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The Collection of Chants with the responses ("Cambridge Collection")



Number -- Status99 -- Included
Full TitleThe Collection of Chants with the responses ("Cambridge Collection")
Author(s)Walmisley, Thomas Attwood
PublisherJ. A. Novello, London
Year of Publicationc. 1870
ISBN
Chants numbered continuouslyYes
Psalms associated with chants - Pointed text includedNo/No
Sets of chants for certain psalmsYes
Separate selections of psalms includedNo
Formatebook
SourceClick here (link opens in new window)
Additional comments No publication date in the book; dated according to Google e-books. This book contains 178 printed chants (original print) but also in the back 151 additional chants in manuscript form. These are from around 1873, according to a note on page 154. Another ebook version (the original?) of this chantbook exists also. That version does not have the additional chants in manuscript form, but after the frontispiece a list of subscribers is included. In this index the pagenumbers in the book are used for the chants through no. 177. For the additional manuscript chants the pages are unnumbered so the page number in the pdf file is used.


Table of Contents


Click here for an explanation of the conventions used in the listings

p-n T Key Composer Finger
print		 Psalms/
Notes
1-1‑a S C Humphrey, Pelham    0   0  -1   0   1 (101, 10)
1-1‑b S C Humphrey, Pelham    0   0  -1   0   1 (101, 10)
2-2 S F Tallis, Thomas    0  -2   2   0  -2 (61, 14)
2-3 S F Langdon, Richard    0   2   1   2  -2 (17, 1)
3-4 S b Croft, William   -2  -2  -1   8  -1 (81, 6)
3-5 S E♭ Battishill, Jonathan   -5   0  -7   0   9 (60, -)
4-6 S B♭ Alcock sr., John {Fussell, Peter}   -3   5  -3   5  -4 (65, 1)
4-7 S g Weldon, John    4  -4  -1   0   3 (67, 1)
5-8 S B♭ Greene, Maurice {Hindle, John }   -2  -3   1   0   2 (62, 3) Attributed to Hindle, all other sources attribute to Greene. Melody first quarter is identical
5-9 S G Purcell, Thomas   -2  -2   2   5  -2 (74, 1)
6-10 S g Purcell, Thomas   -1  -2  -1   8  -7 (67, 3)
6-11 S G Purcell, Daniel {Purcell, Thomas }    0  -1   1   5  -6 (55, 3) Attributed to Thomas Purcell. Most other chantbooks attribute to Daniel Purcell.
7-12‑a S E Ch Hayes, William    2  -2  -2  -1   3 (40, 11)
7-12‑b S e Ch Hayes, William    1  -1  -2  -2   4 (28, 5)
7-13 S E Travers, John    1   2   5  -1  -4 (38, 1)
8-14 S d (I-f) Anonymous [Gregorian]    0  -2   2   0  -2 (17, 14)
8-15 S g Langdon, Richard   -1  -2   8  -3   2 (27, 1)
9-16 S a Purcell, Henry    1   1  -1   3   3 (51, -) second quarter, first bar tenor G-natural is explicitly given.
