p-n |
T |
Key |
Composer |
Finger print |
Psalms/ Notes |
1-1 |
D |
G |
Hayes, William |
0 -2 -2 5 0 (34, 5) |
1; 2; 3; 4; 5 |
4-2 |
S |
g |
Purcell, Henry |
-1 -2 -1 8 -7 (13, 3) |
6; 7 |
6-3 |
S |
G |
Purcell, Henry |
-2 -2 -1 8 -7 (6, 2) |
8 |
7-4 |
D |
B♭ |
Cooke, Benjamin |
2 2 1 4 -7 (38, -) |
9; 10; 11 |
10-5 |
S |
a |
Purcell, Henry |
1 1 -1 3 3 (44, -) |
12; 13; 14 |
12-6 |
D |
E |
Henley, Phocion |
-2 -2 9 -2 -2 (53, 2) |
15; 17; 17 |
14-7 |
D |
E |
Davy, John |
-1 -4 5 -12 9 (47, -) |
18 |
17-8 |
D |
D |
Wesley, Samuel |
5 4 -2 5 2 (3, -) |
19; 20; 21 |
19-9 |
D |
e |
Wellesley, Garrett Colley, Earl of Mornington |
-2 -2 -1 -2 12 (9, -) |
22 |
21-10 |
D |
E |
Wellesley, Garrett Colley, Earl of Mornington |
-2 -1 -2 -2 12 (48, 1) |
23 |
22-11 |
D |
E♭ |
Alcock sr., John |
3 0 -2 -1 -2 (14, 5) |
24; 25; 26 |
24-12 |
D |
E |
Russell, William |
5 -1 -2 -2 -2 (45, 6) |
27; 28; 29 |
27-13 |
D |
E♭ |
Robinson, John |
5 -3 -2 -3 2 (79, -) |
30; 31 |
29-14 |
D |
D |
Attwood, Thomas |
2 2 -9 5 -8 (57, -) |
32; 33; 34 |
33-15 |
D |
d |
Roseingrave, Ralph |
0 5 0 -1 -1 (12, 2) |
35; 36 |
36-16 |
D |
D |
Spencer, J |
-2 -2 9 -2 2 (9, 1) |
37 |
38-17 |
D |
a |
Battishill, Jonathan |
-2 -2 -1 8 -1 (79, 4) |
38; 39; 40 |
42-18 |
D |
E |
Matthews, Samuel |
0 -2 -2 9 -2 (37, 4) |
41; 42; 43 |
44-19 |
D |
F |
Bennett, Alfred |
2 0 2 0 0 (27, 4) |
44; 45; 46 |
47-20 |
D |
A |
Dupuis, Thomas Saunders |
-1 1 -3 8 -1 (59, 1) |
47; 48; 49 |
50-21 |
D |
E |
Attwood, Thomas |
4 0 3 -7 5 (43, -) |
50 |
51-22 |
D |
e |
Attwood, Thomas |
3 0 4 -7 5 (18, -) |
51; 52 |
52-23 |
D |
g |
Flintoft, Luke |
2 0 1 0 2 (81, 4) |
53; 54; 55 |
56-24 |
D |
F |
Higgins, Edward |
-2 -1 0 -2 -2 (21, 1) |
56; 57; 58 |
58-25 |
D |
F |
Langdon, Richard |
0 2 2 0 -2 (68, 22) |
59; 60; 61 Note: This chant has the same fingerprint as nr. 33, but the third quart is different (as is the harmony) |
60-26 |
D |
D |
Soaper, John |
-2 2 1 4 -2 (58, 2) |
62; 63; 64 |
62-27 |
D |
D |
Battishill, Jonathan |
-1 -2 -2 -2 -1 (37, 22) |
65; 66; 67 |
64-28 |
D |
D |
Jones, John |
-3 -4 -5 9 1 (21, -) |
68 |
66-29 |
D |
d |
Morley, William |
0 2 1 0 -1 (66, 4) |
69; 70 Note: Attributed to Morley. Most chant books credit William Morley. |
69-30 |
D |
A |
Norris, Thomas |
4 3 -7 0 -3 (45, -) |
71; 72 |
72-31 |
D |
E♭ |
Wellesley, Garrett Colley, Earl of Mornington |
0 -2 -1 3 2 (58, 1) |
73; 74 |
75-32 |
D |
F |
Boyce, William |
2 3 -1 -2 2 (50, 3) |
75; 76; 77 |
77-33 |
D |
F |
Langdon, Richard |
0 2 2 0 -2 (68, 22) |
78 Note: This chant has the same fingerprint as nr. 25, but the third quart is different (as is the harmony) |
