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Woodward, Richard (1744-1777)

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Click here for an explanation of the conventions used in the listings

Click to go to: Single == Double == Triple == Quadruple == Quintuple == Octuple == Irregular chants
(If the link appears non-operative, there is no chant of that type by this composer)

		Fingerprint	Key	First note	References
		===== Single chants =====
		-5   2   1  -1   5	E♭	b'♭	97‑254‑263; 98‑82‑1
		1   4  -2  -2  -1	F	a'	98‑82‑3
		2   2   1   2   2	A	e'	20‑*‑S-‑17
			A♭	e'♭	7‑34‑52; 55‑21‑38
			B♭	f'	12‑828‑85; 13‑15‑56; 27‑29‑134; 28‑88‑241; 28‑105‑285; 30‑419‑198; 32‑20‑II‑3; 37‑8‑V‑0‑1; 37‑29‑26‑3; 38‑16‑13; 45‑6‑26; 45‑27‑99; 45‑114‑400; 45‑169‑616; 45‑244‑882; 45‑272‑986; 45‑299‑1077; 47‑ii‑7; 47‑vii‑11‑3; 47‑55‑2; 47‑63‑3‑3; 47‑79‑2; 57‑55‑4; 62‑104‑46; 62‑110‑82; 67‑3‑28; 67‑21‑151; 67‑38‑263; 77‑50‑289; 79‑5‑5
			C	g'	1‑7‑25; 2‑44‑84; 3‑72‑181; 4‑52‑2; 4‑64‑5; 4‑108‑1; 4‑116‑2; 5‑52‑2; 5‑64‑5; 5‑108‑1; 5‑120‑2; 5‑132‑1; 5‑136‑5; 19‑38‑97; 32‑76‑II‑2; 32‑166‑II‑2; 32‑167‑II‑3; 38‑47‑34; 39‑17‑85; 39‑61‑267; 40‑*‑8; 42‑283‑670; 46‑11‑2; 47‑85‑2; 47‑106‑2; 50‑76‑254; 53‑9‑10; 57‑78‑53; 64‑40‑154; 64‑46‑182; 64‑76‑313; 64‑81‑332; 71‑18‑107; 72‑78‑61; 72‑179‑121; 73‑248‑228; 77‑50‑290; 88‑122‑119; 94‑308‑1; 94‑308‑2; 97‑206‑39; 98‑82‑2; 111‑68‑333; 112‑63‑35; 115‑64‑244; 119‑98‑38; 132‑208‑152
			D	a'	81‑50‑1
			G	d'	20‑*‑S-‑43
		8  -1  -2  -7   5	D	f'#	98‑82‑4
		===== Double chants =====
		-8   1   2   2   2	C	c"	1‑27‑71; 32‑160‑III‑2; 97‑217‑100; 98‑81‑5
		-5  -2  -1   8  -3	C	c"	32‑100‑III‑1
		-5  -2  -1   8  -1	C	c"	29‑38‑90; 34‑609‑3; 34‑609‑4‑a; 40‑*‑64; 71‑54‑296
		-5   5  -1   1  -1	C	c"	29‑66‑150; 51‑48‑168
			D	d"	22‑118‑526; 99‑25‑49
		-4   0  -1   1   2	G	b'	85‑26‑18; 95‑10‑29
		-2  -2  -1   1   2	A	c"#	4‑100‑3; 4‑133‑1; 5‑100‑3; 5‑155‑1; 50‑78‑261; 50‑98‑327; 64‑72‑294; 64‑90‑365; 115‑68‑266
			A♭	c"	16‑59‑70; 18‑225‑119‑8; 27‑27‑121; 68‑40‑40
