'' One Hundred Twentieth Century Chants
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One Hundred Twentieth Century Chants



Number -- Status75 -- Included
Full TitleOne Hundred Twentieth Century Chants
Author(s)Brunton, Barry (ed.)
PublisherOecumuse / Fagus Music Publishing, Banchory
Year of Publication1976
ISBN
Chants numbered continuouslyYes
Psalms associated with chants - Pointed text includedNo/No
Sets of chants for certain psalmsNo
Separate selections of psalms includedNo
FormatHardcopy
Sourceon loan from mr. Kerr Jamieson
Additional comments none


Table of Contents


Click here for an explanation of the conventions used in the listings

p-n T Key Composer Finger
print		 Psalms/
Notes
1-1‑a D a ApIvor, Denis    4  -2  -3   5  -2
1-1‑b D a ApIvor, Denis   -2  -2  -3   5  -2 Can be used for the Gloria, if it suits the psalm. Refer to the composer's comment in the chantbook.
1-2 D e♭ Archer, Malcolm    2   1   4  -2  -5 (2, -)
1-3 D E♭ Archer, Malcolm    2   2   3  -2  -1 (5, 9)
1-4 D B♭ Barnard, John   -2   2   5  -1   5 (3, -)
1-5 D D♭ Barnard, John    3   2   3  -1  -2 (4, -)
2-6 D A Barnard, John    5  -1   5  -2   5 (5, 3)
2-7‑a D O Barrell, Bernard Clement    3   2   2   3  -2 For the Gloria no. 7b should be used
2-7‑b D O Barrell, Bernard Clement    3   2   2   3  -2 to be used for the Gloria (different harmony final bar)
2-8 D E Beechey, Gwilym   -2   0  -1   0   5 ( 1, 1)
2-9 D e Benger, Richard    3  -3   7  -7   5
2-10 D E♭ Boal, Sydney    0   0  -2   5   0
3-11‑a Q B♭ Brown, Christopher   -5   1   2  -5  -2 (2, 1)
3-11‑b D B♭ Brown, Christopher   -5   1   2  -2  -1 Both halves of the quadruple chant 11a combined to form an eight part double chant for the Gloria (or elsewhere); indexed on the top notes of the combined chant
3-12‑a D C Brown, Christopher   -1   1   3   2  -2 ( 1, 1)
3-12‑b D C Brown, Christopher   -1   1   3   2  -2 ( 1, 1) Gloria for nr. 12a
3-13 D B♭ Bush, Geoffrey    3  -3  -4   2  -3 ( 1, 2)
3-14 D g Cooke, Arnold Atkinson    3  -3   5  -2   5
4-15 D c Coulson, Richard    2   3   2  -2   2 (2, 1)
4-16 D A♭ Cousins, Malcolm Ernest    7   0  -9   5  -3
4-17 D B♭ Cousins, Malcolm Ernest    2   2  -7  -2  14
4-18 D A Darlow, Denys    0  -1  -4   2   2
4-19 D G Darlington, Stephen    2   3   2   2   1 (3, 2)
4-20 D d Edwards, Paul    4  -2   3   0  -1
5-21 D f Edwards, Paul    0  -2  -3   5   5 (2, -)
5-22 D D Edwards, Paul   -1  -1  -1  -2  -2 ( 1, 1)
5-23 D D♭ Edwards, Paul    9  -2  -2  -3  -2 (2, -)
5-24 D e Fenby, Eric William    8  -1  -5   1  -1
5-25 S O Forbes, Sebastian   -4  -3  -2   2   3 Some verses to be sung in unison;
refer to chantbook for comments regarding organ part
6-26 D E Forbes, Sebastian    2   0  -2   0   3 refer to chantbook for comments regarding organ part
6-27 S G Foster, Anthony   -5   5   2   1  -5 (2, -)
6-28‑a D C Frith, Michael    5  -8   3   2   3 no. 28-b to be used for the Gloria
6-28‑b D C Frith, Michael    5  -8   3   2   3 To be used for the Gloria
6-29 D c Frith, Michael    1  -1   5   2   1 ( 1, 1)
6-30 D B♭ Gardner, John Linton   -2   2   3  -1  -2 ( 1, 1)
7-31 S C Gibbs, Alan Trevor    2  -2   3  -3   2
7-32 D O Gibbs, Alan Trevor    7  -7   2   0   7
7-33 D g Gipps, Ruth Dorothy Louise    3  -1  -2   0   0 (2, 3) soprano, first note bar 6 should be b-natural (erroneously indicated for alto a)
7-34 D B♭ Gow, David   12  -2  -2  -1  -2
7-35 D A Hand, Colin    5  -3   5   2  -4
8-36 D F Harvey, Jonathan   -1   0  -1   0   2
8-37 D B♭ Hedges, Anthony John    3   2  -3   5  -2
8-38‑a D f# Hesford, Michael Bryan    1   2   2   0   2 (3, 7) no. 38-b to be used for the Gloria
8-38‑b D f# Hesford, Michael Bryan    1   2   2   0   2 (3, 7) as no. 38-a (14531), final chord tenor A-sharp if used for Gloria