9-17 S d Purcell, Edward    5  -4  -1   3  -2 (29, -) attributed to "Purcell". All other sources attribute to Edward Purcell
10-18 S C Savage, William    0  -1   1   0   0 (63, 2)
10-19 S a Travers, John    0   5  -3  -3   1 (15, -)
11-20 S E♭ Ayrton, Edmund    5  -7  -1   5  -2 (48, 1)
11-21 S F Cooke, Benjamin   -3  -4   9  -4   2 (64, 1)
12-22 S b Pratt, John   -1   1   2   0   1 (4, 2)
12-23 S g Alcock sr., John {Gregorian}    1  -3   2  -2   0 (9, 2) Listed as Gregorian, but no. 14 in Alcock's book
13-24 S B♭ Aldrich, Henry   -2   2   1  -1  -2 (59, 13)
13-25 S F (VIII-G) Anonymous [Gregorian]    2   2  -2   3  -1 ( 1, 3)
14-26 S A Pratt, John    2   2   2   1  -7 ( 1, 1)
14-27 S E Pratt, John   -2  -1   5  -7   5 (6, 5)
15-28 S G (VII-c) Anonymous [Gregorian]    3  -1  -2   2  -2 (22, 9)
15-29 S G Battishill, Jonathan   -1   1   5  -1   5 (68, 3)
16-30 S A Turton, Thomas    2  -2   5  -1  -2 (27, 10)
16-31 D g Flintoft, Luke    2   0   1   0   2 (104, 5)
17-32 D D Battishill, Jonathan   -1  -2  -2  -2  -1 (49, 29)
17-33 D g Tireman, William    0   0  -1   8   1 (6, -)
18-34 D B♭ Crotch, William   -1   1   2   2  -2 (5, 8)
18-35 D C Pratt, John    2   5  -3   5  -4
19-36 D E♭ Alcock sr., John    3   0  -2  -1  -2 (18, 7)
19-37 D G Plunkett    3  -2  -1  -2  -2 (3, 20)
20-38 D E Russell, William    5  -1  -2  -2  -2 (56, 6)
20-39 D A Dupuis, Thomas Saunders   -1   1  -3   8  -1 (75, 1)
21-40 D E Wellesley, Garrett Colley, Earl of Mornington   -2  -1  -2  -2  12 (65, 2)
21-41 D E♭ Skeats Jr., Highmore    4   5  -2  -2  -1 (24, 1)
22-42 D E♭ Dupuis, Thomas Saunders    2   2   1  -1  -4 (32, 5)
22-43 D D Randall, John    4   3   5   0   2 (30, -)
23-44 D G Hayes, William    0  -2  -2   5   0 (48, 5)
23-45 D B♭ Gray, William Henry   -1  -2  -2  -2  -1 (3, 29) Attributed to "Gray". Most likely William Henry Gray. Terry (book 170) attributes this chant to "Gray of Windsor" and W.H. was indeed Deputy Organist of St. Georges Chapel
24-46 D E♭ Henley, Phocion   -2  -2   9  -2  -2 (66, 2)
24-47 D d Crotch, William    3   4   5   0  -2 (24, -)
25-48 D F Robinson, Joseph   -2  -1  -2  -2   0 ( 1, 7) Attributed to "Robinson". Other chants are explicitly attributed to J. Robinson and to Rev. W. Robinson, so this might be Joseph Robinson, who was a contemporary and well-known (although living in Dublin), which makes the use of only the surname plausible. On the same page Richard Woodward who also lived in Dublin is referred to as "Woodward"
25-49 D D Woodward, Richard   -5   5  -1   1  -1 (8, -)
26-50‑a D A Ch Beale, William   -2  -2  -1   1   0 (9, 7)
26-50‑b D a Ch Beale, William   -1  -2  -1   1   0 (18, 1)
26-51 D d Morley, William    0   2   1   0  -1 (86, 4) Attributed to "Morley". Most chant books attribute this chant to William Morley.
27-52 D C Russell, William    1   2   2  -2   5 (27, 3)
27-53 D a Battishill, Jonathan   -2  -2  -1   8  -1 (96, 6)
28-54 D D Plunkett    1   2   2   3  -1 ( 1, 1)
28-55 D D Boyce, William   -5  -2  -1   0  -2 (89, 2)
29-56 D A Heathcote, Gilbert   -2  -1   3   5  -1 (9, -)
29-57 D G Aldrich, Henry    3  -3  -2   0   2 (37, 4)
30-58 D C Crotch, William   -8   3  -7   4   1 (12, -)
30-59 D G Marsh, John   -2  -2   5  -3   2 (3, 4)
31-60 D D Beckwith, John Christmas   -8   5  -2  -7   5 (26, 1)
31-61 D D Pratt, John   -2  -1  -2  -2   2 ( 1, 8) two trebles
32-62 D A Bennett, William Sterndale   -4   2   2   0  -2 ( 1, 4) Attributed to "Bennett", most likely William Sterndale Bennett as he was around the time of publication professor of music in Cambridge.
