfred Madeley   -1  -2   2  -4  10 11(4-8)
18-2 X f Richardson, Alfred Madeley   -1  -2   2   1   4 12
Note: First quarter of each half of this basically Double chant is only two bars.
19-1 D D♭ Richardson, Alfred Madeley    0  -1  -1  -3  -2 13
20-2 S f# Richardson, Alfred Madeley    0  12  -1   1  -7 14(1-2; 9-11)
Note: vss. 3-8 monotone and unison
22-1 S D Richardson, Alfred Madeley    3  -2  -1  -2   2 15(2-7)
Note: Verse 1 on a (non-anglican) psalmody.
23-1 X B♭ Richardson, Alfred Madeley   -2   2  -4  -3   0 16
Note: Second part only three bars.
24-1 S F Richardson, Alfred Madeley    0   0   0   0   3 17(1-5; 13-16)
24-2 S C Richardson, Alfred Madeley    0   0   0   0   3 17(6-12)
Note: Same as chant no. 1, in C major
25-2 S C Richardson, Alfred Madeley   -3   2   1   2   2 18(1-2; 47-51)
26-1 D e Richardson, Alfred Madeley   -4   2   2   0  -2 18(3-6)
26-2 S E Richardson, Alfred Madeley    1  -2   1   0   2 18(7-15)
27-1 S C Richardson, Alfred Madeley   -2  -3  -4   5  -1 18(16-19)
27-2 S G Richardson, Alfred Madeley   -2  -3  -4   5  -1 18(20-24)
Note: Men only, with obligato organ
28-1 S C Richardson, Alfred Madeley   -2  -3  -4   5  -1 18(25-30)
Note: Boys only, with obligato organ
28-2 S F Richardson, Alfred Madeley   -2  -1   1   2  -3 18(31-46)
30-1 S G Richardson, Alfred Madeley   -3  -4  -5   2   3 19(1-6; Gloria)
31-1 S C Richardson, Alfred Madeley    2   2   1  -8  -2 19(7-14)
Note: First quarter boys; second quarter men; obligato organ bassline
32-2 S c Richardson, Alfred Madeley   -3  -2  -1  10  -2 20
33-1 S G Richardson, Alfred Madeley    0   2   1  -7   4 21(1-7; 13)
34-1 S e Richardson, Alfred Madeley    0  -1  -2   0   2 21(8-12)
35-1 S e Richardson, Alfred Madeley    3  -2  -1  -2  -2 22(1-8)
Note: verses 9-21 monotone
37-1 S E Richardson, Alfred Madeley    5  -1   0  -2  -2 22(22-32)
39-1 D C Richardson, Alfred Madeley    0   0   0  -2   7 23
40-1 S D Richardson, Alfred Madeley    3  -2  -1  -2   2 24(1-2; 4-6; Gloria)
Note: verse 3 monotone
41-1 X D Richardson, Alfred Madeley    0   0   0   0   0 24(7; 9)
Note: Mainly unison; organ part included in midi
42-1 X D Richardson, Alfred Madeley    0   0   1  -5   2 24(8)
43-1 X D Richardson, Alfred Madeley    0   0   1  -5   2 24(10)
43-2 S F Richardson, Alfred Madeley    1  -1  -2   7   0 25(1-14)
44-2 S C Richardson, Alfred Madeley    1  -1  -2   7   0 25(15-21)
45-1 S D♭ Richardson, Alfred Madeley   -2   7  -2   5   0 26
Note: verses 4-7 unison (separate ad lib organ harmony)
46-2 S E Richardson, Alfred Madeley    3  -3   8  -3  -2 27(1-7; 15-16)
47-1 S A Richardson, Alfred Madeley    0   4   3  -2  -1 27(8-14)
48-1 S C Richardson, Alfred Madeley    0   0   7  -7  -3 28(1-6)
48-2 S F Richardson, Alfred Madeley   -1   1   2   2   1 28(7-10)
49-1 S B♭ Richardson, Alfred Madeley    7  -3  -4  -5   2 29(1-2; 9-10)
49-2 S F Richardson, Alfred Madeley    7  -3  -4  -5   2 29(3-8)
Note: unison
50-2 S F Richardson, Alfred Madeley    0   1   2   2  -2 30(1-5; 12-13)
51-1 S C Richardson, Alfred Madeley    0   1   2   2  -2 30(6-11)
Note: unison
52-2 S D♭ Richardson, Alfred Madeley   -1  -2   2   5  -2 31(1-9; 21-29)
53-1 S f Richardson, Alfred Madeley    0   0   0   5   3 31(10-15)
54-1 S F Richardson, Alfred Madeley   -2  -1  -2   0   2 31(16-20)
55-1 S F Richardson, Alfred Madeley   -2  -1  -2   0   2 32
57-1 S A♭ Richardson, Alfred Madeley    3  -2  -3   2   0 33(1-9; 19-21)
Note: verses 6-9 unison with (ad lib) organ harmony
58-1 S E♭ Richardson, Alfred Madeley    3  -2  -3   2   0 33(10-18)
