p-n |
T |
Key |
Composer |
Finger print |
Psalms/ Notes |
74-1 |
S |
A |
Battishill, Jonathan |
-5 9 -2 3 -1 (71, -) |
|
74-2 |
S |
G |
Purcell, Thomas |
-2 -2 2 5 -2 (74, 1) |
|
74-3 |
S |
F |
King, Charles |
1 4 -7 5 -3 |
|
74-4 |
S |
d |
Havergal, William Henry |
5 -2 -2 -1 3 (2, 1) |
|
74-5 |
S |
D |
Jones, John |
-2 -1 -2 7 2 (52, 2) |
|
74-6 |
S |
C |
Aylward (Sr.), Theodore {Anonymous (i.e. not specified)} |
-1 -2 -2 0 2 (33, 8) |
|
74-7 |
S |
E |
Alcock sr., John {Anonymous (i.e. not specified)} |
2 2 1 -1 -4 (13, 5) |
|
74-8 |
S |
B♭ |
Nares, James |
1 -1 -2 -2 -1 (20, 6) |
|
76-9 |
S |
B♭ |
Not specified |
-2 -2 -1 1 2 ( 1, 25) |
|
76-10 |
S |
A |
Turner, William {Anonymous (i.e. not specified)} |
2 0 2 -4 5 (74, 7) |
|
76-11 |
S |
g |
Purcell, Thomas |
-1 -2 -1 8 -7 (67, 3) |
|
76-12 |
S |
F |
Farrant, Richard |
0 2 2 3 -2 (87, 5) |
|
77-1 |
D |
E♭ |
Robinson, John |
5 -3 -2 -3 2 (103, -) |
|
77-2 |
D |
D |
Beckwith, John Christmas |
-8 5 -2 -7 5 (26, 1) |
|
78-3 |
D |
G |
Langdon, Richard {Boyce, William} |
0 2 2 0 -2 (91, 25) |
mis-attribution to "Dr. Boyce" |
78-4 |
D |
D |
Jones, John |
-3 -4 -5 9 1 (32, -) |
|
79-5 |
D |
E |
Wellesley, Garrett Colley, Earl of Mornington |
-2 -1 -2 -2 12 (65, 2) |
Alto bar 11 should be D-sharp (not E) as per the organ part |
79-6 |
D |
B♭ |
Dupuis, Thomas Saunders |
-1 1 -3 8 -1 (75, 1) |
|
80-7 |
D |
E♭ |
Boyce, William |
-5 -2 -1 0 -2 (89, 2) |
|
80-8‑a |
D |
A |
Norris, Thomas |
4 3 -7 0 -1 (39, 1) |
Bass final bar should be A (not B) |
80-8‑b |
D |
A |
Norris, Thomas |
2 2 3 -7 0 |
as no. 8-a (34091), with optional notes |
81-9‑a |
D |
E |
Battishill, Jonathan |
-1 -2 -2 -2 -1 (49, 29) |
|
81-9‑b |
D |
E |
Battishill, Jonathan |
-1 -2 -2 -2 -1 (49, 29) |
as no. 9-a (34093), with optional passing note tenor, penultimate bar |
81-10 |
D |
E♭ |
Dupuis, Thomas Saunders |
2 2 1 -1 -4 (32, 5) |
|
82-11 |
D |
g |
Webbe Sr, Samuel |
-7 2 1 0 5 |
|
82-12 |
D |
E |
Russell, William |
5 -1 -2 -2 -2 (56, 6) |
|
83-13 |
D |
A |
Goodenough, Robert Philip {Anonymous (i.e. not specified)} |
2 2 -2 -2 2 (3, 7) |
|
83-14 |
D |
E |
Rogers, John Leman |
-2 -1 1 -3 -2 ( 1, 1) |
|
84-15 |
D |
G |
Rogers, John Leman |
1 2 -2 -1 -2 ( 1, 11) |
|
84-16 |
D |
E♭ |
Camidge, Matthew |
-3 5 -2 -5 2 |
|
85-17 |
D |
A |
Camidge, Matthew |
3 -3 -2 -2 -1 ( 1, 1) |
|
85-18 |
D |
C |
Camidge, Matthew |
-4 -3 -2 5 -1 |
|
86-19 |
D |
E♭ |
Wellesley, Garrett Colley, Earl of Mornington |
0 -2 -1 3 2 (77, 3) |
|
86-20‑a |
D |
B♭ |
Jackson, William |
-2 -2 -1 1 -1 (17, 12) |
|
86-20‑b |
D |
B♭ |
Jackson, William |
-2 -2 -1 1 -1 (17, 12) |
same as no. 20-a (34105); with optional suspension treble bar 7 |