32-63 D D Turton, Thomas    4   1   2   0   2 (2, 14) print error: numbered 62
33-64 D F Wood, David    2  -2  -2  -1   3 ( 1, 11) Attributed to "Wood, Ely". This is most likely David Wood who was organist in Ely 1768-1774
33-65 D e Camidge, Matthew    2   0   1   2   2 (71, 4)
34-66 D A Nares, James    0   5  -3   0   2 (2, 3)
34-67 D E Randall, John   -7   2   2   3   5 (87, -)
35-68 D E♭ Pratt, John   -5  -2  -1  -2  -2
35-69 D B♭ Cooke, Benjamin    2   2   1   4  -7 (47, -)
36-70 D E♭ Clarke-Whitfield, John    4   2   1   5  -1 (3, -)
36-71 D B♭ Knight, Thomas    5   2   2  -2   2 ( 1, 4) Probably Thomas Knight of Peterborough.
37-72 D a Anonymous    2   1  -1   1   2 (4, 3)
37-73 D G Robinson, W.    1  -3  -2   7  -2 (2, 1) attributed to "Rev. W. Robinson".
38-74 D D Beckwith, John Christmas   -2  -2   5  -1   5 ( 1, 3)
38-75 D A Soaper, John    0   2   2   0   1 (38, 22)
39-76 D E Dupuis, Thomas Saunders   -2  -2   5  -1  -2 (7, 25)
39-77 D G Cooke, Robert    1   2   2  -2  -2 (61, 12)
40-78 D E♭ Wellesley, Garrett Colley, Earl of Mornington    0  -2  -1   3   2 (77, 3)
40-79 D C Crotch, William   -8  -2  -2   2   2 (69, 2)
41-80 D B♭ Woodward, Richard   -2  -2  -1   1   2 (29, 25)
41-81 D E♭ Robinson, John    5  -3  -2  -3   2 (103, -)
42-82‑M D E Attwood, Thomas    4   0   3  -7   5 (54, -)
42-82‑m D e Attwood, Thomas    3   0   4  -7   5 (21, -)
43-83 D F Boyce, William    2   3  -1  -2   2 (64, 3)
43-84 D D Lemon, John   -1  -4   2   0  -2 (31, 2)
44-85 D F Cooke, Robert    1   2   2  -2  -2 (61, 12)
44-86 D C Woodward, Richard {Ebdon, Thomas}   -8   1   2   2   2 (12, 5) attributed to Ebdon, but refer to note with no. 97-100 and the note by Richardson for 135-73 about attribution to Woodward.
45-87 D A Lemon, John   -7   2   1   2   2 (55, 4)
45-88 D E Davy, John   -1  -4   5 -12   9 (54, -)
46-89 D D Attwood, Thomas    2   2  -9   5  -8 (69, -)
46-90 D A Norris, Thomas    4   3  -7   0  -1 (39, 1)
47-91‑M D G Russell, William    7  -2  -1   5  -2 (36, 1)
47-91‑m D g Russell, William    7  -2  -2   5  -1 (21, 1)
48-92 D E Matthews, Samuel    0  -2  -2   9  -2 (44, 5)
48-93 D C Spencer, J   -2  -2   9  -2   2 (13, 1)
49-94 D E♭ Cooke, Robert    1   2   2   2   1 (4, 18)
49-95 D F Bennett, Alfred    2   0   2   0   0 (36, 4)
50-96 D d Roseingrave, Thomas    0   5  -1  -1  -2 (8, 3)
50-97 D a Nares, James    2  -3   1  -3   2 (35, 2)
51-98 D G Wesley, Samuel   -2  -2   5  -1  -2 (74, 25)
51-99 D D Jones, John   -3  -4  -5   9   1 (32, -)
52-100 D A Chard, George William    0   1   2  -7  -1 (5, -)
52-101 D F Kent, James   -2  -1  -2  -2   2 (5, 8) Attributed to "Kent and Hayes", but this is by James Kent, final quart different from other instances
53-102 D A Heathcote, Gilbert    4   3  -2  -3   2 ( 1, 2)
53-103 D E Randall, John   -7   2   2   3   5 (87, -)
54-104 D A Heathcote, Gilbert   -1  -2  -2  10  -1 (35, 3)
54-105 D F Langdon, Richard    0   2   2   0  -2 (91, 25)
55-106 D C Pring, Joseph    2   2  -9  -3   1 (9, -)
55-107 D D Clarke-Whitfield, John    1   2   2  -7   5 (7, 8)
56-108 D G Cooke, Robert   -2  -2  -1  -2   2 (53, 9)
56-109 D E♭ Clarke-Whitfield, John    4   2   1   5  -1 (3, -)
57-110 D c Cooke, Robert    8  -1  -2  -4   2 (80, -)
57-111 D B♭ Clarke-Whitfield, John    2   2  -4  -3  -2 (5, 3)
58-112 D C Clarke-Whitfield, John   -2   0  -2  -1  -2 ( 1, 2)
58-113 D c Clarke-Whitfield, John   -1  -2  -1   1  -5 (2, 1)
59-114 D b Camidge, John Jr.    0  -1   1  -2  -1 (2, 2) In Woodward's own index he distinguishes between M. Camidge and Dr. Camidge. So, the latter is John Camidge.
