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Overview of all references of chants with fingerprint
   0   2   2   0  -2

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Composer Book Page No. Type Key Psalms/
Notes:
Wilkes, Roger (Gregorian) 87 * 318 S a (III-a2)
Harcourt, James 145 43 212 S B♭ Note: Major of no. 179
Mason, Lowell 59 41 30 S D 73 (25-28), 130
Blow, John 16 67 75 S d 36 (1-4)
Blow, John 16 105 115 S d 53
Blow, John 16 240 250 S d 107 (4-7; 10-14; 17-20; 23-30)
Blow, John 16 267 279 S d 119 (25-32)
Blow, John 16 315 344 S d 142
Blow, John 28 64 169 S d 120
Blow, John 28 115 310 S d 120
Blow, John 1 3 8 S e
Blow, John 2 10 18 S e
Blow, John 3 26 69 S e 59, 60, 61
Blow, John 7 225 233 S e 142
Blow, John 8 65 373 S e 142
Blow, John 11 14 95‑2 S e 95
Blow, John 13 33 128 S e
Blow, John 17 729 670 S e Nunc Dimittis (Luke 2, 29-32)
Blow, John 17 737 689 S e 39
Blow, John 19 32 80 S e 89 (37-51)
Blow, John 20 * S-‑199 S e Nunc Dimittis (Luke 2, 29-32)
Blow, John 24 12 44 S e 31 (1-22)
Blow, John 24 22 80 S e 56
Blow, John 24 66 236 S e 22 (1-22)
Blow, John 24 77 280 S e 39
Blow, John 30 332 23 S e 10 (1-11), 38, 57 (1-6)
Blow, John 32 32 II‑2 S e Magnificat (Luke 1, 46-55)
Blow, John 32 87 II‑2 S e 60, 61
Blow, John 37 xi 64 S e Jubilate
Blow, John 37 12 13‑3 S e 13
Blow, John 37 46 39‑4 S e 39
Blow, John 37 69 60‑1 S e 60
Blow, John 37 137 110‑2 S e 110, 111
Blow, John 37 206 143‑1 S e 143
Note: Ash-Wednesday
Blow, John 38 111 78 S e Revelation 1 (5b-8)
Blow, John 39 20 96 S e 12 (1-4), 13 (1-4)
Blow, John 40 * 7 S e
Blow, John 42 168 267 S e
Blow, John 45 12 46 S e 13 (1-4)
Note: Minor of no. 47
Blow, John 45 23 82 S e 22 (1-22)
Blow, John 45 216 784 S e 22 (1-22)
Note: Minor of no. 787
Blow, John 46 28 68 S e
Blow, John 47 iv 3‑2 S e Te Deum Laudamus (15-22)
Blow, John 47 xvi 6 S e Nunc Dimittis (Luke 2, 29-32)
Blow, John 47 6 2 S e 10, 11
Blow, John 47 14 2 S e 22 (1-22)
Blow, John 47 19 1 S e 28
Blow, John 47 39 1 S e 51
Blow, John 47 80 2 S e 102
Blow, John 57 24 4 S e
Blow, John 57 105 3 S e
Blow, John 62 97 8 S e Venite (7-11)
Note: Set B;
Blow, John 67 27 195 S e 35
Note: Set I
Blow, John 69 8 6 S e
Blow, John 71 10 11 S e
Blow, John 73 247 223 S e 130 (1-3)
Blow, John 79 22 65 S e Nunc Dimittis (Luke 2, 29-32)
Blow, John 88 25 28 S e 22 (1-21)
Note: Set I
Blow, John 94 301 1 S e
Blow, John 97 203 16 S e
Blow, John 99 144 285‑m S e
Blow, John 115 41 151 S e 59 (1-15), 60, 61
Note: Set A
Blow, John 115 96 151 S e 32
Note: Set a
Blow, John 117 608 743‑2 S e Nunc Dimittis (Luke 2, 29-32)
Blow, John 119 84 10 S e
Blow, John 121 289 3 S e
South, Charles Frederick 159 8 21 S F Venite
Spain, Harry A. (Tallis, Thomas ) 34 574 1 S F Note: Posted 2016-09-09;
after Tallis
Blow, John 27 31 141 S f 141
Blow, John 109 6 2 S f 27 (8-end)
Blow, John 145 33 161 S f