8-39 D g Hesford, Michael Bryan    2  -2  -1   1  -3 (2, 11)
8-40 S a Hesford, Michael Bryan    1  -3   5   2  -4 (5, -)
9-41 D C Hewitt-Jones, Tony    7   2   3  -5   2 (3, -)
9-42 D F Horovitz, Joseph   -2   5  -7   9  -2 ( 1, 3)
9-43 D d How, Martin J. R.    5  -2   9  -5   7
9-44 D D How, Martin J. R.    7  -2  -2   0   5 (2, -)
9-45 D g How, Martin J. R.    0   0  -1   1  -3 (3, 2)
10-46 D b♭ How, Martin J. R.    1   0   3  -4   3 (2, -)
10-47 D G Hurd, Michael John    2   2   1  -1   1 ( 1, 9)
10-48 D G Hurd, Michael John    3  -3  -2   2   1 ( 1, 3)
10-49 S E Hurford, Peter    4   3   5  -3   5 (10, -)
10-50 D a Hurford, Peter    3   4   1  -1  -4 (2, -)
11-51 D E♭ Hurford, Peter    1   2   5   0   0 (4, -)
11-52 D F Hurford, Peter    3   2  -7   7  -2 (4, -)
11-53 D C Jacob, Gordon Percival Septimus    5  -1  -2   2   1 ( 1, 2)
11-54 D C Joubert, John Pierre Herman    1  -1   5  -2   9 (5, -)
11-55 D g Kelly, Bryan George    4  -4  -1   1  -3
12-56 S E♭ Keys, Ivor    4   1   2   0   2 (3, 14)
12-57 D D Kirkby-Mason, Barbara    1  -1  -2   0   4
12-58 D D Last, Joan Mary   -2   0   5   0   2
12-59 D g Longmire, John Basil Hugh    4  -4   7  -3  -2
12-60 D B♭ Melville Smith, Peter    2  -5  -2   5   5 (2, -)
13-61 D a Mitchell, Geoffrey    0   0   2   0   5 (3, 1)
13-62 D G♭ Moore, Reginald    7   2  -5  -4   9
13-63 S g Moore, Reginald    7  -4  -3   0   3 (2, 1)
13-64 S G Moore, Reginald    7  -3  -2  -2   2 (2, 2)
13-65 D G Moore, Reginald    9  -5   3   0   5 (3, -)
14-66 D C Moore, Reginald   -1  -4   2   3   5
14-67 D G Moore, Reginald    2   2   3  -2  -3
14-68 D D Moore, Reginald   -1  -4  -3   3   2
14-69 S D Moore, Reginald Bowerman   -5   2   2   1   5 (2, -)
14-70 D O Naylor, Peter Russel   -3   3   2  -1   2
15-71 D O Naylor, Peter Russel    3   0  -1   4  -2
15-72 D d Naylor, Peter Russel    5  -2  -1   7   1
15-73 D g Nelson, Havelock    2   1  -1   6  -1
15-74 D g Noble, Harold   -1   1   2   1   2 ( 1, 3)
15-75 D G Noble, Harold   -3  -2  -1   0   1
16-76 S C Parrott, Horace Ian   -2   2   2  -2  -2 ( 1, 2)
16-77 D g Pasfield, William Reginald    3  -1  -3   1   2 ( 1, 3)
16-78 D B♭ Pasfield, William Reginald    0  -1  -2   3   2 ( 1, 2)
16-79 D O Paynter, John   -1  -4   7  -7   2
16-80 D O Paynter, John    3  -3  -7   0   8 Alto, tenor and bass are to sing independent from each other notes from the final chord of each quarter, in free rhytm. In the midi file the chords are stretched out across each quarter, so this does not actually reflect the intention of the composer.
17-81 D O Paynter, John   -1  -3   1  -1   0
17-82 D D Poston, Elizabeth    4   0   3   0   4 (4, -)
17-83 D A♭ Proctor, Charles Frederick    5   4   0 -11   2
17-84 D E Ridout, Alan   -3   5  -3   5  -4 ( 1, 1)
17-85 D d Ridout, Alan   -1   1   2   0   0
18-86 D D Ridout, Alan   -5  -3  -4   1   1
18-87 D G Roe, Betty Eileen    0   1  -1   5   0
18-88 D E♭ Roe, Betty Eileen   -4   2   2   3  -7
18-89 S g Rooper, Jasper Bonfoy    3  -3  -2   0   3 ( 1, 3)
18-90 D A Routh, Francis John    3  -2  -3   2  -7
19-91 D a Sandon, Donald   -2   2   3  -3   7
19-92 D A♭ Seivewright, Andrew    7   5   0  -2   0 (3, -)
19-93 D a Standford (Gledhill), John Patric    1   2   2   2   1 ( 1, 18)
19-94 D G Steel, Christopher Charles    2   2  -4   4   1
19-95 D B♭ Stoker, Richard    2  -2   9  -4  -7
20-96 D D Tate, Phyllis Margaret Duncan    3   4   5  -8   1
20-97 D b Timms, Robin    2   1   4   0   1
20-98 D B Timms, Robin    2   2   3   0   2 ( 1, 1)
20-99‑a D a Tordoff, Philip    1   0   2   0   2
20-99‑b S a Tordoff, Philip    1   0   2   0   2 as no. 99-a (14592), but tenor final bar g-sharp (transition to no. 100)
20-100 S A Tordoff, Philip    2   3   2  -2   5 (2, 1)