'' Sixty, I. Chants, Single and Double
back to top
back to top

Home
Click here to return

Additional information for
Sixty, I. Chants, Single and Double



Number -- Status118 -- Included
Full TitleSixty, I. Chants, Single and Double
Author(s)John Jones
PublisherLongman& Brederip, Haymarket
Year of Publication1785
ISBN
Chants numbered continuouslyYes
Psalms associated with chants - Pointed text includedNo/No
Sets of chants for certain psalmsNo
Separate selections of psalms includedNo
Formatpdf
SourcePDF courtesy Jason Smart
Additional comments Title copied literally!! No association with psalms is given but chants are marked "R" (Rejoycing), "P" (Penitential) or "H" (Historical). Numbers 30 of both single and double chants are a major/minor pair for psalms changing from Rejoycing to Penitential in the same psalm or service. Jones provides organ settings that are not exact copies of the voices; these settings have not been included in the midis as they are not relevant for the indexing.


Table of Contents


Click here for an explanation of the conventions used in the listings

p-n T Key Composer Finger
print		 Psalms/
Notes
1-1 S D Jones, John   -2  -1  -2   7   2 (52, 2) marked "R"
2-2 S C Jones, John    5   2  -2   0  -1 (8, -) marked "R"
3-3 S G Jones, John    0   1   2  -3   1 (2, 2) marked "H"
4-4 S A Jones, John   -2  -1   1   3   0 (2, -) marked "H"
5-5 S B♭ Jones, John    0  -2  -1  -2   2 ( 1, 4) marked "H"
6-6 S D Jones, John   -1   0   1  -8   1 (4, -) marked "R"
7-7 S E Jones, John   -1  -2  -2   0  -5 marked "R"
8-8 S G Jones, John    0  -2   3  -5   0 marked "H"
9-9 S D Jones, John    2   2   1   3  -1 (3, 1) marked "P"
10-10 S F Jones, John    2  -5   1   2  -7 (2, -) marked "H"
11-11 S E Jones, John   -1  -2  -2  -2   0 ( 1, 3) marked "R"
12-12 S B♭ Jones, John    2   3  -3  -3   1 marked "H"
13-13 S D Jones, John    5  -3  -2  -1   1 (2, 1) marked "H"
14-14 S A Jones, John   -2  -1   1   2   2 ( 1, 2) marked "R"
15-15 S C Jones, John    4   0  -2  -2  -1 ( 1, 1) marked "R"
16-16 S d Jones, John   -2  -2  -1  -2   7 ( 1, 2) marked "P"
17-17 S G Jones, John    1   2   2  -5   1 (3, 1) marked "H"
18-18 S A Jones, John   -2  -2  -1  -2   2 ( 1, 9) marked "R"
19-19 S B♭ Jones, John   -2  -2  -1  -2  -2 ( 1, 12) marked "H"
20-20 S F Jones, John   -2  -1  -2  -2   9 (4, 3) marked "H"
21-21 S E Jones, John    2   2   0   1   2 marked "R"
22-22 S a Jones, John    2   2  -4  -1  -2 ( 1, 3) marked "P"
23-23 S A Jones, John    1   2  -2  -1  -2 ( 1, 11) marked "H"
24-24 S B♭ Jones, John    4  -2  -2  -1   1 ( 1, 6) marked "R"
25-25 S G Jones, John    3  -2  -1  -2  -2 ( 1, 20) marked "H"
26-26 S E Jones, John    1   2   2  -2   0 ( 1, 9) marked "H"
27-27 S a Jones, John    3   0  -2  -1  -2 ( 1, 7) marked "P"
28-28 S B♭ Jones, John    0   2   2   1   0 ( 1, 3) marked "H"
29-29 S G Jones, John    1   2  -5   2   1 ( 1, 4) marked "H"
30-30‑M S F Jones, John   -2   2   1   2  -2 (8, 3) marked "R"
31-30‑m S f Jones, John   -1   1   2   2  -2 ( 1, 8) marked "P"
32-1 D C Jones, John    0   0  -1   0   0 ( 1, 3) marked "R"; 3 trebles
34-2 D D Jones, John    1   2  -2  -1   5 (4, 3) marked "R"
36-3 D e Jones, John   -2  -2  -1   1   7 (7, 2) marked "P"
38-4 D E Jones, John    1   7  -3  -2  -2 marked "R"
40-5 D F Jones, John    2   3  -1   0  -4 marked "H"
42-6 D D Jones, John   -2  -1   5  -2  -3 (2, -) marked "R"
44-7 D A Jones, John    2   2   1  -1  -2 ( 1, 21) marked "H"
46-8 D B♭ Jones, John   -2   3  -3  -2  -1 (2, -) marked "H"
48-9 D E Jones, John    2   2   3  -2  -1 ( 1, 9) marked "R"
50-10 D c Jones, John    3  -1  -2  -1   1 (4, 3) marked "P"
52-11 D D Jones, John    5  -2  -2  -1  -2 (6, 8) marked "H"
54-12 D E♭ Jones, John   -2  -1  -2  -2   0 ( 1, 7) marked "H"
56-13 D E Jones, John    4  -2  -2  -2   2 marked "R"
58-14 D G Jones, John    1   2  -3   1  -3 ( 1, 1) marked "H"
60-15 D g Jones, John    2   5  -2  -1   1 ( 1, 4) marked "P"
62-16 D d Jones, John    5  -2  -2   9  -2 marked "P"
64-17 D g Jones, John    2   3  -2  -1  -2 ( 1, 2) marked "P"; print error: bass bar 9 should be E-natural (2x), not E-flat (as in the organ part)
66-18 D A Jones, John   -1   6  -3   2  -4 marked "R"
68-19 D c Jones, John   -1  -2  -1   2   0 marked "P"
70-20 D A Jones, John    0  -1  -2   0   3 (2, -) marked "H"
72-21 D G Jones, John    1   0   2   2  -7 marked "H"
74-22 D A Jones, John    2   2  -2  -2   0 (2, 4) marked "R"
76-23 D C Jones, John    0  -1  -2  -2   0 ( 1, 6) marked "H"
78-24 D D Jones, John   -3  -4  -5   9   1 (32, -) marked: "Double chant, performed at St. Pauls Cathedral on the General Thanksgiving April 23d, 1789"
80-25 D g Jones, John    2   2   2   1   0 ( 1, 4) marked "P"
82-26 D e Jones, John    2   2   0   5 -12 marked "P"
84-27 D E Jones, John    2   2  -2   2   1 ( 1, 2) marked "H"
86-28 D B♭ Jones, John   -2   2  -5   1  -3 marked "H"
88-29 D E♭ Jones, John   -8   1   2  -3   3 marked "H"; bass bar 10 should have D-natural
90-30‑M D E Jones, John   -1  -2  -2   7   2 (8, 5) marked "R"
92-30‑m D e Jones, John   -2  -1  -2   7   1 (2, 1) "The foregoing Chant with a flat third"
94-31 X F Jones, John    2  -2  -1   1  -3 ( 1, 11) Irregular Double Chant with 2-2-2-2 bars