Blow, John 38 46 33‑b S f# 95 (8-13)
Blow, John 135 28 64 S f# 59, 60, 61
Blow, John 142 266 901 S f#
Goldwin (Golding), John 45 50 176 S G 44 (1-9)
Note: Major of no. 179
Goldwin (Golding), John 45 51 182 S G 44 (23-end)
Note: Major of no. 179
Langdon, Richard 62 108 70 S G Magnificat (Luke 1, 46-55)
Note: Close resemblance to the first half of Langdon's Double chant
Morgan, W. 19 46 128 S G 148, 149
Morgan, W. 95 55 203 S G 66
Novello, Vincent 17 722 652 S G Magnificat (Luke 1, 46-55)
Blow, John 142 306 1034 S g
Goldwin (Golding), John 13 51 197 S G♭ Ch Note: Major of no. 198
Elvey, Stephen 94 320 1‑b D A
Marsh, John 1 51 118 D A
Marsh, John 34 146 1 D A♭ Note: Posted 2013-01-09
Marsh, John 68 25 25 D A♭ 61
Stewart, Haldane Campbell (Marsh, John) 34 146 2 D A♭ Note: Arrangement by H. C. Stewart
Stewart, Haldane Campbell (Marsh, John) 34 496 4 D A♭ Note: arr. H. C. Stewart
Anonymous 34 341 1 D a# Note: Posted 2014-07-23
Waite, J. S. 142 204 677 D a#
Marshall, William (Morley, William) 1 14 46‑M D D Note: Major to the minor chant nr. 46 added by William Marshall.
Mason, Lowell 59 170 165 D D
Morley, William 7 178 181 D D 109
Note: Major of no. 180
Morley, William 16 250 256 D D 109 (20-30)
Morley, William 45 13 51‑M D D 14 (11; Gloria)
Note: The major version is not printed in the book, but there is an instruction verse 11 and Gloria in D major".
Morley, William 97 210 71‑M D D
Turle, James 99 138 260 D D
Langdon, Richard 7 18 27 D E♭ Benedictus (Luke 1, 67-79)
Langdon, Richard 28 8 24 D E♭ Benedictus (Luke 1, 67-79)
Langdon, Richard 28 33 90 D E♭ 74
Langdon, Richard 51 24 92 D E♭ 16
Langdon, Richard 79 9 15‑a D E♭ Te Deum Laudamus
Langdon, Richard 132 167 119‑i D E♭ 119 (65-72)
Elvey, Stephen 16 6 9 D F 5
Elvey, Stephen 16 313 342 D F 141
Langdon, Richard 1 20 58 D F
Langdon, Richard 2 70 124 D F
Langdon, Richard 3 3 10 D F 1, 2, 3, 4, 5
Langdon, Richard 4 xviii 1 D F Benedictus (Luke 1, 67-79)
Langdon, Richard 5 xx 1 D F Benedictus (Luke 1, 67-79)
Langdon, Richard 8 24 135 D F 50
Langdon, Richard 11 77 119‑17 D F 119 (129-136)
Langdon, Richard 12 815 36 D F Magnificat (Luke 1, 46-55)
Langdon, Richard 13 154 426 D F
Langdon, Richard 19 12 18 D F 15, 16
Langdon, Richard 24 80 295 D F Jubilate
Langdon, Richard 25 58 25 D F 59, 60, 61
Note: This chant has the same fingerprint as nr. 33, but the third quart is different (as is the harmony)
Langdon, Richard 25 77 33 D F 78
Note: This chant has the same fingerprint as nr. 25, but the third quart is different (as is the harmony)
Langdon, Richard 27 11 50 D F 50
Note: Second half to be used for vs. 15
Langdon, Richard 30 531 326 D F 119 (73-80), 2 Chronicles 6
Note: From Langdon's "Divine Harmony"
Langdon, Richard 32 26 III‑2 D F Te Deum Laudamus (1-15; 24-29)
Langdon, Richard 32 80 III‑1 D F 50
Langdon, Richard 32 82 III‑3 D F 52