59-1 S E Richardson, Alfred Madeley   -2   2   1   2   2 34
61-1 S g Richardson, Alfred Madeley    3  -1   5  -2  -2 35(1-8; 11-16; 19-26)
62-1 D E♭ Richardson, Alfred Madeley    3  -2  -1   1   4 35(9-10; 17-18; 27-28)
65-1 S A♭ Richardson, Alfred Madeley    3   0  -2  -1  -2 36(5-9; Gloria)
Note: Verses 1-4 monotone
66-1 S E♭ Richardson, Alfred Madeley    3   0  -2  -1  -2 36(10-12)
67-1 S D Richardson, Alfred Madeley   -2   2   2   3   2 37(1-2; 31-41)
67-2 S G Richardson, Alfred Madeley   -2   2   2   3   2 37(3-11; 21-30)
68-1 S g Richardson, Alfred Madeley   -1  -2  -1   3  -2 37(12-20)
70-1 D f Richardson, Alfred Madeley    4  -2  -3   1  -3 38
73-1 X D♭ Richardson, Alfred Madeley    1   1   1   0   2 39
Note: Single chant with only two bars in the first quarter
75-1 T F Richardson, Alfred Madeley    4  -2  -2   9  -2 40(1-13; Gloria)
Note: For the Gloria omit second part.
77-1 T C Richardson, Alfred Madeley    4  -2  -2   9  -2 40(14-21)
80-1 T C Richardson, Alfred Madeley    3   5  -1   1  -7 41(1-12)
81-1 X C Richardson, Alfred Madeley   -4   7  -3  -2  -2 41(13)
82-1 D C Richardson, Alfred Madeley    3   5  -1   1  -7 41(Gloria)
Note: Same as part 1 and 3 of the triple chant nr. 80-1, with first alto note in the second half "d"
82-2 S F Richardson, Alfred Madeley   -3  -2  -2   0   2 42(1-5; 8-13), 43(1-4; Gloria)
83-1 X F Richardson, Alfred Madeley    1  -6   5   0   1 42(6; 14), 43(5)
83-2 X F Richardson, Alfred Madeley    0   2  -5   3   2 42(7)
Note: Although basically a Triple structure, the chant is through-composed across part-boundaries.
85-1 X F Richardson, Alfred Madeley    0   0   2  -5   3 42(15), 43(6)
Note: Although basically a Triple structure, the chant is through-composed across part-boundaries. Some minor differences compared to no. 83-2 for Psalm 42 verse 7.
88-1 S G Richardson, Alfred Madeley    0  -2  -2   2   2 44(1-9; Gloria)
Note: Gloria with extended Amen, not included here.
89-1 S g Richardson, Alfred Madeley    0  -1  -2   2   1 44(10-17; 23-26)
89-2 S G Richardson, Alfred Madeley   12  -3   3  -2  -1 44(18-22)
91-1 S C Richardson, Alfred Madeley    9  -5   3  -2  -3 45(1-10; Gloria)
93-1 S G Richardson, Alfred Madeley    0  -2  -1   1  -1 45(11-18)
95-1 T E Richardson, Alfred Madeley    5  -1  -2  -2  12 46(1-6; 8-10; Gloria)
96-1 X E Richardson, Alfred Madeley    0   0   2  -7   5 46(7; 11)
Note: Through-composed "refrain"
98-1 D A Richardson, Alfred Madeley   -2   2  -4  -3  -2 47(1-4; 6-9)
98-2 S A Richardson, Alfred Madeley    0  -5   5   0   0 47(5)
Note: Unison, except final chord.
100-1 S D Richardson, Alfred Madeley    5  -3  -2  -3   0 48
102-1 S G Richardson, Alfred Madeley   -2  -2   2   5   0 49(1-4; Gloria)
102-2 S D Richardson, Alfred Madeley   -2  -2   2   5   0 49(5-20)
104-1 S E♭ Richardson, Alfred Madeley    3   5  -1  -2  -2 50(1-6)
104-2 S E♭ Richardson, Alfred Madeley   -1   1   7  -2  -2 50(7-23)
106-2 D E♭ Richardson, Alfred Madeley    3   5  -1  -2  -2 50(Gloria)
Note: This double chant is a combination of the preceding two single chants: nos. 104-1 and 104-2
107-1 S g Richardson, Alfred Madeley    3  -2  -1   8  -1 51(1-13)
108-2 S D Richardson, Alfred Madeley    3  -2  -1   8  -1 51(14-17)
109-1 D D Richardson, Alfred Madeley    3  -2  -1   8  -1 51(18-19; Gloria)
Note: First half of this Double identical to preceding Single in D major, no. 108-2
110-1 Q G Richardson, Alfred Madeley   -4   2   2   0   5 52(1-5; 7-10)
Note: verse 6 is Unison and not an Anglican chant in the proper sense; not included here.