87-21 |
D |
A |
Jackson, William |
2 2 -7 2 1 (4, 3) |
|
87-22 |
D |
A |
Goodenough, Robert Philip |
4 3 -2 -1 -2 (23, 4) |
|
88-23 |
D |
A♭ |
Robinson, John |
3 -2 -3 -2 7 |
|
88-24 |
D |
a |
Clarke-Whitfield, John |
-5 4 1 0 2 (4, -) |
|
89-25 |
D |
E |
Westmeath, George Frederick Nugent, Earl of |
-1 -2 -2 -3 1 (3, 3) |
|
89-26‑a |
D |
F |
Higgins, Edward {Nares, James} |
-2 -1 -2 -2 5 (26, 5) |
incorrect attribution to James Nares |
89-26‑b |
D |
F |
Higgins, Edward |
-2 -1 -2 -2 5 (26, 5) |
as no. 26-a (34112), with optional passing note penultimate bar tenor |
90-27‑a |
D |
G |
Knyvett, William [Handel, Georg Frederic] {Handel, Georg Frederic} |
2 2 -2 3 -1 (24, 3) |
|
90-27‑b |
D |
G |
Knyvett, William |
2 2 -2 3 -1 (24, 3) |
as no. 27-a (34114), with optional passing note bar 10, treble and tenor |
90-28 |
D |
D |
Nares, James |
5 -5 2 0 -2 (21, 2) |
|
91-29 |
D |
A |
Not specified |
-2 -2 2 -2 -1 ( 1, 5) |
|
91-30 |
D |
G |
Clarke, James Paton |
3 -2 -1 -2 2 ( 1, 9) |
Psalm: Benedicite, omnia opera Domini; |
92-1‑a |
S |
e (I-D1) |
Not specified [Gregorian] |
0 -2 2 0 -2 (3, 14) |
|
92-1‑b |
S |
G (I-f) |
Not specified [Gregorian] |
0 -2 2 0 -2 (3, 14) |
|
92-1‑c |
S |
G (I-g) |
Not specified |
0 -2 2 0 -2 (3, 14) |
|
92-1‑d |
S |
G (I-a2) |
Not specified [Gregorian] |
0 -2 2 0 -2 (3, 14) |
|
93-2‑a |
S |
e (IV-E) |
Not specified [Gregorian] |
-2 2 2 -2 0 (2, 5) |
unison |
93-2‑b |
S |
e (IV-E) |
Not specified [Gregorian] |
-2 2 2 -2 0 (2, 5) |
unison |
93-2‑c |
S |
e (IV-A*) |
Not specified [Gregorian] |
-2 2 2 -2 0 (2, 5) |
unison |
93-2‑d |
S |
e (IV-g) |
Not specified [Gregorian] |
-2 2 2 -2 0 (2, 5) |
unison |
93-2‑e |
S |
G |
Not specified [Gregorian] |
3 -1 -2 2 -2 (4, 9) |
Gloria Patri for the preceding unison chants (a-d) |
93-3‑a |
S |
G (VII-a) |
Not specified [Gregorian] |
3 -1 -2 2 -2 (4, 9) |
unison |
93-3‑b |
S |
G (VII-c) |
Not specified [Gregorian] |
3 -1 -2 2 -2 (4, 9) |
unison |
93-3‑c |
S |
G (VII-b) |
Not specified [Gregorian] |
3 -1 -2 2 -2 (4, 9) |
unison |
93-3‑d |
S |
G (VII-c2) |
Not specified [Gregorian] |
3 -1 -2 2 -2 (4, 9) |
unison |
93-3‑e |
S |
G |
Not specified [Gregorian] |
3 -1 -2 2 -2 (4, 9) |
Gloria Patri for the preceding unison chants (a-d) |
94-3‑f |
D |
G |
Not specified [Gregorian] |
3 -1 -2 2 -2 (4, 9) |
Harmonized double chant composed of nrs. 3-a and 3-b above |
94-4‑a |
S |
B♭ (VIII-G) |
Not specified [Gregorian] |
0 2 -2 0 -1 (4, 7) |
|
94-4‑a1 |
S |
B♭ |
Not specified |
0 2 -2 0 -1 (4, 7) |
as no. 4-a (34134), with optional passing note bar 6, tenor |
94-4‑b |
S |
B♭ (VIII-c) |
Not specified [Gregorian] |
0 2 -2 0 -3 (3, 13) |
|