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Purcell, Thomas (1582- 1682)

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Click here for an explanation of the conventions used in the listings

Click to go to: Single == Double == Triple == Quadruple == Quintuple == Octuple == Irregular chants
(If the link appears non-operative, there is no chant of that type by this composer)

		Fingerprint	Key	First note	References
		===== Single chants =====
		-3   3  -1   5  -7	f#	a'	27‑13‑58
		-2  -2  -1   0   2	c	c"	37‑xvii‑108; 37‑46‑39‑3; 37‑86‑74‑4; 37‑156‑V‑0‑2; 37‑171‑140‑1
			d	d"	2‑10‑17; 32‑146‑II‑1
		-2  -2  -1   8  -7	G	b'	2‑9‑16‑M; 13‑59‑231; 30‑400‑159; 32‑71‑II‑1‑M*; 37‑iv‑24‑M*; 37‑203‑38‑1M*; 39‑34‑159; 39‑62‑272; 39‑117‑495; 49‑92‑307; 53‑6‑8; 57‑9‑35; 67‑57‑389; 72‑140‑102‑b; 94‑307‑1‑a; 94‑307‑1‑b
		-2  -2   2   5  -2	A	c"#	62‑106‑54; 62‑109‑76
			A♭	c"	34‑428‑99
			F	a'	62‑112‑92
			G	b'	1‑2‑5; 2‑8‑15; 3‑65‑161; 4‑102‑1; 4‑103‑1; 5‑102‑1; 5‑103‑1; 12‑820‑56; 19‑7‑3; 19‑39‑101; 22‑88‑316; 24‑23‑83; 24‑55‑195; 24‑57‑203; 26‑34‑18; 29‑16‑38; 30‑399‑158; 32‑32‑II‑1; 32‑73‑II‑2; 37‑50‑42‑1; 37‑50‑43‑1; 37‑138‑112‑2; 40‑*‑3; 42‑282‑659; 45‑1‑4; 45‑14‑54; 45‑48‑169; 45‑105‑367; 45‑140‑490; 45‑215‑781; 45‑235‑849; 45‑259‑935; 45‑259‑937; 45‑263‑951; 46‑11‑3; 47‑viii‑1‑2; 47‑x‑3‑2; 47‑15‑2; 47‑31‑2; 57‑2‑6; 64‑73‑296; 64‑73‑298; 71‑17‑87; 72‑185‑131; 73‑249‑230; 73‑556‑334‑II; 79‑19‑54; 88‑152‑152; 94‑457‑1‑a; 94‑457‑1‑b; 97‑202‑11
		-2   4   1   0   2	A♭	c"	34‑428‑100
		-1  -2  -1   8  -7	f	a'♭	7‑213‑220; 20‑*‑S-‑255; 51‑73‑244; 51‑87‑291
			g	b'♭	1‑2‑4; 2‑9‑16‑m; 3‑65‑162; 4‑102‑3; 5‑102‑3; 5‑124‑1; 5‑170‑4; 13‑59‑232; 20‑*‑S-‑268; 24‑23‑82; 24‑55‑196; 24‑57‑202; 30‑400‑160; 32‑71‑II‑1‑m; 32‑173‑II‑1; 34‑322‑3; 34‑568‑43; 34‑693‑2; 37‑iv‑24‑m; 37‑203‑38‑1m; 39‑34‑158; 39‑62‑271; 39‑117‑494; 45‑105‑366; 45‑162‑592; 47‑xvi‑2; 47‑3‑2; 47‑20‑4; 47‑114‑3; 53‑6‑7; 57‑9‑36; 62‑100‑28; 64‑73‑297; 67‑20‑147; 67‑56‑388; 71‑17‑88; 72‑140‑102‑a; 77‑17‑100; 88‑153‑153; 94‑306‑1; 97‑202‑12

Last updated/corrected 15-10-2018