110-2 D G Richardson, Alfred Madeley   -4   2   2   0   5 52(Gloria)
Note: As no. 110-1, parts two and three omitted
112-1 S G Richardson, Alfred Madeley    0  12  -1   1  -7 53(1-2; 6-8)
Note: Verses 3-5 monotone
114-1 T D Richardson, Alfred Madeley    3  -2  -1   3   0 54(1-3)
114-2 D D Richardson, Alfred Madeley    3  -2  -1   3   0 54(4-7)
Note: Double chant, first and second part of the preceding Triple chant (no. 114-1)
114-3 D D Richardson, Alfred Madeley    3  -2  -1   3   0 54(Gloria)
Note: Double chant, first and third part of the preceding Triple chant (no. 114-1)
115-1 X G Richardson, Alfred Madeley   -4   3  -2   2   0 55(1-8)
Note: verses 9-16 monotone
117-1 S G Richardson, Alfred Madeley   -2  -3  -2   3   9 55(17-25)
118-1 D F Richardson, Alfred Madeley   -5   1   4  -2  -2 56
119-1 S B♭ Richardson, Alfred Madeley   -1  -2  -2   0  10 57(1-5; 7-11; Gloria)
Note: verses 6 and 12 unison/quasi-monotone; not indexed
121-1 S E♭ Richardson, Alfred Madeley    0   1   2   2  -2 58
Note: Gloria with extended Amen; not included
122-2 S g Richardson, Alfred Madeley    7   1  -1  -4   2 59(1-5; 8; 10-13; 16)
Note: verses 6, 14 monotone unison; verses 7, 15 monotone harmony.
123-4 S G Richardson, Alfred Madeley    7   2  -2  -3   1 59(9; 17; Gloria)
126-1 S c Richardson, Alfred Madeley    5   3  -1  -2  -2 60(1-5; 9-12)
Note: Verses 6-8 unison/quasi monotone; not included
129-1 D G Richardson, Alfred Madeley   -2  -1   3  -3  -2 61
130-1 S E♭ Richardson, Alfred Madeley    3  -1   1   2  -2 62
132-1 S B♭ Richardson, Alfred Madeley   -7   7  -2  -2  -1 63
133-1 S b♭ Richardson, Alfred Madeley    0   0   0   8  -1 64(1-6)
133-2 S f Richardson, Alfred Madeley    1  -3   2  -7   2 64(7-10)
134-1 X D♭ Richardson, Alfred Madeley    0   0   0   8  -1 64(Gloria)
Note: Twice chant no. 133-1 with extended Amen.
134-2 S G Richardson, Alfred Madeley   -1   3  -7   5   2 65(1-4; 9-14)
135-1 S C Richardson, Alfred Madeley   -1   3  -7   5   2 65(5-8)
136-1 S D Richardson, Alfred Madeley    2   3  -5   2  -2 66
137-1 S B♭ Richardson, Alfred Madeley    5   0   0  -1   3 67
138-1 D g Richardson, Alfred Madeley    3   2   2  -5   1 68(1-6; 19-23; 32-35; Gloria)
138-2 D D Richardson, Alfred Madeley   -3  -2  -2   9  -2 68(7-10)
139-1 D G Richardson, Alfred Madeley    2  -2  -1   1   9 68(11-14; 24-27)
140-1 D E♭ Richardson, Alfred Madeley    0  -4   4   1   4 68(15-18; 28-31)
144-1 S a Richardson, Alfred Madeley   -1  -3   1  -4  -1 69(1-6; 13-22)
Note: Verses 7-12; 23-29 monotone
148-1 S A Richardson, Alfred Madeley    0   2   1  -2  -1 69(30-37)
149-1 S F Richardson, Alfred Madeley    8  -3  -2   0   0 70
150-1 T D Richardson, Alfred Madeley    1  -1  -2  -2   7 71
152-1 Q B♭ Richardson, Alfred Madeley    2   2  -2  -2   9 72(1-6; 8-15)
152-2 T B♭ Richardson, Alfred Madeley    2   2  -2  -2   9 72(7)
Note: Triple chant, based on the preceding Quadruple chant; 6th and 7th quarters omitted.