59-115 D B Camidge, John Jr.   -2  -2  -1   1   2 (4, 25)
60-116 D G Camidge, John Jr.    4  -2   3  -1   5 (4, 3)
60-117 D b♭ Goss, John [Beethoven, Ludwig von]    0   0   0   0   2 (38, 12)
61-118 D B♭ Walmisley, Thomas Attwood    5   0   4  -4   0 (24, -) comment: "in answer to the preceding" (Goss-no. 117)
61-119 D D Walmisley, Thomas Attwood    5  -8   1   4  -2 (10, 2)
62-120 D C Townsend, Chauncy Hare   -1   0  -2  -2  -2 ( 1, 4)
63-121 Q A Walmisley, Thomas Attwood    3  -7   2   2   3
64-122 D A Crotch, William    5  -1  -2   2   1 (62, 2)
64-123 D E Crotch, William    2   2   1  -1   5 (39, 6)
65-124 D A Attwood, Thomas   -5  -2  -1  12   3 (32, -)
65-125 D A Attwood, Thomas   -1   1   2   2   1 (31, 21)
66-126‑M D A Attwood, Thomas   -7   2  -7   5   2 (13, 1)
66-126‑m D a Attwood, Thomas   -7   2  -7   5   2 (13, 1)
66-127 D G Attwood, Thomas   -2   2  -4   5  -6 (3, -)
67-128 D E Miller, T    1   2   5  -1   1
67-129 D G Walmisley, Thomas Attwood    3  -2  -3   2  -2 (3, -)
68-130 D g Walmisley, Thomas Attwood    2   1   2   2   1 (9, 2)
68-131 D F Parry, Thomas Gambier    3   0   5 -12   2 (2, 4) Crossland (Chants Old and New, book 36 no. 175) attributes this chant to C.H.H. Parry; this is probably wrong as Walmisley attributes to T. G. Parry Esq (Trin. Coll.), a contemporary. No other instances of this chant known (yet)
69-132 D c Marshall, William   -2  -3   1  -3   2 (2, 1)
69-133 D D Walmisley, Thomas Attwood   -1  -2  -2  -2  -1 ( 1, 29)
70-134 D F Turle, James    2   0   2   3  -5 (47, -)
70-135 D G Turle, James    0   0  -3   5   3 (10, -)
71-136 D a Turle, James    0   0  -1   1   2 (7, 6)
71-137 D F Walmisley, Thomas Attwood   -2   2   1  -1   5 (4, 8)
72-138 D f Walmisley, Thomas Attwood   -7   2  -3   1   2 (3, 2)
72-139‑M D B♭ Walmisley, Thomas Attwood    9   3  -7   4  -7 (39, 1)
73-140‑m D b♭ Walmisley, Thomas Attwood    8   4  -7   3  -7 (2, -)
73-141 D F Walmisley, Thomas Attwood    3  -3  -4   0   2 (18, 1)
74-142 D A Coward, James   -1  -2  -2   7   2 (17, 5)
74-143 D D Amps, William    4   3   5   0  -1 ( 1, 2)
75-144 D A Amps, William    2   0   2  -4   5 ( 1, 7)
75-145 D F Dickins, Francis   -2   2   1  -3   2 ( 1, 3)
76-146 D c Turle, James   -7   2   1   2   2 (57, 4)
76-147 D F Turle, James    0   2  -3   1   0 (64, -)
77-148 D c Turle, James    1   1   1   1   1 (28, 3)
77-149 D E Goss, John    1   2   2   2   1 (13, 18)
78-150 D D Wesley, Samuel    5   4  -2   5   2 (3, -)
78-151 D G Crotch, William   -2  -1  -2  -2  -1 (52, 8)
79-152 D C Turton, Thomas    4  -4  -5   5  -1 (3, -)