Langdon, Richard 38 4 4 D F 27
Langdon, Richard 38 98 69 D F Isaiah 40
Note: Fragments of Isaiah 40 and following chapters
Langdon, Richard 39 15 75 D F 3, 4 (Gloria), 5 (Gloria)
Langdon, Richard 40 * 100 D F
Langdon, Richard 42 176 314 D F
Langdon, Richard 45 14 56 D F 15
Langdon, Richard 45 88 317 D F 77 (10-end)
Langdon, Richard 46 32 4 D F Note:
Langdon, Richard 47 xvi 1 D F Nunc Dimittis (Luke 2, 29-32)
Langdon, Richard 47 42 1 D F 56, 57
Langdon, Richard 47 97 1 D F 119 (1-8; 9-16; 17-24; 25-32)
Langdon, Richard 49 37 134 D F 50
Langdon, Richard 50 39 137 D F 50
Langdon, Richard 52 180 184 D F 132
Langdon, Richard 55 176 211 D F 119 (129-136)
Langdon, Richard 64 xiv 1 D F Benedictus (Luke 1, 67-79)
Langdon, Richard 67 17 121 D F Nunc Dimittis (Luke 2, 29-32)
Langdon, Richard 67 23 162 D F 18 (19-38)
Note: Set II
Langdon, Richard 71 36 200 D F
Langdon, Richard 72 48 37 D F 37
Langdon, Richard 73 254 241 D F 1, 132
Langdon, Richard 77 12 67 D F 22 (22-end; Gloria)
Langdon, Richard 77 73 415 D F 22 (22-end; Gloria)
Langdon, Richard 81 48 4 D F 112
Langdon, Richard 88 225 11 D F
Langdon, Richard 90 111 1 D F
Langdon, Richard 95 48 179 D F
Langdon, Richard 97 214 88 D F
Langdon, Richard 99 54 105 D F
Langdon, Richard 111 46 203 D F 95
Langdon, Richard 115 20 29 D F 2, 3
Note: Set c
Langdon, Richard 117 610 746‑5 D F Benedic, anima mea
Langdon, Richard 130 219 119‑h D F 119 (65-72; Gloria)
Langdon, Richard 135 64 173 D F 142, 143
Langdon, Richard 138 18 54 D F 50
Langdon, Richard 145 45 219 D F
Langdon, Richard 160 194 119‑16 D F 119 (121-128)
Elvey, Stephen 7 99 116 D G 61
Elvey, Stephen 8 6 28 D G 3
Elvey, Stephen 8 55 309 D G 119 (81-88)
Elvey, Stephen 10 22 4 D G 4
Elvey, Stephen 13 174 466 D G
Elvey, Stephen 15 317 9 D G 25, 37, 61, 86, 91, 103, 119 (17-24), 119 (25-32), 119 (33-40), 119 (41-48), 119 (49-56), 119 (57-64), 137
Elvey, Stephen 18 232 119‑15 D G 119 (113-120)
Note: attributed to G.J. Elvey; all other sources attribute to S. Elvey
Elvey, Stephen 45 144 510 D G 119 (73-80; 81-88)
Elvey, Stephen 55 96 134 D G 60
Elvey, Stephen 57 68 1 D G
Elvey, Stephen 77 105 586 D G 123, 124 (1-4)
Elvey, Stephen 83 147 89‑3 D G 89 (20-36)
Elvey, Stephen 94 320 1‑a D G 41
Note: Worcester 1930, no. 61
Elvey, Stephen 95 54 200 D G 63
Elvey, Stephen 99 140 271 D G
Elvey, Stephen 135 35 87 D G 75, 76, 77
Elvey, Stephen 138 36 121 D G 109
Note:
Elvey, Stephen 162 25 3 D G 63
Langdon, Richard 23 29 86 D G
Langdon, Richard 62 119 1 D G
Langdon, Richard 112 61 19 D G
Langdon, Richard 119 82 5 D G
Langdon, Richard 142 229 780 D G
Wulstan, David (Gibbons, Orlando) 27 22 94 Q f 94
Note: Arrangement by David Wulstan vs. 7 starts at seventh quarter instead of fifth. Gloria starts at fifth quarter. Alternative setting (different middle voices) for seventh and eighth quarter for Gloria