154-1 D B♭ Richardson, Alfred Madeley    2   2  -2  -2   9 72(16-19; Gloria)
Note: Double chant, based on the preceding Triple chant; 3rd and 4th quarter omitted.
155-1 S D♭ Richardson, Alfred Madeley    1   2   2   3  -1 73
157-1 S E Richardson, Alfred Madeley    0  -2   2  -4   7 74(1-4; 19-24)
157-2 S e Richardson, Alfred Madeley    1  -1   1  -6   5 74(5-12)
158-2-1 S B Richardson, Alfred Madeley    9   0   0  -2  -2 74(13-18)
158-2-2 S B Richardson, Alfred Madeley    9   0   0  -2  -2 74(13-18)
Note: Alternative setting for tenor and bass in final two bars
160-1 D E Richardson, Alfred Madeley   -2  -2   5  -3   7 75
161-1 T A Richardson, Alfred Madeley    4  -4   7  -5   2 76(all, except Gloria)
162-1 D A Richardson, Alfred Madeley    4  -4   7  -5   2 76(Gloria)
Note: Double chant, based on the preceding Triple. Third and fourth quarter omitted.
163-1 X F Richardson, Alfred Madeley    1  -1   3   5  -1 77(1-15)
Note: Irregular form of Triple chant: first quarter of each part has only two bars.
verses 17-20 monotone.
164-1 X F Richardson, Alfred Madeley   -2  -2   2  -3   0 77(Gloria)
Note: Irregular Double, last two parts of preceding chant no. 163-1
168-1 S D Richardson, Alfred Madeley    0  -2  -1  -2   2 78(1-4)
168-2 S G Richardson, Alfred Madeley    0  -2  -1  -2   2 78(5-12)
Note: verses 13-17 monotone
169-1 S E♭ Richardson, Alfred Madeley   -2  -1   1   5  -1 78(18-21)
Note: verses 22-31 monotone
170-1 S E Richardson, Alfred Madeley   -2  -1   1   5  -1 78(32-37)
171-1 S E Richardson, Alfred Madeley    1  -1  -2  -2   2 78(38-44)
Note: verses 45-52 monotone
172-1 S D Richardson, Alfred Madeley    1  -1  -2  -2   2 78(53-56)
173-1 S F Richardson, Alfred Madeley   -2  -1   1   5  -1 78(57-59)
Note: verses 60-65 monotone
174-1 S A♭ Richardson, Alfred Madeley    0  -2  -1  -2   2 78(66-73)
174-2 X a Richardson, Alfred Madeley    2   1   4  -2  -2 79(1-4)
Note: Single with 2//4 bars
175-1 X a Richardson, Alfred Madeley   -1  -2  -1 79(5)
Note: Single with 2//2 bars
verses 6-8 monotone
175-2 X a Richardson, Alfred Madeley   -1  -2  -1  -4 79(9)
Note: Irregular 2//2//1 bars
verses 10-13 monotone
176-1 X A Richardson, Alfred Madeley    2   2   3  -2  -1 79(14)
Note: Irregular double chant: 2//4 bars
176-2 S E Richardson, Alfred Madeley    0  -2  -2   5  -3 80(1-2; 4-6; 8-18; Gloria)
177-1 X E Richardson, Alfred Madeley    2   2   0   1  -1 80(3; 7; 19)
Note: Not a "proper" chant but an "in-between" form; included for completeness.
179-1 S G Richardson, Alfred Madeley   -4   4   3  -5   2 81
182-1 S E♭ Richardson, Alfred Madeley   -2  -2   4   3   2 82
182-2 Q A♭ Richardson, Alfred Madeley    2  -2   5  -5   5 83(all except Gloria)
184-1 D A♭ Richardson, Alfred Madeley    2  -2   5  -5   5 83(Gloria)
Note: Double chant, part 2 and 3 of the preceding Quadruple omitted.
185-1 S E Richardson, Alfred Madeley   -7   4  -2  -2  12 84
Note: Verses 5-8 men and 9-13 boys with same melody but different harmonisation for the organ.
