p-n |
T |
Key |
Composer |
Finger print |
Psalms/ Notes |
*-1‑a |
D |
C |
Baker, John Lawson |
2 1 7 -2 -1 ( 1, 1) |
67(1-2; 6-7) |
*-1‑b |
D |
C |
Baker, John Lawson |
2 1 7 -2 -1 ( 1, 1) |
67(3-5) Note: descant for second half, vs. 3 starts a second half. |
*-2 |
D |
C |
Cockburn, Christopher |
0 0 7 -4 2 |
23 |
*-3 |
D |
C |
Dover, John |
-1 -2 5 2 3 |
|
*-4 |
D |
C |
Hackett, Peter |
-1 -3 1 -2 2 |
61 |
*-5 |
D |
C |
Halsey, Louis |
2 1 2 2 2 |
|
*-6 |
D |
C |
Hoyle, Vernon |
-1 -7 5 0 -2 |
|
*-7‑a |
D |
C |
Hoyle, Vernon |
-5 -3 5 -2 0 |
150(1-4) |
*-7‑b |
D |
C |
Hoyle, Vernon |
-5 -3 5 -2 0 |
150(5-6; Gloria) |
*-8 |
D |
C |
Hoyle, Vernon |
0 0 3 2 -4 |
4 |
*-9 |
D |
C |
Maw, David |
1 2 2 2 -2 ( 1, 1) |
|
*-10 |
D |
C |
Norcliffe, Anthony |
2 3 4 -5 1 ( 1, 1) |
148 |
*-11 |
D |
C |
Perrin, Ronald Edward |
2 -2 5 -1 -2 ( 1, 9) |
|
*-12 |
D |
C |
Pike, Lionel |
0 0 2 2 5 |
|
*-13 |
D |
C |
Sidwell, Martindale |
9 -4 -5 2 -4 |
104 |
*-14 |
D |
C |
Smith, Peter D. |
3 5 -1 -2 5 |
|
*-15 |
D |
C |
Thomasson, Keith D |
-3 1 2 2 2 ( 1, 1) |
|
*-16 |
D |
C |
Watson, Wilfrid Ronald |
5 -3 -5 0 0 |
67 |
*-17 |
D |
C |
Watson, Wilfrid Ronald |
-3 -4 5 4 -2 |
32 |
*-18 |
D |
a |
Boal, John |
-2 2 3 -1 3 |
|
*-19 |
D |
a |
Curror, Ian |
-2 -2 -1 3 0 |
51(1-13) |
*-20 |
D |
E |
Curror, Ian |
4 3 0 -2 0 |
51(14-19; Gloria) |
*-21 |
D |
a |
Hare, Ian Christopher |
0 2 1 -3 5 |
51 |
*-22 |
D |
a |
Hoyle, Vernon |
0 0 5 -2 -2 |
|
*-23 |
D |
a |
Pott, Francis John Dolben |
3 2 -3 -2 -5 |
|
*-24 |
D |
a |
Seivewright, Andrew |
5 -1 3 -2 0 |
143 |
*-25‑a |
D |
a |
Tordoff, Philip |
-2 2 -4 -1 1 ( 1, 1) |
85(all, except Gloria) |
*-25‑b |
D |
a |
Tordoff, Philip |
-2 2 -4 -1 1 ( 1, 1) |
85(Gloria) Note: Same as no. 25-a, except last chord A-major (C-sharp in tenor) |
*-26 |
D |
a |
Williamson, Magnus |
-3 2 -7 0 1 |
|
*-27 |
D |
G |
Benson, John S. |
-2 -3 8 -3 -2 |
|
*-28 |
D |
G |
Dover, John |
2 2 -2 0 2 ( 1, 5) |
|
*-29 |
D |
G |
Drinkell, David |
-2 -3 -2 3 -1 ( 1, 2) |
32 |
*-30 |
D |
G |
Halsey, Louis |
2 -2 5 -7 -3 |
|
*-31 |
D |
G |
Lloyd, Richard Hey |
7 -4 -5 5 7 |
|
*-32 |
D |
G |
Partington, Kendrick John |
-4 4 5 -2 -2 (2, -) |
|
*-33 |
D |
G |
Sidwell, Martindale |
3 -2 -1 -2 -2 ( 1, 17) |
30 |
*-34 |
D |
G |
Tordoff, Philip |
0 2 -7 0 5 (2, -) |
|
*-35 |
D |
G |
Williamson, Magnus |
4 -4 5 -3 5 ( 1, 2) |
|
*-36 |
D |
e |
Clucas, Humphrey |
-7 0 3 -3 0 |
37(1-11; 23-41) |
*-37 |
D |
g |
Clucas, Humphrey |
0 0 -1 1 3 |
37(12-22) |
*-38 |
D |
e |
Dance, Alan |
-4 -3 2 3 -2 |
14 |
*-39 |
D |
e |
Halsey, Louis |
3 4 5 -2 -3 |
|
*-40 |
D |
e |
Hoyle, Vernon |
4 -4 -3 12 -2 |
|
*-41 |
