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Kelway, Thomas (1695-1749)

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Click here for an explanation of the conventions used in the listings

Click to go to: Single == Double == Triple == Quadruple == Quintuple == Octuple == Irregular chants
(If the link appears non-operative, there is no chant of that type by this composer)

		Fingerprint	Key	First note	References
		===== Single chants =====
		-2  -1  -2   5  -2	F	c"	30‑379‑117; 32‑147‑II‑2
		-1   1   2   2  -2	A	a'	94‑462‑2‑a; 94‑462‑2‑b
		0   2  -3   1  -3	g	b'♭	4‑54‑7; 4‑59‑2; 5‑54‑7; 5‑59‑2; 7‑54‑72; 8‑36‑206; 9‑330‑4; 22‑121‑544; 23‑64‑190; 27‑37‑168; 28‑48‑127; 39‑122‑516; 45‑91‑321; 45‑286‑1033; 51‑72‑240; 64‑41‑162; 64‑43‑169; 72‑104‑77‑b; 81‑23‑2; 95‑39‑144; 109‑2‑1‑a; 111‑51‑234
		0   2  -2  -1   1	b	d"	2‑32‑60; 57‑10‑40; 97‑205‑31
			g	b'♭	24‑3‑6; 32‑47‑II‑2; 37‑10‑10‑1; 37‑49‑41‑3; 37‑203‑32‑1
		0   2   1   5  -3	C	e'	7‑147‑156; 18‑20‑15; 18‑292‑156‑3; 18‑299‑158; 28‑42‑111; 28‑81‑220; 28‑116‑313; 34‑316‑14‑a; 34‑316‑14‑b; 77‑27‑160; 95‑24‑81; 95‑52‑193
			D	f'#	4‑8‑3; 4‑64‑2; 5‑8‑3; 5‑64‑2; 5‑130‑1; 5‑136‑3; 5‑191‑1; 20‑*‑S-‑14; 22‑48‑119; 23‑63‑189; 24‑8‑29; 24‑21‑75; 30‑378‑116; 32‑143‑II‑1; 37‑25‑23‑4; 37‑139‑114‑1; 37‑142‑118‑2; 38‑52‑38; 39‑44‑204; 40‑*‑24; 45‑65‑238; 45‑159‑584; 45‑259‑938; 45‑263‑953; 45‑288‑1041; 46‑29‑75; 49‑16‑62; 50‑73‑241; 55‑133‑165; 62‑114‑98; 64‑8‑23; 64‑46‑179; 67‑1‑5; 67‑20‑145; 71‑15‑71; 72‑103‑76‑a; 72‑160‑113; 81‑4‑1; 88‑12‑16; 109‑18‑1
			D♭	f'	13‑24‑92; 27‑3‑15; 27‑6‑24‑b; 77‑12‑68
			E	g'#	83‑16‑13‑2
			E♭	g'	83‑88‑56‑2; 111‑14‑26
		2  -2  -1   1  -3	a	c"	19‑41‑109‑b
			g	b'♭	46‑16‑23
		2   2   1  -3   2	D	a'	62‑110‑84
		5  -3   2  -9   1	f#	a'	3‑25‑67; 71‑15‑72
			g	b'♭	32‑144‑II‑2; 37‑v‑31; 37‑59‑50‑1; 37‑61‑52‑1; 37‑114‑94‑4; 57‑105‑1; 88‑13‑17
		5  -2  -1   5  -8	g Ch	g'	13‑57‑224
		5  -1  -2   5 -10	G	g'	24‑82‑308; 37‑66‑57‑3; 37‑141‑116‑4; 45‑136‑479
		5  -1  -2   5  -8	A♭	a'♭	30‑379‑118
			G Ch	g'	13‑57‑223

Last updated/corrected 19-2-2019