186-3 S F Richardson, Alfred Madeley    3  -2  -1  -2   2 85
187-1 X f Richardson, Alfred Madeley    8  -1  -7   2   1 86(1-7; 14-17)
Note: Single chant with only 2 bars in the first quarter
188-1 X F Richardson, Alfred Madeley    5  -2  -2  -1  -2 86(8-13; Gloria)
Note: Single chant with only 2 bars in the first quarter
189-1 S B♭ Richardson, Alfred Madeley   -2  -2  -1  -2  -2 87(all except Gloria)
Note: Gloria with extended Amen after second time through, no. 189-2
189-2 X B♭ Richardson, Alfred Madeley   -2  -2  -1  -2  -2 87(Gloria)
Note: Gloria with extended Amen; included in the midi
190-1 X D♭ Richardson, Alfred Madeley    1  -1  -2  -2  -1 88
Note: Irregular single chant with 2//3 bars. Unison voices, with four ad lib organ harmonies (all four included in the midis)
190-2 X D♭ Richardson, Alfred Madeley    1  -1  -2  -2  -1 88
Note: Organ harmony no. 2
190-3 X D♭ Richardson, Alfred Madeley    1  -1  -2  -2  -1 88
Note: Organ harmony no. 3
190-4 X D♭ Richardson, Alfred Madeley    1  -1  -2  -2  -1 88
Note: Organ harmony no. 4
191-1- X D♭ Richardson, Alfred Madeley    1  -1  -2  -2  -1 88
Note: Unison, optionally with the organ settings on page 190
192-1 D F Richardson, Alfred Madeley   -3   3   5  -3  -2 89(1-4; Gloria)
192-2 S B♭ Richardson, Alfred Madeley    0   5  -1  -2   2 89(5-19)
194-1 S F Richardson, Alfred Madeley   -3   3   5  -3  -2 89(20-30)
194-2 S d Richardson, Alfred Madeley   -4   4   5  -4  -1 89(31-36)
Note: Unison with organ harmony; verses 37-50 monotone
198-1 X F Richardson, Alfred Madeley   -4   4  -2   2   5 90
Note: Basically double, but only three bars in second quarter
200-1 S D♭ Richardson, Alfred Madeley   -1  -2  -2   0   0 91
201-1 T F Richardson, Alfred Madeley    2  -2   2   2   3 92(all, except Gloria)
202-1 D F Richardson, Alfred Madeley    2  -2   2   2   3 92(Gloria)
Note: Double chant, based on preceding Triple (third and fourth quarters omitted)
203-1 S C Richardson, Alfred Madeley    3   5   4  -2  -2 93
204-1 S F Richardson, Alfred Madeley    1   0  -3   5   2 94
206-1 S F Richardson, Alfred Madeley    5  -2  -2   2  -3 95
Note: Basically double, but only three bars in second quarter
207-1 T C Richardson, Alfred Madeley   -2  -1   1   2   2 96(all, except Gloria)
208-1 D C Richardson, Alfred Madeley   -2  -1   1   2   2 96(Gloria)
Note: Double chant, based on preceding Triple (third and fourth quarters omitted)
209-1 T E Richardson, Alfred Madeley    2   2   1  -1  -2 97(all, except Gloria)
210-1 D E Richardson, Alfred Madeley    2   2   1  -1  -2 97(Gloria)
Note: Double chant, based on preceding Triple (third and fourth quarters omitted)
211-1 T F Richardson, Alfred Madeley    7  -2  -1  -2   2 98(all, except Gloria)
212-1 D F Richardson, Alfred Madeley    7  -2  -1  -2   2 98(Gloria)
Note: Double chant, based on preceding Triple (third and fourth quarters omitted)
212-2 S C Richardson, Alfred Madeley    2  -2   9  -2  -2 99(1-4; 6-8; Gloria)
Note: Verses 5, 9 on non-Anglican psalmody
214-1 D G Richardson, Alfred Madeley    2  -2  -1   1  -3 100
215-1 S G Richardson, Alfred Madeley   -2   2  -3  -2  -2 101
217-1 S C Richardson, Alfred Madeley    2   2   1   2   2 102(12-22)
Note: Verses 1-11 monotone
218-1 S C Richardson, Alfred Madeley    1   2   2   2   1 102(23-28)
218-2 X C Richardson, Alfred Madeley    2   2   1   2   2 102(Gloria)
Note: Twice the single chant no. 217-1, with extended Amen
219-1 X F Richardson, Alfred Madeley   -2  -2  -1  10  -2 103(1-5; 20-22)
Note: Basically a single chant, bur 3//3 bars.
219-2 X B♭ Richardson, Alfred Madeley    2   2   1   2   2 103(6-19)
Note: Basically a single chant, bur 3//3 bars.
221-1 X D Richardson, Alfred Madeley    0   0   2   0   2 104(1a; 35b)
Note: Unison, only four bars
221-2 S D Richardson, Alfred Madeley   -1  -2  -2   2  -2 104(1b-4; 24-26; Gloria)
222-1 S G Richardson, Alfred Madeley   -1   1   2  -7   2 104(5-10; 19-23)
Note: Tenors and basses only
222-2 S C Richardson, Alfred Madeley   -1   1   2  -7   2 104(11-18)
Note: Trebles
224-1 S A Richardson, Alfred Madeley   -1  -2  -2   2  -2 104(27-30)
224-2 S D Richardson, Alfred Madeley   -1  -2  -2   2  -2 104(31-35a)
Note: Same melody as no. 221-2, but first quarter unison, second quarter different harmony.
