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Aldrich, Henry (1647-1710)


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Additional comments: The chant with fingerprint (-3 5 -3 5 -4) is often attributed to Henry Aldrich. Except for Boyce (book no. 121, 1788) all chant books before 1800 attribute to Alcock, including Alcock himself in book no. 6 (1752), which he claims contains all own compositions.
Therefore in the index this chant is always attributed to Alcock, with mention of the attribution to Aldrich, where necessary.


Click here for an explanation of the conventions used in the listings
Click to go to: Single == Double == Triple == Quadruple == Quintuple == Sextuple == Octuple == Irregular chants
(If the link appears non-operative, there is no chant of that type by this composer)

    Fingerprint Key First
note		 References
   ===== Single chants =====
      -5   5  -1   3  -2 (10, -)  A♭ a'♭ 7‑12‑12; 55‑21‑35
      B♭ b'♭ 19‑43‑116; 22‑42‑59; 31‑35‑1; 31‑145‑1; 37‑56‑48‑3; 37‑81‑V‑0‑2; 37‑134‑108‑4; 45‑40‑148; 45‑87‑309; 115‑43‑162; 140‑19‑160‑a; 140‑19‑160‑b; 171‑66‑II‑327
      -2   2   1  -1  -2 (50, 9)  A c"# 1‑109‑226; 4‑12‑2; 4‑138‑2; 5‑12‑2; 9‑130‑2; 12‑820‑58; 19‑24‑57; 24‑32‑118; 29‑34‑81; 30‑322‑3; 31‑339‑1; 32‑100‑II‑1; 37‑74‑65‑4; 37‑90‑77‑1; 37‑131‑V‑0‑2; 39‑23‑110; 39‑74‑324; 39‑100‑427; 45‑21‑77; 45‑132‑461; 45‑230‑834; 45‑284‑1026; 57‑7‑28; 64‑10‑38; 71‑9‑4; 72‑137‑98; 79‑17‑38; 90‑112‑4; 97‑203‑19; 100‑xxii‑1; 128‑30‑90; 135‑35‑85; 153‑8‑32; 156‑58‑169; 161‑21‑2
      A♭ c" 24‑69‑251; 129‑19‑I‑68; 154‑19‑2; 162‑8‑4‑a
      B♭ d" 2‑14‑25; 99‑13‑24; 142‑296‑998; 166‑23‑33
      G b' 7‑44‑62; 8‑12‑62; 11‑128‑1; 13‑52‑203; 17‑731‑675; 18‑29‑19‑1; 18‑283‑151‑2; 20‑*‑S-‑13; 23‑55‑163; 27‑25‑113; 31‑18‑4; 42‑281‑641; 53‑28‑27; 77‑78‑440; 95‑70‑254; 136‑31‑107; 145‑32‑157; 179‑2‑2
      -1   1   2   2  -7 ( 1, 2)  A a' 79‑5‑7
      -1   1   2   3  -6 (22, -)  e g' 1‑3‑9; 2‑12‑22; 3‑4‑11; 13‑32‑122; 30‑322‑4; 32‑56‑II‑1; 32‑176‑II‑1; 32‑178‑II‑3; 37‑iv‑23; 37‑6‑7‑3; 37‑45‑38‑4; 37‑109‑89‑1; 37‑207‑22‑1; 39‑120‑502; 45‑6‑23; 45‑29‑103; 57‑78‑56; 67‑26‑182; 71‑9‑3; 88‑9‑12; 97‑203‑18; 100‑54‑1; 100‑55‑2; 100‑136‑1; 115‑21‑33; 127‑25‑35; 140‑5‑40; 156‑104‑307; 161‑106‑1; 178‑5‑6
      g b'♭ 142‑306‑1033
       0  -1   0   3  -2 A a' 69‑12‑24
       0   0  -3   0   2 C c" 115‑84‑341
       0   0  -1   3  -2 (8, -)  A a' 2‑15‑27; 32‑151‑II‑2; 37‑110‑V‑0‑4; 37‑153‑119‑3; 45‑148‑528; 135‑46‑118; 156‑35‑100
      B♭ a'♭ 136‑143‑473; 142‑296‑996
       0   0   1  -1   1 (5, 1)  F a' 24‑88‑339; 37‑154‑119‑2; 57‑13‑50; 69‑7‑5
      G b' 142‑223‑755
       1   2   2  -7   2 (15, 1)  G b' 2‑14‑26; 32‑111‑II‑2; 37‑89‑76‑4; 40‑*‑38; 45‑117‑410; 45‑195‑703; 45‑255‑923; 46‑18‑30; 59‑61‑53; 69‑7‑3; 97‑203‑17; 100‑74‑1; 121‑290‑10; 136‑8‑23; 142‑223‑754; 161‑64‑1; 166‑20‑27
       2   0   2  -4   5 (3, 7)  A a' 2‑13‑23; 124‑35‑35‑1; 136‑146‑488
   ===== Double chants =====
       3  -3  -2   0   2 (30, 4)  E♭ g' 95‑98‑340; 95‑117‑402
      F a' 8‑52‑292; 13‑144‑405; 13‑195‑501‑2; 18‑158‑89‑2; 29‑32‑78; 30‑458‑253; 32‑95‑III‑2; 32‑180‑III‑2; 40‑*‑72; 41‑22‑5‑a; 41‑22‑5‑b; 41‑80‑32‑a; 41‑80‑32‑b; 45‑1‑5; 45‑18‑68; 45‑259‑936; 49‑14‑52; 50‑63‑213; 51‑14‑52; 53‑268‑214; 71‑20‑115; 77‑43‑262; 77‑121‑703; 79‑7‑17; 95‑23‑74; 115‑75‑432; 117‑602‑736; 144‑1‑1; 153‑47‑258‑a; 156‑107‑317; 160‑157‑105‑1; 176‑12‑1
      G b' 38‑97‑68; 39‑95‑408; 45‑171‑623; 46‑34‑10; 99‑29‑57; 128‑61‑177; 142‑235‑795
       3  -3   0  -2   0 (14, 1)  E g'# 154‑53‑1
      F a' 5‑xvii‑2; 7‑231‑238; 11‑113‑146; 19‑27‑67; 47‑xi‑8; 47‑53‑1; 47‑54‑1; 55‑165‑195; 67‑22‑158; 129‑16‑I‑52; 136‑8‑22; 145‑21‑101; 176‑12‑2; 178‑43‑184‑a
      G b' 25‑136‑58
   ===== Irregular chants =====
       3  -3   0  -2   0 (14, 1)  F a' 178‑43‑184‑b