D |
e |
Hoyle, Vernon |
0 -1 5 -4 5 |
|
*-42 |
D |
e |
Merrick, John |
2 1 2 2 -4 ( 1, 3) |
42 Note: Gloria final chord E major (G-sharp in tenor) |
*-43 |
D |
e |
Nicholas, Michael Bernard |
2 1 2 3 -1 (3, -) |
|
*-44 |
D |
e |
Nixon, June |
1 2 -3 5 -8 |
139 |
*-45 |
D |
e |
Perrin, Ronald Edward |
-2 2 1 -1 5 (2, 8) |
|
*-46 |
D |
e |
Rippin, John |
7 -7 5 -2 -3 |
69(1-29) |
*-47 |
D |
E |
Rippin, John |
7 -7 5 -1 -4 |
69(30-37) |
*-48 |
D |
e |
Sidwell, Martindale |
2 1 2 -2 5 ( 1, 2) |
56 |
*-49 |
D |
e |
Sweeney, Donald |
0 -2 -3 1 0 (2, 2) |
|
*-50 |
D |
e |
Symonds, D. P. |
-1 -3 8 0 5 |
90 |
*-51 |
D |
e (Per) |
Williamson, Magnus [Gregorian] |
3 0 -3 0 1 |
Note: after "Tonus Peregrinus" |
*-52 |
D |
D |
Beaumont, Kerry Jason |
2 3 -5 2 0 |
|
*-53 |
D |
D |
Benson, John S. |
-2 -2 7 5 -1 ( 1, 1) |
|
*-54 |
D |
D |
Halsey, Louis |
2 3 2 5 -10 |
|
*-55 |
D |
D |
Hurford, Peter |
2 2 8 -1 -2 |
110 |
*-56 |
D |
D |
Lloyd, Richard Hey |
12 -3 -2 2 5 |
|
*-57 |
D |
D |
Lloyd, Richard Hey |
3 7 -2 -7 4 (4, -) |
|
*-58 |
D |
D |
Martin, Matthew |
-2 -5 2 -2 0 |
|
*-59‑a |
D |
D |
Sidwell, Martindale |
-2 2 1 -3 2 ( 1, 3) |
65(1) Note: First bar: bass E, in all other verses (next 59-b) bass D |
*-59‑b |
D |
D |
Sidwell, Martindale |
-2 2 1 -3 2 ( 1, 3) |
65(2-end) Note: First bar: bass D, only in verse 1 (no. 59-a) bass E |
*-60 |
D |
D |
Watson, Wilfrid Ronald |
5 -2 5 -1 -4 |
23 |
*-61‑a |
D |
b |
Hare, Ian Christopher |
1 4 2 -2 2 |
67 Note: alternative ending: no. 61b |
*-61‑b |
X |
b |
Hare, Ian Christopher |
1 4 2 -2 2 |
Note: Alternative ending for no- 61a (extended Amen) |
*-62 |
D |
b |
Wilkes, Roger |
0 -2 2 2 1 ( 1, 1) |
|
*-63 |
D |
A |
Ashfield, Robert James |
2 -5 3 -7 2 (2, -) |
107(1-3; 8-9; 15-16; 21-22; 31-32; 43; Gloria) Note: vs. 43 on second half |
*-64 |
S |
d |
Ashfield, Robert James |
0 -2 0 -2 2 |
107(4-5; 10-12; 17-18; 23-27) |
*-65 |
D |
a |
Ashfield, Robert James |
3 0 -3 0 7 |
107(6-7; 13-14; 19-20; 28-30) Note: vs. 30 on second half |
*-66 |
D |
D |
Ashfield, Robert James |
2 -5 3 -7 2 (2, -) |
107(33-42) Note: Also suitable for men's voices |
*-67‑a |
D |
A |
Beechey, Gwilym |
2 2 1 -1 0 ( 1, 6) |
147 Note: Unison voices (ref. no. 67b for harmony) |
*-67‑b |
D |
A |
Beechey, Gwilym |
2 2 1 -1 0 ( 1, 6) |
147 Note: As no. 67a, but voices in harmony |
*-68 |
D |
A |
Benson, John S. |
9 -2 5 -7 -3 |
|
*-69 |
D |
A |
Godfrey, Peter |
4 0 3 -3 5 |
93 |
*-70 |
D |
A |
Hare, Ian Christopher |
2 3 4 0 -2 ( 1, 1) |
121 |
*-71 |
D |
A |
Hoyle, Vernon |
-3 3 2 0 3 ( 1, 1) |
23 |
*-72 |
D |
A |
Hurford, Peter |
5 0 5 -3 -2 |
47 |
*-73 |
D |
A |
Jackson, Francis Alan |