226-1 S D Richardson, Alfred Madeley   -2  -2   7   5   0 105(1-6; 36-44)
226-2 S D Richardson, Alfred Madeley    3  -1  -2   3   0 105(7-15)
227-1 S g Richardson, Alfred Madeley    1   2   2   1  -1 105(16-35)
229-1 D g Richardson, Alfred Madeley   -2  -2   7   5   0 105(Gloria)
Note: Double chant, combination of no. 226-1 and 226-2
230-1 D C Richardson, Alfred Madeley   -1   1   2  -7   5 106(1-5; 45-46; Gloria)
Note: Verse 46b "Amen" from the Psalm tekst extended. Not included in the midi.
230-2 D F Richardson, Alfred Madeley    0   5  -2  -5   3 106(6-12)
231-1 D f Richardson, Alfred Madeley   -4   3  -2   7   0 106(13-33)
233-1 D e Richardson, Alfred Madeley   -4   3  -2   7   0 106(34-38)
234-1 D E Richardson, Alfred Madeley   -4   3  -2   7   0 106(39-44)
237-1 S D Richardson, Alfred Madeley   -1  -4   2  -2   2 107(1)
Note: This single chant consists of the 1st and the 4th quarter of the double chant no. 239-1
238-1 S A Richardson, Alfred Madeley   -4   4  -9   2   8 107(2-5; 7)
238-2 X A Richardson, Alfred Madeley    1  -1   2   0   2 107(6)
Note: Irregular single with 2 // 3 bars
239-1 D D Richardson, Alfred Madeley   -1  -4   2  -7   2 107(8-9; 15-16; 21-22; Gloria)
Note: 1st and 4th quarter form the single chant 237-1
239-2 S g Richardson, Alfred Madeley   -3   3  -8   1   9 107(10-12; 17-18; 23-27; 39-41)
240-1 X G Richardson, Alfred Madeley    1  -1   2   0   2 107(13; 19)
Note: Irregular single with 2 // 3 bars
240-2 D G Richardson, Alfred Madeley   -4   4  -9   2   8 107(14; 20; 42-43)
242-3 X g Richardson, Alfred Madeley    1  -1   2   0   2 107(28)
Note: Irregular single with 2 // 3 bars
243-1 S E♭ Richardson, Alfred Madeley   -4   4  -9   2   8 107(29-30)
Note: Unison
243-2 D E♭ Richardson, Alfred Madeley   -1  -4   2  -7   2 107(31-32)
244-1 S B♭ Richardson, Alfred Madeley   -4   4  -9   2   8 107(33-38)
245-2 S B♭ Richardson, Alfred Madeley   -1  -2  -2   0  10 108(1-4; 6; Gloria)
Note: Verses 5 and 7-9 unison/quasi monotone; not included
248-1 S b♭ Richardson, Alfred Madeley    5   3  -1  -2  -2 108(10-13)
248-2 S F Richardson, Alfred Madeley    0   3   0  -2  -3 109(1-4; 19-30)
Note: Verses 5-18 monotone
251-1 D A♭ Richardson, Alfred Madeley    2   1   2   5  -3 110
252-2 Q E Richardson, Alfred Madeley   -2   2  -2  -2   2 111(all, except Gloria)
254-1 D E Richardson, Alfred Madeley   -2   2  -2  -2   2 111(Gloria)
Note: Parts 1 and 4 of the preceding Quadruple chant.
255-1 X C Richardson, Alfred Madeley    3   2  -2   5   2 112
Note: Irregular single chant with 3 // 5 bars
256-1 S A♭ Richardson, Alfred Madeley   -1  -2  -2  -1   1 113
257-1 D f Richardson, Alfred Madeley    3  -3   7  -4   4 114
258-1 S C Richardson, Alfred Madeley   -3   2   1  -5   2 115(1-16; 18)
Note: Verse 17 monotone
260-1 X C Richardson, Alfred Madeley   -3   2   1  -5   2 115(Gloria)
Note: Basically a Double chant formed by repetition of the preceding chant, with additional bars for an extended Amen (double choir).
261-1 D E♭ Richardson, Alfred Madeley    1  -6   1   2   2 116(1-16a; Gloria)
263-1 S E♭ Richardson, Alfred Madeley    1  -6   1   7   2 116(16b)
Note: Single chant with first and fourth quarters of preceding Double chant; slightly different harmony in last quarter
264-1 X B♭ Richardson, Alfred Madeley    2   3   7  -2  -1 117
Note: "Double" chant with only 6 bars in each half; no quarter division.