			B♭	d"	3‑60‑149; 99‑41‑80
			G	b'	7‑147‑157; 8‑53‑297; 18‑24‑18‑1; 18‑284‑152‑2; 20‑*‑S-‑264; 23‑54‑162; 28‑52‑139; 53‑249‑199; 55‑134‑166
		-2  -2   0  -1   1	A	c"#	9‑187‑1; 11‑74‑119‑14; 13‑75‑267; 39‑63‑276; 45‑110‑384; 45‑182‑666; 45‑282‑1022; 67‑54‑371; 132‑152‑111
			A♭	c"	72‑200‑145
			B♭	d"	1‑105‑216; 5‑203‑1; 19‑34‑86; 30‑616‑411; 32‑139‑III‑1; 34‑112‑2; 40‑*‑93; 45‑235‑853; 49‑78‑265; 49‑95‑318; 71‑54‑298; 77‑60‑343; 97‑213‑83; 98‑80‑1; 138‑47‑161; 138‑59‑200
			G	b'	12‑823‑69; 45‑158‑581; 45‑190‑691; 45‑214‑779
		-1  -2  -1   1  -7	b	d"	13‑83‑284
			c	e"♭	2‑96‑149; 32‑149‑III‑2; 98‑81‑4
		0   0   5  -8   5	C	g'	28‑20‑60; 28‑29‑81; 28‑74‑200; 28‑83‑226; 28‑101‑274; 42‑179‑332; 51‑62‑211; 57‑ F‑2; 77‑3‑17; 95‑56‑207; 95‑116‑398
			D	a'	2‑95‑148; 3‑50‑127; 4‑xii‑1; 4‑xxii‑3; 4‑13‑1; 4‑44‑1; 4‑106‑3; 4‑132‑1; 4‑139‑1; 5‑xiii‑1; 5‑xxiii‑3; 5‑13‑1; 5‑44‑1; 5‑106‑3; 5‑154‑1; 5‑176‑1; 7‑43‑60; 8‑2‑1; 8‑30‑170; 10‑45‑19; 13‑115‑348; 16‑156‑168; 18‑32‑21; 18‑113‑68‑2; 18‑285‑153‑A2; 19‑13‑21; 22‑101‑401; 23‑54‑161; 25‑105‑45; 27‑35‑160; 29‑43‑102; 30‑615‑410; 32‑151‑III‑2; 36‑88‑239; 39‑80‑351; 40‑*‑87; 45‑22‑81; 45‑54‑195; 45‑146‑522; 45‑197‑714; 47‑xiii‑5; 47‑48‑1; 47‑109‑1; 49‑44‑158; 49‑90‑303; 49‑94‑316; 50‑45‑159; 50‑87‑283; 50‑99‑331; 55‑48‑83; 64‑viii‑1; 64‑xvii‑3; 64‑10‑39; 64‑34‑132; 64‑76‑311; 64‑89‑363; 67‑6‑42; 67‑31‑219; 71‑54‑297; 72‑24‑21; 73‑265‑264; 77‑18‑107; 77‑23‑140; 79‑40‑174; 81‑28‑2; 81‑37‑1; 94‑485‑1; 97‑213‑84; 98‑81‑3; 99‑118‑193; 109‑41‑3; 111‑52‑241; 112‑59‑11; 115‑115‑396; 115‑117‑396; 138‑24‑74; 138‑59‑198
			D♭	a'♭	24‑72‑263
			E♭	b'♭	9‑227‑1; 34‑607‑2
		0   4  -2  -2   5	B♭	b'♭	99‑148‑301
		2   2  -9  -2  -1	C	c"	1‑105‑217; 34‑609‑4‑b
		5  -3   2   5  -4	F	f'	2‑98‑151; 32‑104‑III‑4; 98‑81‑6; 99‑118‑194
		5   2  -2  -1   1	d	a'	2‑97‑150; 98‑80‑2
		5   2   2  -4   2	A	e'	45‑117‑412; 45‑195‑705; 45‑255‑925; 45‑269‑976
		===== Irregular chants =====
		2  -3   1   4   1	F	f'	98‑82‑5

Last updated/corrected 11-6-2019