5 -1 -7 3 2 |
86 |
*-74 |
D |
A |
Maw, David |
7 2 1 -6 1 |
|
*-75‑a |
D |
A |
Vine, James |
5 -3 5 -3 -2 ( 1, 1) |
Note: ref. no. 75b for an alternative ending for the Gloria |
*-75‑b |
D |
A |
Vine, James |
5 -3 5 -3 -2 ( 1, 1) |
Note: Alternative ending of no. 75a for the Gloria |
*-76 |
D |
A |
Williamson, Magnus |
-4 2 -7 0 2 ( 1, 5) |
|
*-77 |
D |
f# |
Ashfield, Robert James |
-1 0 -2 7 0 (5, -) |
142 |
*-78 |
D |
f# |
Beams, Terry |
3 -3 -5 4 1 |
14 |
*-79 |
D |
f# |
Jackson, Francis Alan |
-5 -2 5 -5 -2 (2, -) |
|
*-80 |
D |
E |
Jackson, Francis Alan |
1 2 -3 -2 -2 ( 1, 5) |
|
*-81 |
D |
E |
Maw, David |
-4 4 3 -7 -3 (2, -) |
|
*-82 |
D |
E |
Pike, Lionel |
2 -2 4 3 5 |
84 |
*-83 |
D |
E |
Sidwell, Martindale |
2 2 -4 2 2 (4, 3) |
23 |
*-84 |
D |
E |
Tordoff, Philip |
-4 9 -2 5 -1 |
|
*-85 |
D |
c# |
Spedding, Alan John |
3 4 5 2 1 |
|
*-86 |
D |
c# |
Symonds, D. P. |
1 3 1 -2 3 |
14 |
*-87 |
D |
B |
Beams, Terry |
1 4 -2 0 2 ( 1, 2) |
150 |
*-88 |
D |
B |
Halsey, Louis |
1 2 5 2 2 ( 1, 1) |
|
*-89 |
D |
B |
Halsey, Louis |
-3 -2 4 3 -2 |
|
*-90 |
D |
a♭ |
Dyke, Peter |
5 2 1 -1 -2 ( 1, 4) |
|
*-91 |
D |
a♭ |
Symonds, D. P. |
-4 -4 -4 1 3 |
69(1-12) |
*-92 |
D |
G♭ |
Benson, John S. |
10 -1 -7 2 3 |
|
*-93 |
D |
e♭ |
Nicholas, Michael Bernard |
5 -4 -1 -4 4 (3, -) |
42 |
*-94 |
D |
e♭ |
Nixon, June |
10 -2 -1 0 5 |
143 |
*-95 |
D |
D♭ |
Beams, Terry |
0 -2 0 -2 5 |
73 |
*-96 |
D |
D♭ |
Cordingley, Heather |
-1 1 -3 -2 -2 |
|
*-97 |
D |
D♭ |
Halsey, Louis |
1 -1 5 -2 7 |
|
*-98 |
D |
D♭ |
Pike, Lionel |
7 -2 7 -9 -1 |
73 |
*-99 |
D |
b♭ |
Clucas, Humphrey |
0 0 1 0 -1 ( 1, 5) |
|
*-100 |
D |
b♭ |
Hurford, Peter |
2 1 0 -1 0 |
39 |
*-101 |
D |
b♭ |
Jackson, Francis Alan |
5 3 -1 0 2 |
130 |
*-102 |
D |
b♭ |
Pott, Francis John Dolben |
3 2 3 -2 -1 |
|
*-103 |
D |
A♭ |
Griggs, Graham |
2 2 -2 -5 8 |
34 |
*-104 |
D |
A♭ |
Halsey, Louis |
-3 3 5 -3 -2 ( 1, 4) |
Note: eight-part |
*-105 |
D |
A♭ |
Jackson, Francis Alan |
2 2 1 -1 -7 ( 1, 1) |
119(9-16) |
*-106 |
D |
A♭ |
Pott, Francis John Dolben |
2 -2 5 2 3 ( 1, 3) |
|
*-107 |
D |
A♭ |
Pott, Francis John Dolben |
0 -2 0 -1 -2 |
|
*-108 |
D |
A♭ |
Seivewright, Andrew |
2 3 2 -3 0 |
121 |
*-109 |
D |
f |
McLelland-Young, Thomas |
2 3 -2 2 2 (2, 1) |
139 |
*-110 |
D |
f |
Smith, Jeffrey |
3 -1 -2 0 5 ( 1, 5) |
51 |
*-111 |
D |
f |
Spedding, Alan John |
-4 2 2 0 7 |
137 |
*-112 |
D |
f |
Watson, Wilfrid Ronald |
-2 5 -3 -7 2 |
94(1-11) |
*-113 |
D |
F |
Watson, Wilfrid Ronald |
0 -2 2 -7 3 |
94(12-23; Gloria) |
*-114 |
D |
E♭ |
Beechey, Gwilym |
2 2 -4 -3 1 ( 1, 2) |
89(i) |
*-115 |
D |
e♭ |
Beechey, Gwilym |
4 1 -1 0 3 |