264-2 S F Richardson, Alfred Madeley    5  -1  -2  -2  -2 118(1-4; 19-29)
265-1 S C Richardson, Alfred Madeley   -2  -1  -2   2   8 118(5-9; 15-18)
265-2 S c Richardson, Alfred Madeley   -1   0   1   1  -1 118(10-14)
267-2 S A Richardson, Alfred Madeley    1   2  -2  -1  -2 119(1-8)
268-1 S C Richardson, Alfred Madeley   -1   1  -3  -2   2 119(9-16)
268-2 S B Richardson, Alfred Madeley   -2   2  -7   5  -3 119(17-24)
269-1 S D Richardson, Alfred Madeley    0   0   0   0   1 119(25-32)
270-1 S D Richardson, Alfred Madeley   -1   1  -1  -2  -2 119(33-40)
270-2 S G Richardson, Alfred Madeley    3  -2  -1   5  -2 119(41-48)
271-1 S E♭ Richardson, Alfred Madeley    3  -1  -2   0  -2 119(49-56)
272-1 S B♭ Richardson, Alfred Madeley    2   3  -1  -2  -2 119(57-64)
272-2 S F Richardson, Alfred Madeley   -2  -1   3  -2  -1 119(65-72)
273-1 S C Richardson, Alfred Madeley    5  -3  -2   0   2 119(73-80)
274-1 S a Richardson, Alfred Madeley   -2  -2  -1   1  -1 119(81-88)
274-2 S F Richardson, Alfred Madeley    3  -3  -4   9  -4 119(89-96)
275-1 S A♭ Richardson, Alfred Madeley    2   2  -4   7   0 119(97-104)
276-1 S B♭ Richardson, Alfred Madeley    1  -1  -2  -2  -1 119(105-112)
276-2 S E♭ Richardson, Alfred Madeley    0  -2  -2  11  -2 119(113-120)
277-1 S B♭ Richardson, Alfred Madeley    2   2   1   5  -1 119(121-128)
278-1 S F Richardson, Alfred Madeley    1  -3  -2   0  -1 119(129-136)
278-2 S A♭ Richardson, Alfred Madeley   -1   1   7  -2  -1 119(137-144)
279-1 S E♭ Richardson, Alfred Madeley    4   3   0  -2  -1 119(145-152)
280-1 S B♭ Richardson, Alfred Madeley    5   2  -2  -1   1 119(153-160)
280-2 S F Richardson, Alfred Madeley    2   3  -2  -3   0 119(161-168)
281-1 S B♭ Richardson, Alfred Madeley   -5   1   2  -7  12 119(169-176)
282-1 S F Richardson, Alfred Madeley    1  -5   4   0  -2 120(1-3)
282-2 S F Richardson, Alfred Madeley    1  -5   4  10  -2 120(4-6)
282-3 D F Richardson, Alfred Madeley    1  -5   4   0  -2 120(Gloria)
Note: Double chant, formed by the combination of the two preceding chants (nos. 282-1 and 282-2).
283-1 D B♭ Richardson, Alfred Madeley   -1  -2  -2   2  -2 121
284-1 S E♭ Richardson, Alfred Madeley   -1  -2   2  -4   2 122
285-1 S c Richardson, Alfred Madeley    8  -1  -2   2  -3 123
286-1 S E♭ Richardson, Alfred Madeley    2   0   1  -3   1 124
286-2 S A♭ Richardson, Alfred Madeley    5   2   2   0   3 125
287-1 X F Richardson, Alfred Madeley    5  -2   0  -3  -4 126(1-4; Gloria)
Note: Irregular Single chant with 2 // 4 bars;
288-1 X C Richardson, Alfred Madeley    5  -2   0  -3  -4 126(5-7)
Note: Irregular Single chant with 2 // 4 bars; unison
288-2 S B♭ Richardson, Alfred Madeley    2  -3  -4   5  -1 127, 128
290-1 S F Richardson, Alfred Madeley    2   0   1  -3   1 129
290-2 S f Richardson, Alfred Madeley    0   0   2  -3  -2 130(1-4)
291-1 S f Richardson, Alfred Madeley    0   0   2  -3  -2 130(5-8)
Note: As no. 290-2, Treble-Alto only
291-2 S D♭ Richardson, Alfred Madeley    1  -3  -2  -2  -1 131
292-1 S D♭ Richardson, Alfred Madeley   -5   4  -2  -2  -2 132
293-1 S A♭ Richardson, Alfred Madeley    2   3   5  -3   5 133
294-1 S D♭ Richardson, Alfred Madeley    2   2  -4   3  -2 134
294-2 S E Richardson, Alfred Madeley    0   5  -1  -2  -2 135
296-2 X G Richardson, Alfred Madeley    2   2   1   2  -2 136(1-3)
Note: Irregular Single chant with 2 // 5 bars; Unison
297-1 X G Richardson, Alfred Madeley    2   2   1   2  -2 136(4-27)