81-34 |
S |
b |
Croft, William |
-2 -2 -1 8 -1 (63, 4) |
79; 80 |
83-35 |
S |
D |
Battishill, Jonathan |
-5 0 -7 0 9 (47, -) |
81 |
85-36 |
D |
a |
Nares, James |
2 -3 1 -3 2 (29, 2) |
82; 83; 84; 85 |
88-37 |
D |
c |
Goss, John [Beethoven, Ludwig von] |
0 0 0 0 2 (28, 10) |
86; 87; 88 |
90-38 |
D |
c |
Cooke, Robert |
8 -1 -2 -4 2 (68, -) |
89 |
93-39 |
D |
C |
Crotch, William |
-8 -2 -2 2 2 (53, 1) |
90; 91; 92 |
96-40 |
S |
F |
Farrant, Richard |
0 2 2 3 -2 (64, 2) |
93; 94 |
98-41 |
D |
A |
Soaper, John |
0 2 2 0 1 (27, 19) |
95; 96; 97 |
99-42 |
S |
E |
Travers, John |
1 2 5 -1 -4 (30, -) |
98; 99; 100; 101 |
102-43 |
D |
a |
Wesley, Samuel |
0 2 -3 1 -3 (10, 3) |
102 |
104-44 |
D |
F |
Wesley, Samuel Sebastian |
-2 -1 -2 3 -1 (5, 7) |
103 |
105-45 |
D |
D |
Woodward, Richard |
0 0 5 -8 5 (62, 1) |
104 |
108-46 |
D |
E♭ |
Dupuis, Thomas Saunders |
2 2 1 -1 -4 (24, 5) |
105 |
110-47 |
D |
G |
Cooke, Robert |
1 2 2 -2 -2 (48, 11) |
106 |
113-48 |
D |
D |
Wesley, Samuel |
5 4 -2 5 2 (3, -) |
107 |
116-49 |
D |
f# |
Brownsmith, John Leman {Anonymous} |
7 -2 -2 -1 1 (24, -) |
108; 109 Note: Composer listed by Wesley as Unknown, but this is clearly Brownsmith |
118-50 |
D |
F |
Wesley, Samuel |
0 0 2 -4 -1 (40, 1) |
110; 111; 112; 113 |
119-51 |
D |
F |
Cooke, Benjamin |
1 2 2 -2 -2 (7, 11) |
114; 115 Note: Attributed to Dr. Cooke. According to other sources this is Benjamin Cooke |
123-52 |
D |
E |
Randall, John |
-7 2 2 3 5 (67, -) |
116; 117; 118 |
126-53 |
S |
G |
Purcell, Daniel {Anonymous} |
0 -1 1 5 -6 (50, 3) |
119(1-8); 119(9-16); 119(17-24); 119(25-32) Note: Listed as unknown composer by Wesley, but this is definitely D. Purcell |
128-54 |
D |
G |
Rogers, John Leman |
3 -2 -1 -4 0 (20, 1) |
119(33-40); 119(41-48); 119(49-56); 119(57-64); 119(65-72) |
130-55 |
D |
G |
Wesley, Samuel |
-2 -2 5 -1 -2 (64, 20) |
119(73-80); 119(81-88); 119(89-96); 119(97-104) |
132-56 |
D |
G |
Stevenson, John Andrew |
-2 5 -7 9 -2 (13, 3) |
119(105-112); 119(121-128); 119(129-136); 119(137-144) |
134-57 |
S |
e |
Croft, William |
2 0 2 0 -2 (5, 5) |
119(145-152); 119(153-160); 119(161-168); 119(169-176) |
136-58 |
D |
G |
Aldrich, Henry |
3 -3 0 -2 0 (15, 1) |
120; 121; 122; 123; 124; 125 |
138-59 |
S |
E |
Travers, John |
3 5 -1 -4 2 (26, 2) |
126; 127; 128; 129; 130; 131 |
141-60 |
D |
F |
Wesley, Samuel Sebastian |
-2 2 1 -1 5 (19, 8) |
132; 133; 134; 135 |
144-61 |
S |
B♭ |
Wesley, Samuel Sebastian |
2 2 1 -1 1 (10, 7) |
136; 138 |
145-62 |
S |
d |
Purcell, Edward |
5 -4 -1 3 -2 (25, -) |
137 |
147-63 |
D |
