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Overview of all references of chants with fingerprint
   1  -1  -2  -2   9


Click here for an explanation of the conventions used in the listings
Composer Book Page No. Type Key Psalms/
Notes:
Turrell, Louis John 37 210 54‑2 S c 54
Note: Good-Friday
Camidge, Matthew 8 22 123 D D 44 (1-9; Gloria)
Camidge, Matthew 10 67 33 D D 33
Camidge, Matthew 18 75 44‑1 D D 44 (1-9)
Camidge, Matthew 34 554 2 D D
Camidge, Matthew 67 44 302 D D 93
Note: Set II; no attribution (just chant name) but other sources attribute the York chant to Camidge
Wesley, Samuel Sebastian 30 611 406 D D 11, 23, 61
Camidge, Matthew 1 67 147 D E Note: no attribution (just chant name) but other sources attribute the York chant to Camidge
Camidge, Matthew 32 55 III‑2 D E 20, 21
Note: no attribution (just chant name) but other sources attribute the York chant to Camidge
Camidge, Matthew 32 187 III‑2 D E 21
Note: Ascension-Day (morning); no attribution (just chant name) but other sources attribute the York chant to Camidge
Camidge, Matthew 34 643 1 D E 89
Note: Posted 2017-05-17
Camidge, Matthew 68 30 30 D E 82
Camidge, Matthew 97 237 175 D E Note: Attributed to John Camidge, other sources give either Matthew Camidge or Anonymous (which Parr also suggests)
Camidge, Matthew 99 114 182 D E Note: No attribution, but York is in many sources attributed to Matthew Camidge
Camidge, Matthew 8 5 20 D E♭ Benedicite, omnia opera (1-17; 27-end)
Note: Set II
Camidge, Matthew 9 328 4 D E♭ Magnificat (Luke 1, 46-55)
Camidge, Matthew 23 10 28 D E♭
Camidge, Matthew 34 766 2 D E♭ 33
Camidge, Matthew 55 114 149 D E♭ 75
Camidge, Matthew 109 7 3 D E♭ 33
Camidge, Matthew 110 5 5 D E♭ 18 (47-end; Gloria)
Camidge, Matthew 110 7 2 D E♭ 33
Camidge, Matthew 130 52 33 D E♭ 33
Shaw, Arthur 42 288 699 D E♭
Camidge, Matthew 109 37 1 D F 89 (1-19)
Note: no attribution (just chant name) but other sources attribute the York chant to Camidge


Last updated/corrected 20-3-2019