89(ii) |
*-116 |
D |
B♭ |
Dearnley, Christopher Hugh |
0 3 -3 -4 12 |
Note: Based upon an Aboriginal melody |
*-117 |
D |
E♭ |
Halsey, Louis |
-3 -4 2 3 -1 |
|
*-118 |
D |
E♭ |
Jackson, Francis Alan |
5 -1 -2 -2 0 ( 1, 4) |
128 |
*-119 |
D |
E♭ |
Lloyd, Richard Hey |
5 2 5 -3 -2 |
|
*-120 |
D |
E♭ |
Lloyd, Richard Hey |
0 3 -2 4 -2 |
|
*-121 |
D |
E♭ |
Lloyd, Richard Hey |
5 -1 -2 7 -2 ( 1, 1) |
|
*-122 |
D |
E♭ |
Longden, Lee |
1 -1 0 -2 -2 ( 1, 4) |
|
*-123 |
D |
E♭ |
Perrin, Ronald Edward |
3 -3 5 -4 2 |
|
*-124 |
D |
E♭ |
Pike, Lionel |
-4 4 3 -7 0 |
128 |
*-125 |
D |
E♭ |
Pott, Francis John Dolben |
3 2 3 -3 -2 |
|
*-126 |
D |
E♭ |
Sartin, Paul Jonathan |
-2 7 -5 0 -7 (2, -) |
45(1-8; 17-18; Gloria) |
*-127 |
D |
c |
Sartin, Paul Jonathan |
5 2 1 0 -1 (2, -) |
45(9-16) Note: eight part |
*-128 |
D |
E♭ |
Seivewright, Andrew |
3 -3 1 2 2 (2, -) |
125 Note: optional 32ft organ pedal |
*-129‑a |
D |
E♭ |
Smith, Jeffrey |
2 3 2 -2 -5 |
67(1-2) Note: ref. no. 129-b for descant in first quarter (vss 3, 5 and Gloria) |
*-129‑b |
D |
E♭ |
Smith, Jeffrey |
5 4 3 -7 -5 |
67(3-7; Gloria) Note: Same as no. 129-a with descant in first quarter |
*-130 |
D |
E♭ |
Wilkes, Roger |
-2 2 3 0 2 ( 1, 1) |
|
*-131 |
D |
E♭ |
Williamson, Magnus |
-2 -2 9 -2 5 |
|
*-132 |
D |
c |
Barber, Graham |
0 0 3 -2 -1 ( 1, 4) |
51(1-6; 11-13) |
*-133 |
D |
c |
Barber, Graham |
0 0 3 -2 -1 ( 1, 4) |
51(7-10) |
*-134 |
D |
c |
Barber, Graham |
0 0 3 -2 -1 ( 1, 4) |
51(14-19; Gloria) |
*-135 |
D |
c |
Halsey, Louis |
0 2 2 1 7 |
|
*-136 |
D |
c |
Hoyle, Vernon |
1 -1 0 -2 -2 ( 1, 4) |
53 |
*-137 |
D |
B♭ |
Hoyle, Vernon |
3 -2 4 -2 0 |
|
*-138 |
D |
B♭ |
Hurford, Peter |
9 0 0 -7 10 |
Benedictus Dominus Deus (Luke 1, 67-79) |
*-139 |
D |
B♭ |
Hurford, Peter |
-4 -1 0 -2 12 |
|
*-140 |
D |
B♭ |
Pott, Francis John Dolben |
-2 3 -1 -2 2 ( 1, 3) |
|
*-141 |
D |
B♭ |
Rippin, John |
-1 -4 -3 -2 5 |
|
*-142 |
D |
B♭ |
Whitehead, Richard |
9 -2 -2 2 2 ( 1, 1) |
|
*-143 |
D |
g |
Beams, Terry |
0 0 0 5 2 |
6 |
*-144 |
D |
g |
Hoyle, Vernon |
1 -1 3 -3 0 |
69(1-22) |
*-145 |
D |
G |
Hoyle, Vernon |
5 -1 0 -2 2 ( 1, 1) |
69(30-37; Gloria) |
*-146 |
D |
g |
Lloyd, Richard Hey |
0 -1 -2 5 0 ( 1, 2) |
|
*-147 |
D |
g |
Nixon, June |
3 -2 -1 0 5 ( 1, 2) |
29 |
*-148 |
D |
g |
Nixon, June |
4 -2 -3 1 -3 ( 1, 2) |
57(1-8) |
*-149 |
D |
g |
Perrin, Ronald Edward |
7 -4 -3 0 2 |
|
*-150 |
D |
g |
Pike, Lionel |
3 2 -5 7 3 |
42(1-5; 8-13); 43(1-4; Gloria) |
*-151 |
D |
D |
Pike, Lionel |
0 -2 -3 1 2 |
42(6-7; 14-15); 43(5-6) |
*-152‑a |
D |
g |
Pott, Francis John Dolben |
-2 3 -1 0 3 |
Note: This chant is intended to be unaccompanied.