c |
Wesley, Samuel |
2 -3 1 -3 2 (4, 2) |
139; 140; 141 |
150-64 |
S |
f# |
Wesley, Samuel Sebastian |
0 2 -3 -1 0 (31, 2) |
142; 143 Note: Probably a typographical error in the second quart: second bar should start with G-natural (as it is in other books). This occurence of the chant is the only one to end in major. |
151-65 |
D |
F |
Hawes, William |
3 5 -1 -2 -2 (35, 10) |
144; 145; 146 |
154-66 |
D |
F |
Cooke, Benjamin |
1 2 2 -2 -2 (7, 11) |
147; 148; 149; 150 |
157-67 |
S |
C |
Humphrey, Pelham |
0 0 -1 0 1 (76, 11) |
19; 45; 85 |
160-68 |
S |
F |
Tallis, Thomas |
0 -2 2 0 -2 (42, 8) |
89; 110; 132 |
164-69 |
S |
a |
Purcell, Henry |
1 1 -1 3 3 (44, -) |
6; 32; 38 |
167-70 |
S |
b |
Hawkins Sr., James |
-2 -2 -1 8 -1 (2, 4) |
102; 130; 143 Note: Chant most likely by James Hawkins sr. and not by his son James Hawkins Jr. |
170-71 |
D |
a |
Battishill, Jonathan |
-2 -2 -1 8 -1 (79, 4) |
22; 40; 54 |
173-72 |
S |
g |
Langdon, Richard |
-1 -2 8 -3 2 (26, 1) |
69; 88 Note: From Langdon's "Divine Harmony" |
177-73 |
S |
F |
Tallis, Thomas |
0 -2 2 0 -2 (42, 8) |
2; 57; 111 |
179-74 |
S |
C |
Humphrey, Pelham |
0 0 -1 0 1 (76, 11) |
113; 114; 118 |
182-75 |
D |
D |
Soaper, John |
-2 2 1 4 -2 (58, 2) |
8; 15; 21 |
184-76 |
S |
G |
Battishill, Jonathan |
-1 1 4 3 0 (8, -) |
24; 47; 108 |
186-77 |
D |
F |
Wesley, Samuel |
0 0 2 -4 -1 (40, 1) |
48; 68 |
189-78 |
S |
G |
Purcell, Daniel {Anonymous} |
0 -1 1 5 -6 (50, 3) |
104; 145 Note: Listed as Anonymus, but in other books attributed to D. Purcell. |
192-79 |
D |
A |
Clarke-Whitfield, John |
2 2 1 0 -1 ( 1, 13) |
64; 124; 125 Note: Attributed by Wesley to Dr. Clarke. Most likely this is John Clarke-Whitfield. No other instance of this chant is (yet) known. |
194-80 |
D |
E |
Teesdale, Christopher |
0 -2 -2 9 -2 ( 1, 4) |
9; 10; 11 Note: Apart from the first interval (0 vs. 4) this is the same chant as nr. 151M in Cathedral Chants (Bennett & Marshall, nr. 1) |
199-81 |
D |
d |
Wesley, Samuel |
-4 -3 8 -1 4 (4, -) |
79; 94 |
201-82 |
D |
D |
Wesley, Samuel |
-3 -4 9 -2 4 (6, 3) |
85 |
203-83 |
S |
E♭ |
Battishill, Jonathan |
-5 0 -7 0 9 (47, -) |
118; 124; 126; 129 |
207-84 |
S |
A |
Battishill, Jonathan |
-5 9 -2 3 -1 (57, -) |
20; 21; 101 |
210-85 |
D |
F |
Wesley, Samuel |
0 0 2 -4 -1 (40, 1) |
Te Deum Laudamus |
213-86 |
D |
D |
Attwood, Thomas |
2 2 -9 5 -8 (57, -) |
100; Benedictus Dominus Deus (Luke 1, 67-79) |
214-87 |
D |
E |
Davy, John |
-1 -4 5 -12 9 (47, -) |
98; Magnificat (Luke 1, 46-55) |
217-88 |
D |
G |
Hayes, William |
0 -2 -2 5 0 (34, 5) |
67; Nunc Dimittis (Luke 2, 29-32) |