79-153 D F Turton, Thomas    1   2   2   0   2 (3, 7)
80-154 D G Alford, Henry (Dean)    0   3  -7   4  -7 (4, 1)
80-155 D D Colignon, Dr.    5  -5   2   0  -2 ( 1, 2)
81-156 D F Wesley, Samuel Sebastian   -2   2   1  -1   5 (19, 8)
81-157 D F Hawes, William    3   5  -1  -2  -2 (38, 10)
82-158 D E Walmisley, Thomas Attwood    1   4  -7   5  -7 (20, 1)
82-159 D A Walmisley, Thomas Attwood    4  -4  -3   5  -3 (9, -)
83-160 D A Walmisley, Thomas Attwood    4   0   3 -10   2 (7, 1)
83-161 D F Walmisley, Thomas Attwood    0   0   0   1   4 (58, 1)
84-162 D D Walmisley, Thomas Attwood    5   0  -1  -2  -2 (33, 4)
84-163 D A Walmisley, Thomas Attwood   -5   1  -5   5   5 (4, -)
85-164 D F Manners-Sutton, Thomas    7  -3  -4   2   5 (2, -)
85-165 D D Turle, James [Purcell, Henry ]    3   0   5  -5   5 (66, -) First part adapted from Purcell
86-166 D F Turle, James [Spohr, Ludwig]    5   0  -1   0   1 (17, 3)
86-167 D D Elvey, George Job    1   4  -2  -2  -1 (37, 6)
87-168 D d Elvey, George Job    2   1   2   2   0 (3, 5)
87-169 D G Barrow, Isaac   -3  -4  -3   5  -2 (20, 2)
88-170 D A Goodenough, Robert Philip    4   3  -2  -1  -2 (23, 4)
88-171 D D Anonymous [Gregorian]    4   1   2   5  -3
89-172 D G Anonymous [Gregorian]    0   2  -2   0   0 (19, 6)
89-173 D E♭ Anonymous [Gregorian]   -3  -2  -2  12  -1 ( 1, 3)
90-174 D G Anonymous [Gregorian]    2  -2   5   0  -1
90-175 D g Anonymous [Gregorian]   -1   1   3  -1   0 ( 1, 1)
91-176 D B♭ Anonymous [Gregorian]    1  -1  -2  -2   2 (9, 19)
91-177 D C Anonymous [Gregorian]    3   2   3   0   0
113-178 D F Knyvett, William {Handel, Georg Frederic}    2   2  -2   3  -1 (24, 3) Attributed to Handel. But this is the arrangement by Knyvett
113-179 D F Aylward (Sr.), Theodore    2   2   1  -3  -2 (15, 11)
113-180 D D Walker, John    5  -1   1  -5   2 (5, 2)
114-181 D A Corfe, Arthur Thomas   -2  -1  -2  -2  -1 (4, 8)
114-182 D E Camidge, Matthew {Anonymous}    1  -1  -2  -2   9 (31, 6) No attribution, but York is in many sources attributed to Matthew Camidge
114-183 D E♭ Patten, William   -2  -1   0  -2  -2 (7, 2)
115-184 D E Marsh, John   -2  -2   7   2  -2 (23, 1) copy error: bass first bar final quarter should be A, not F-sharp
115-185 D A Crotch, William   -2  -2  -1   1   2 (36, 25)
115-186‑M S A Hayes, William    4  -2  -2   0   5 (53, 4)
115-186‑m S a Hayes, William    3  -1  -2   0   5 (29, 5)
116-187 D E♭ Russell, William    5   0  -1   3   0 Only the first quarter is equal to other instances of Russell's chant. No other instances of this particular version (yet) known.