For the Gloria no. 152-b should be used |
*-152‑b |
D |
g |
Pott, Francis John Dolben |
-2 3 -1 0 3 |
Note: for the Gloria
This chant is intended to be unaccompanied. If it is accompanied, however, the final unison should not be harmonized by the organ. |
*-153 |
D |
g |
Pott, Francis John Dolben |
3 -1 -3 1 2 ( 1, 3) |
|
*-154 |
D |
g |
Vine, James |
7 -2 -7 0 2 |
|
*-155 |
D |
g |
Williamson, Magnus |
-2 2 2 0 1 ( 1, 1) |
|
*-156 |
D |
F |
Ashfield, Robert James |
3 -5 3 -1 -2 (4, 3) |
29 |
*-157 |
D |
F |
Beaumont, Kerry Jason |
4 3 2 0 2 ( 1, 1) |
|
*-158 |
D |
F |
Rose, Bernard William George |
3 -1 -2 -7 2 |
145 |
*-159‑a |
D |
F |
Rose, Bernard William George |
1 2 -3 -2 5 (2, 1) |
147(all, except Gloria) |
*-159‑b |
D |
F |
Rose, Bernard William George |
1 2 -3 -2 5 (2, 1) |
147(Gloria) Note: Different final bar for the Gloria |
*-160 |
D |
d |
Bruce-Payne, David Malcolm |
2 1 2 2 0 ( 1, 5) |
71(1-11) |
*-161 |
D |
B♭ |
Bruce-Payne, David Malcolm |
2 -2 5 -1 -2 ( 1, 9) |
71(12-22; Gloria) |
*-162 |
D |
d |
Halsey, Louis |
-5 -4 -1 1 2 |
|
*-163 |
D |
d |
McLelland-Young, Thomas |
-2 -2 -1 0 -2 (2, 1) |
22(1-22) |
*-164 |
D |
G |
McLelland-Young, Thomas |
-2 -1 -2 0 -2 |
|
*-165 |
D |
d |
Perrin, Ronald Edward |
3 -2 -1 0 5 ( 1, 2) |
|
*-166 |
D |
d |
Pike, Lionel |
3 -1 -2 2 1 ( 1, 1) |
119(121-128) |
*-167 |
D |
d |
Pike, Lionel |
7 -2 2 -4 5 |
53 |
*-168 |
D |
d |
Spedding, Alan John |
2 2 -4 4 7 |
|
*-169 |
D |
d |
Spicer, Paul Cridland |
1 2 -3 0 5 (2, 3) |
3 |
*-170 |
S |
C |
Beaumont, Kerry Jason |
0 4 -9 2 0 |
|
*-171 |
S |
C |
Benson, John S. |
1 0 -1 0 3 ( 1, 2) |
Note: also suitable for men's voices |
*-172 |
S |
C |
Dover, John |
2 3 4 0 -2 ( 1, 1) |
|
*-173 |
S |
C |
Halsey, Louis |
-2 -2 11 -2 3 |
|
*-174‑a |
S |
C |
Hurford, Peter |
3 5 2 -7 9 (2, -) |
95 Note: with descant for second part: no. 174-b |
*-174‑b |
S |
C |
Hurford, Peter |
3 5 2 -7 12 (2, -) |
95 Note: as no. 174-a, but with descant for second part |
*-175 |
S |
C |
Hurford, Peter |
9 0 -3 -4 5 |
107(1-3; 8-9; 15-16; 21-22; 31-43; Gloria) |
*-176 |
S |
a |
Hurford, Peter |
0 -1 -7 5 0 ( 1, 2) |
107(4-5; 10-12; 17-18) |
*-177 |
S |
a |
Hurford, Peter |
1 -1 -2 -3 5 |
107(6-7; 13-14; 19-20; 28-30) |
*-178 |
S |
D |
Hurford, Peter |
2 1 2 -7 5 |
107(23-27) |
*-179 |
S |
C |
Lewis, Raymond |
3 5 4 -4 -5 ( 1, 1) |
95 |
*-180 |
S |
C |
Sidwell, Martindale |
9 -4 -1 -2 0 (4, -) |
95 |
*-181 |
S |
C |
Spedding, Alan John |
-2 2 2 3 2 ( 1, 1) |
|
*-182‑a |
S |
C |
Trepte, Paul |
2 2 3 -3 -2 (2, -) |
150 Note: ref. no. 182-b for optional final chord |
*-182‑b |
S |
C |
Trepte, Paul |
2 2 3 -3 -2 (2, -) |
Note: as no. 182-a with optional final chord |
*-183 |
S |
C |
Whitehead, Richard |
2 7 -2 2 -4 |
Nunc Dimittis (Luke 2, 29-32) Note: Also suitable for men's voices |