Note: As no. 296-2 but second part harmony (between opposite sides)
299-1 S c Richardson, Alfred Madeley   -7   2   1   4   5 137
300-2 T B♭ Richardson, Alfred Madeley    5   2   2   0   1 138(all except Gloria)
300-3 D B♭ Richardson, Alfred Madeley    5   2   2   0   1 138(Gloria)
Note: Middle part of preceding chant is omitted for Gloria
302-1 S E♭ Richardson, Alfred Madeley    3  -1  -1  -3   2 139(1-5; 12-18; Gloria)
302-2 S E♭ Richardson, Alfred Madeley   -1   1   2   0   8 139(6-11)
303-2 S b♭ Richardson, Alfred Madeley    0   0  -3   2  -3 139(19-24)
Note: verse 19-22 unison a capella; verses 23-24 unison with organ harmony (included in the midi)
304-3 X g Richardson, Alfred Madeley    1   3   4   1  -1 140(1-5; 8-11)
Note: Irregular Single chant with 3 // 3 bars
305-1 X E♭ Richardson, Alfred Madeley    2  -2  -2  -3   5 140(6-7; 12-13; Gloria)
Note: Irregular Single chant with 3 // 3 bars
306-1 Q B Richardson, Alfred Madeley   -3   1   2   0   9 141(all except Gloria)
306-2 D B Richardson, Alfred Madeley   -3   1   2   0   9 141(Gloria)
Note: Double chant consisting of first and fourth part of the preceding chant.
308-1 S d Richardson, Alfred Madeley   -4  -1  -2  12  -2 142
309-1 S D Richardson, Alfred Madeley    0   0   8  -1  -4 143
311-1 Q d Richardson, Alfred Madeley    1  -1  -2   5   2 144
Note: Gloria first and second part only.
314-1 S B♭ Richardson, Alfred Madeley    7  -2  -1  -4  -1 145(1-7; 14-21; Gloria)
Note: Gloria with extended Amen, not included in the midi
314-2 S F Richardson, Alfred Madeley    2  -2  -2   2  -3 145(8-13)
317-1 T E♭ Richardson, Alfred Madeley    0  -1  -2  -2  -2 146(all except Gloria)
318-1 D E♭ Richardson, Alfred Madeley    0  -1  -2  -2  -2 146(Gloria)
Note: Double chant consisting of first and fourth part of preceding Triple chant.
319-1 S D Richardson, Alfred Madeley    2   1   2   2  -4 147(1a)
320-2 S G Richardson, Alfred Madeley    7  -3   1  -3   2 148
321-1 S B♭ Richardson, Alfred Madeley   -1  -3   3  -2  -2 149
322-2 S D Richardson, Alfred Madeley    0   0   0   0  -3 150(1-5; Gloria)
323-2 X D Richardson, Alfred Madeley    0   0   0   0   0 150(6)
Note: last half has 5(6) bars
324-1 Q e Richardson, Alfred Madeley    3  -3  -4   2   2 144(all, except Gloria)
325-1 D G Richardson, Alfred Madeley    3  -3  -4   2   2 144(Gloria)
Note: Double chant, first two parts of preceding Quadruple chant
326-1 S C Richardson, Alfred Madeley   -8   5  -2   2  -2 145(1-7)
326-2 S G Richardson, Alfred Madeley    0   1   2  -2  -1 145(8-13)
327-1 S C Richardson, Alfred Madeley   -8   5  -2   2  -2 145(14-21)
Note: Same as chant no. 326-1, different harmony
328-1 S E Richardson, Alfred Madeley   -7   2   2   0   8 146(1; 4-10)
328-2 S e Richardson, Alfred Madeley   -1  -2   2   5   1 146(2-3)
330-1 X A Richardson, Alfred Madeley    7   2  -5  -2   2 147
Note: Single chant with 5 bars in the second quarter.
331-1 S D Richardson, Alfred Madeley   -3  -2   2   8  -1 148
332-2 S F Richardson, Alfred Madeley   -2  -2   2   2   3 149
Note: Single chant with 5 bars in the second quarter.
333-1 S C Richardson, Alfred Madeley   -1   1   2   2  -9 150(1-5; Gloria)
Note: Single chant with 5 bars in the second quarter.
334-1 S C Richardson, Alfred Madeley   -1   1   2   2  -9 150(6)
Note: Single chant with 6 bars in the last quarter; different harmony for Dec. And Cant.


Last updated/corrected 3-8-2017