Set of Chants adapted to the hymns in the Morning and Evening Prayer and to the Communion Service of the Protestant Episcopal Church in the United States of America

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Set of Chants adapted to the hymns in the Morning and Evening Prayer and to the Communion Service of the Protestant Episcopal Church in the United States of America

Number -- Status	26 -- Included
Full Title	Set of Chants adapted to the hymns in the Morning and Evening Prayer and to the Communion Service of the Protestant Episcopal Church in the United States of America
Author(s)	Wainwright, Jonathan Mayhew and Jackson, George Knowil
Publisher	Protestant Episcopal Church, Boston
Year of Publication	1819
ISBN
Chants numbered continuously	No
Psalms associated with chants/Pointed text included	Yes/Yes; language: English; Version: Coverdale - BCP 1662
Sets of chants for certain psalms	No
Separate selections of psalms included	No
Format	pdf
Source	IMSLP269965-PMLP437402-setofchant00wain
Additional comments	No Psalms are provided, only Canticles and Scriptural passages. Certain pages not included because they do not contain proper chants. Pages 32-33 missing, according to the book's index they contain a Double chant for the Cantate Domino. In the index no. 17 is reserved for this chant.

Table of Contents

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p-n	T	Key	Composer	Finger print	Psalms/ Notes
6-1	D	E	Boyce, William	-5 -2 -1 0 -2 (67, 2)	Venite
8-2	S	D	Anonymous (i.e. not specified)	2 2 1 -3 -2 ( 1, 10)	Venite Note: Chant carries the number Venite no. 2
8-3	S	D	Jackson, George Knowil [Humphrey, Pelham] {Purcell, Henry }	0 0 -1 0 1 ( 1, 11)	Gloria Patri Note: Attributed to Purcell, but this is Pelham Humphrey's Grand Chant; harmonized by G. K. Jackson. Chant carries the number Gloria Patri no. 1
12-4	S	G	Anonymous (i.e. not specified)	5 -4 2 -3 1 ( 1, 1)	Gloria Patri Note: Chant carries the number Gloria Patri no. 3
12-5	S	G	Anonymous (i.e. not specified)	2 0 2 1 -1 ( 1, 1)	Gloria in Excelsis(1-2; 8-9)
14-6	D	e	Cooke, Robert {Anonymous (i.e. not specified)}	-1 0 1 0 2 (5, -)	Gloria in Excelsis(3-7) Note: no attribution; Waite (book 142 attributes to R. Cooke
16-7	S	G	Jackson, George Knowil	-4 5 -3 5 -3 ( 1, 1)	Te Deum Laudamus(1-3; 5)
16-8	X	G	Jackson, George Knowil	0 1 0 -3 0	Te Deum Laudamus(4) Note: Irregular form: 2-2-2-3
18-9	S	G	Jackson, George Knowil	-2 -2 7 -3 0	Te Deum Laudamus(6-8; 12)
18-10	S	e	Jackson, George Knowil	-2 -2 -1 1 2 ( 1, 20)	Te Deum Laudamus(9-11; 13-14; 17)
20-11	S	G	Jackson, George Knowil	-4 5 -3 5 -3 ( 1, 1)	Te Deum Laudamus(15-16)
20-12	S	G	Jackson, George Knowil	-2 -2 7 -3 1	Te Deum Laudamus(18-19)
22-13	D	E♭	Jackson, George Knowil	-1 -2 -2 -2 -1 ( 1, 22)	Jubilate
24-14	S	E♭	Travers, John {Anonymous (i.e. not specified)}	1 2 5 -1 -4 (30, -)	Jubilate Note: Used at University of Oxford, no composer listed. Most likely Travers, second half slightly different.
24-15	S	G	Taylor, R.	2 0 -2 -2 -1 ( 1, 2)	Benedictus Dominus Deus (Luke 1, 67-79) Note: refer to comment about R. Taylor
26-16	D	A	Jackson, George Knowil	2 0 2 -2 -3	Benedictus Dominus Deus (Luke 1, 67-79)
34-18	S	G	Purcell, Thomas {Anonymous}	-2 -2 2 5 -2 (52, 2)	Cantate Domino Note: Used at St. Paul's Cathedral; No composer listed but in other sources attributed to Thomas Purcell
34-19	S	G	Lee, William {Anonymous}	-2 -1 -2 3 -1 (6, 7)	Bonum est confiteri Note: Used at St. Paul's Cathedral; No composer listed but other sources attribute to William Lee
36-20	D	B♭	Dupuis, Thomas Saunders {Jones, William}	-1 1 -3 8 -1 (58, 1)	Bonum est confiteri Note: Attributed to Rev. Wm. Jones, but definitely by Dupuis
38-21	D	G	Wainwright, Jonathan Mayhew	-2 -1 -2 0 2 (2, 4)	Deus misereatur Note: Probably a print error: last bar 3rd quadrant bass should be G, not F#
40-22	S	A	Nares, James	1 -3 -3 1 -3 (51, 1)	Deus misereatur
40-23	S	G	Anonymous (i.e. not specified)	0 2 -7 3 -1	Benedic, anima mea Note: Used at the Cathedrals;
42-24	D	A	Anonymous (i.e. not specified)	2 2 1 -3 2 ( 1, 15)	Benedic, anima mea
48-25‑a	X	G	Anonymous (i.e. not specified)	-1 1 2 2 1 ( 1, 19)	Gloria in Excelsis(1-2; 9-10) Note: First of a set of three irregular singles (3-3) for the Gloria in Excelsis; Possibly print error: tenor second note in bar 2 should be B, not A
48-25‑b	X	G	Anonymous (i.e. not specified)	4 2 1 0 2 ( 1, 2)	Gloria in Excelsis(3-4) Note: Second of a set of three irregular singles (3-3) for Gloria in Excelsis;
48-25‑c	X	G	Anonymous (i.e. not specified)	-2 -2 5 -1 -2 ( 1, 18)	Gloria in Excelsis(5-8) Note: Third of a set of three irregular singles (3-3) for Gloria in Excelsis;