*-184 |
S |
C |
Whitehead, Richard |
2 2 -7 8 2 |
13 |
*-185 |
S |
C |
Hackett, Peter |
2 -2 -1 1 -5 ( 1, 2) |
61 Note: Also suitable for men's voices |
*-186 |
S |
a |
Hoyle, Vernon |
5 2 1 2 -2 ( 1, 3) |
137 |
*-187 |
S |
a |
Hurford, Peter |
5 3 0 -1 -7 ( 1, 1) |
120 |
*-188 |
S |
a |
Spicer, Paul Cridland |
-4 1 -3 10 -1 |
148(1-6; 11-13) |
*-189‑a |
S |
A |
Spicer, Paul Cridland |
2 3 5 -4 6 |
148(7-10; Gloria first half) |
*-189‑b |
S |
A |
Spicer, Paul Cridland |
2 3 5 -4 6 |
148(Gloria second half) |
*-190 |
S |
a |
Williamson, Magnus |
2 -2 3 -1 3 |
|
*-191 |
S |
G |
Beaumont, Kerry Jason |
-3 3 -7 -5 2 |
|
*-192 |
S |
G |
Benson, John S. |
2 3 2 -2 5 ( 1, 1) |
23 |
*-193 |
S |
G |
Benson, John S. |
12 -3 -2 2 -2 |
23 |
*-194 |
S |
G |
Benson, John S. |
-9 2 5 2 1 |
23 |
*-195‑a |
S |
G |
Benson, John S. |
2 3 2 -2 -1 ( 1, 1) |
23 |
*-195‑b |
S |
G |
Benson, John S. |
2 3 2 -2 -1 ( 1, 1) |
Note: as no. 195-a with alternative final bar |
*-196 |
S |
G |
Hoyle, Vernon |
0 2 2 2 1 |
|
*-197 |
S |
G |
Rippin, John |
7 -2 5 -3 5 |
82 |
*-198‑a |
S |
G |
Wainwright, Jonathan Mayhew |
2 3 4 -2 -2 ( 1, 2) |
150(1-5; first half of Gloria) |
*-198‑b |
S |
G |
Wainwright, Jonathan Mayhew |
2 3 4 -2 -2 ( 1, 2) |
150(6; second half of Gloria) |
*-199 |
S |
e |
Beaumont, Kerry Jason |
2 2 -2 -2 4 (2, -) |
|
*-200 |
S |
e |
Hackett, Peter |
0 0 5 -2 -8 |
19 |
*-201 |
S |
e |
Hurford, Peter |
0 -2 -3 1 0 ( 1, 2) |
|
*-202 |
S |
D |
Benson, John S. |
-2 -5 2 -7 0 |
|
*-203 |
S |
D |
Townhill, Dennis William |
0 0 0 2 3 ( 1, 1) |
99 |
*-204 |
S |
b |
Williamson, Magnus |
2 -4 2 -5 3 |
|
*-205 |
S |
A |
Halsey, Louis |
3 -2 4 5 3 |
|
*-206 |
S |
A |
Hurford, Peter |
4 0 3 -7 9 |
133 |
*-207 |
S |
A |
McLelland-Young, Thomas |
2 1 -1 -2 0 ( 1, 1) |
137 Note: also suitable for men's voices |
*-208 |
S |
A |
Pike, Lionel |
9 -2 -3 1 7 |
134 |
*-209 |
S |
E |
Curror, Ian |
2 -4 -1 4 0 |
100 Note: Two trebles |
*-210‑a |
S |
B |
Clucas, Humphrey |
9 -4 -5 0 0 (2, -) |
100(all except Gloria) |
*-210‑b |
S |
B |
Clucas, Humphrey |
9 -4 -5 0 0 (2, -) |
100(Gloria, first half) |
*-210‑c |
S |
B |
Clucas, Humphrey |
9 -4 7 -12 7 |
100(Gloria, second half) |
*-211 |
S |
D♭ |
Lloyd, Richard Hey |
9 2 3 -2 -3 |
|
*-212 |
S |
A♭ |
Sidwell, Martindale |
0 -5 1 0 0 (4, 1) |
100 |
*-213 |
S |
c |
Townhill, Dennis William |
-2 -3 -4 2 3 |
128 Note: vs. 7 and end of Gloria: A-natural instead of A-flat in final chord |
*-214 |
S |
E♭ |
Lewis, Raymond |
-2 -2 7 0 3 (2, -) |
23 |
*-215 |
S |
E♭ |
McLelland-Young, Thomas |
0 2 1 0 -3 ( 1, 1) |
15 |
*-216 |
S |
E♭ |
Norcliffe, Anthony |
0 2 3 -3 -2 |
95 |
*-217 |
S |
c |
Dover, John |
3 4 -2 0 3 |
|
*-218‑a |
S |
c |
Wainwright, Jonathan |
3 -4 3 -2 -4 |
131(all, except end of Gloria) |
*-218‑b |
S |
c |
Wainwright, Jonathan |
3 -4 3 -2 -4 |
131(end of Gloria) Note: as no. 218-a, but different final chord for the end of the Gloria |
*-219 |
S |
B♭ |
Pike, Lionel |
-3 -2 -3 3 2 |
67(1; 2; 4; 6; 7) |
*-220 |
S |
B♭ |
Pike, Lionel |
-2 -3 -2 -2 2 |
67(3; 5; Gloria) |
*-221‑a |
S |
B♭ |
Seivewright, Andrew |
0 4 -9 10 -1 |
8(2-3; Gloria) |
*-221‑b |
S |
B♭ |
Seivewright, Andrew |
4 -7 2 3 -1 |
8(1; 9) Note: as no. 221-a, with descant |
*-222 |
S |
b♭ |
Seivewright, Andrew |
8 -1 -7 5 7 |
8(4-8) |
*-223 |
S |
B♭ |
Seivewright, Andrew |
-3 3 4 0 3 |
100 |
*-224 |
S |
g |
Hoyle, Vernon |
0 2 1 2 2 ( 1, 5) |
Note: minor version of no. 196 |
*-225 |
S |
g |
Spedding, Alan John |
2 1 2 2 -2 ( 1, 2) |
13 |
*-226‑a |
S |
F |
Benson, John S. |
-1 -4 2 -4 0 |
|
*-226‑b |
S |
F |
Benson, John S. |
-1 -4 2 -4 0 |
Note: as no. 226-a, with descant |
*-226‑c |
S |
F |
Benson, John S. |
-1 -4 2 -4 0 |
Note: as no. 226-b, with alternative ending to Gloria |
*-227 |
S |
F |
Jackson, Francis Alan |
0 2 -5 -2 0 |
131 |
*-228 |
S |
F |
McLelland-Young, Thomas |
1 2 2 -2 -3 ( 1, 2) |
23 |
*-229 |
S |
d |
Ashfield, Robert James |
0 -2 0 -2 2 |
Note: also suitable for men's voices |
*-230 |
S |
d |
Morris, Andrew Timothy |
3 2 -3 1 4 |
|
*-231 |
S |
d |
Pike, Lionel |
0 -2 -3 3 0 |
131 Note: also suitable for men's voices |
*-232‑a |
T |
D |
Ashfield, Robert James |
2 5 -2 -1 -2 (5, 2) |
66(all, except Gloria) |
*-232‑b |
D |
D |
Ashfield, Robert James |
2 5 -2 -1 -2 (5, 2) |
66(Gloria) Note: as no. 232-a, middle part omitted |
*-233‑a |
T |
c# |
Ashfield, Robert James |
3 -1 -2 0 3 ( 1, 1) |
2(all, except Gloria) |
*-233‑b |
D |
c# |
Ashfield, Robert James |
3 -1 -2 0 3 ( 1, 1) |
2(Gloria) Note: as no. 233-a, middle part omitted |
*-234‑a |
T |
E♭ |
Baker, John Lawson |
4 -2 5 -3 7 (2, -) |
Note: 234-b to be used for the Gloria |
*-234‑b |
D |
E♭ |
Baker, John Lawson |
4 -2 5 -3 7 (2, -) |
Note: as no. 234-a, middle part omitted for Gloria |
*-235‑a |
T |
g |
Symonds, D. P. |
-2 3 -1 -12 0 |
136(all, except Gloria) |
*-235‑b |
D |
g |
Symonds, D. P. |
-2 3 -1 -9 0 |
136(Gloria) |
*-236‑a |
Q |
d |
Rippin, John |
5 -2 0 -2 -1 ( 1, 1) |
94(1-8) |
*-236‑b |
T |
d |
Rippin, John |
5 -2 0 -2 -6 |
94(9-11) |
*-237‑a |
Q |
D |
Rippin, John |
4 0 -2 -2 0 |
94(12-23) |
*-237‑b |
D |
D |
Rippin, John |
4 0 -2 -7 2 |
94(Gloria) |
*-238 |
X |
e |
Drinkell, David |
1 4 2 0 1 ( 1, 1) |
130(1-4) Note: Short Double chant (3-3-3-3) |
*-239 |
X |
E |
Drinkell, David |
2 3 2 0 2 ( 1, 2) |
130(5-6) Note: Short Double chant (3-3-3-3) |
*-240 |
X |
A |
Drinkell, David |
5 -2 -3 5 -3 |
130(7-8; Gloria) |
*-241 |
X |
E |
Halsey, Louis |
2 2 -2 3 2 |
|
*-242 |
X |
G♭ |
Symonds, D. P. |
2 -2 -2 0 2 ( 1, 1) |
121 Note: Short Double chant (3-3-3-3) (eight part) |
*-243 |
X |
D♭ |
Ashfield, Robert James |
5 -5 3 -1 8 (4, -) |
148 Note: Short Single chant (3-3) |
*-244 |
X |
C |
Harper, John Martin |
5 -3 -5 3 -3 |
|
*-245 |
X |
G |
Harper, John Martin |
2 5 -7 -1 5 |
|
*-246 |
X |
A |
Harper, John Martin |
-4 2 -5 -2 0 |
|
*-247 |
X |
A |
Harper, John Martin |
-3 -2 5 2 3 |
|
*-248 |
X |
E |
Harper, John Martin |
-2 5 2 -2 2 |
|
*-249 |
X |
g |
Harper, John Martin |
0 -1 -4 2 7 |
|
*-250 |
X |
g |
Harper, John Martin |
5 2 -2 -3 -7 |
|
*-251 |
D |
e |
O'Neill, Nicholas |
3 -3 1 0 -1 ( 1, 1) |
137 Note: Men's voices |
*-252 |
D |
e |
O'Neill, Nicholas |
0 -2 -3 0 1 ( 1, 1) |
Note: Men's voices |
*-253 |
D |
A |
Clucas, Humphrey |
-2 -1 3 0 2 |
126; 129 Note: Men's voices |
*-254 |
D |
F# |
Clucas, Humphrey |
-1 1 2 0 2 ( 1, 3) |
127; 128 Note: Men's voices |
*-255 |
S |
a |
Clucas, Humphrey |
7 -2 -5 0 0 |
130 Note: Men's voices |
*-256 |
S |
A |
Clucas, Humphrey |
3 0 -1 0 2 ( 1, 2) |
131 Note: Men's voices |
*-257 |
D |
D |
Turner, John R. |
0 -2 5 -2 -1 ( 1, 2) |
Note: Men's voices |
*-258 |
D |
A |
Lloyd, Richard Hey |
1 -1 5 0 3 |
Note: Men's voices |
*-259 |
D |
A |
Rose, Bernard William George |
5 -3 2 -1 0 |
27 Note: Men's voices |
*-260 |
D |
A |
Turner, John R. |
-1 -2 -2 0 -2 ( 1, 5) |
Note: Men's voices |
*-261 |
D |
E |
Turner, John R. |
-4 -3 -2 -3 5 |
Note: Men's voices |
*-262 |
D |
c# |
Underwood, Giles |
0 0 0 -1 0 ( 1, 3) |
Note: Men's voices |
*-263 |
D |
D♭ |
Benson, John S. |
0 -2 -2 2 2 ( 1, 5) |
Note: Men's voices |
*-264 |
D |
A♭ |
Turner, John R. |
-1 1 -3 -4 -3 |
Note: Men's voices |
*-265‑a |
D |
A♭ |
Sartin, Paul Jonathan |
0 2 0 -2 5 (2, 1) |
119(33-40) Note: Men's voices
Gloria no. 265-b |
*-265‑b |
D |
A♭ |
Sartin, Paul Jonathan |
0 2 0 -2 5 (2, 1) |
119 Note: Men's voices
Gloria for no. 265-a |
*-266 |
D |
A♭ |
Clucas, Humphrey |
-5 5 0 0 -3 |
18(1-6; 31-46) Note: Men's voices |
*-267 |
D |
F |
Clucas, Humphrey |
2 -2 4 -2 4 |
18(7-15) Note: Men's voices |
*-268 |
D |
D♭ |
Clucas, Humphrey |
-4 4 2 1 -3 |
18(16-30) Note: Men's voices |
*-269 |
D |
E |
Clucas, Humphrey |
3 -3 -4 5 0 ( 1, 2) |
18(47-51; Gloria) Note: Men's voices |
*-270 |
D |
f |
Nixon, June |
4 1 2 -7 0 |
25 Note: Men's voices |
*-271 |
D |
E♭ |
Benson, John S. |
2 2 -9 0 7 |
Note: Men's voices |
*-272 |
D |
c |
Lloyd, Richard Hey |
0 -1 0 -2 7 |
Note: Men's voices |
*-273 |
D |
B♭ |
Lloyd, Richard Hey |
2 1 -7 -3 2 |
Note: Men's voices |
*-274 |
D |
B♭ |
Lloyd, Richard Hey |
1 -1 -2 2 1 ( 1, 8) |
Note: Men's voices |
*-275 |
S |
A |
Lloyd, Richard Hey |
2 2 -4 5 0 ( 1, 4) |
Note: Men's voices |
*-276 |
S |
F |
Benson, John S. |
-3 -4 2 9 1 (2, -) |
Note: Men's voices |
*-277 |
S |
d |
Lloyd, Richard Hey |
-1 -2 5 -3 5 |
Note: Men's voices |