116-188 D B♭ Russell, William    2  -2  -1   1   4 (2, 2)
116-189 D e Dupuis, Thomas Saunders    2   2   5  -2  -3 (9, 1)
117-190 D A Stephens, John    1  -1   1  -1  -2 (2, 1) attributed to Dr. Stephens. Nordmann (Book 208, from slightly earlier date) attributes to Dr. J. Stephens
117-191 D G Goodenough, Robert Philip {Crotch, William}    4   3  -5   2  -2 (26, -) attributed to "Crotch", but all other sources attr. to Goodenough
117-192 D E Crotch, William    2   2   1   2   0 (3, 6)
118-193 D D Woodward, Richard    0   0   5  -8   5 (74, 1)
118-194 D F Woodward, Richard    5  -3   2   5  -4 (4, -)
118-195 D D Dupuis, Thomas Saunders   -1  -2  -2  -2  -1 (4, 29)
119-196 D G Dupuis, Thomas Saunders    5   2  -3  -2  -3 (4, -)
119-197 D E♭ Worgan, John   -2  -1  -2   2   1 (29, 4)
119-198 D e Langdon, Richard    5  -2  -2  -1  -2 (5, 8)
120-199 D A Walsh, George    1   2  -7  -1   1 (7, 1)
120-200 D D Soaper, John   -2   2   1   4  -2 (68, 3)
120-201 D C Lawes, Henry    9  -2  -2  -5   2 (46, 2)
121-202 D e Walmisley, Thomas Attwood    3  -2  -1  -2  -2 (7, 20)
121-203 D A Jones, John    0  -1  -2   3  -1 (6, -)
121-204 D F Cleland, George    5  -1  -2   0  -2 ( 1, 7)
122-205 D B♭ Walmisley, Thomas Attwood    4  -2  -2  -3  -2 ( 1, 2)
122-206 Q F Oakeley, Herbert Stanley   -2  -2   5  -1   0 (43, 5)
123-207 S B♭ Crotch, William {Anonymous (i.e. not specified)}    0  -1   1  -3  -2 (51, 1)
123-208 S E Anonymous    3  -3  -2   3  -1 (13, 3) marked "from Chartres Cathedral"; transcription error: penultimate bar bass should have B natural, not D-sharp
123-209 D A Johnson, Edward    0  -1  -2  -2   9
123-210 S E♭ Ouseley, Frederick Arthur Gore    0   0   0   0  -2 ( 1, 6)
123-211 S D (VI-F**) Anonymous {Anonymous (i.e. not specified)}    5  -1  -2  -2  -3 (11, 5)
124-212 S F (VI-F**) Anonymous [Gregorian]    3  -2  -1  -2   0 (32, 13)
124-213 D C Russell, William {Crotch, William}    1  -1  -2  -2   7 (5, 4) Both in Parr (book no. 97) and Holford (book no. 119) attributed to William Russell
124-214 X B♭ Anonymous [Gregorian]    2  -2  -3  -2 Irregular single 2-2 bars
124-215 S B♭ Monk, Edwin George   -2  -2  -3   3  -1 (15, 1)
124-216 D B Amps, William    9  -4  -1  -4   5
125-217 S F (VI-F) Anonymous [Gregorian]    0  -2   2   0  -4 (33, 4) from the Norwich Collection
125-218 S G Novello, Vincent {Gregorian}    2  -2  -1  -2   2 (13, 2) from the Norwich Collection
125-219 D d Beckwith, John Christmas    2   2   1  -1   4 (5, -) from the Norwich Collection
126-220 D F Buck, Zechariah    4   3  -2   4 -10 from the Norwich Collection
126-221 S A Turner, William {Purcell, Henry }    2   0   2  -4   5 (74, 7) from the Norwich Collection; attributed to Purcell, but in all other sources to William Turner
126-222 D G Buck, Zechariah    5  -1  -2  -2   2 (6, 3) from the Norwich Collection
126-223 S D Jones, John   -2  -1  -2   7   2 (52, 2) from the Norwich Collection
127-224 S F Farrant, Richard    0   2   2   3  -2 (87, 5) from the Norwich Collection
127-225 D E Chard, George William    4  -2   5  -2  -1 (2, 2) from the Norwich Collection
127-226 S B♭ Hine, William   -2  -2  -1   1   2 (50, 25) from the Norwich Collection
127-227 D B♭ Jackson, William   -2  -2  -1   1  -1 (17, 12) from the Norwich Collection
128-228 S E Hayes, Philip   -2  -1   1  -1  -2 (30, -) from the Norwich Collection
128-229 D F Goodenough, Robert Philip    1  -3   5   0  -8 (42, -) from the Norwich Collection
128-230 D D Havergal, William Henry    3  -5   2   8  -1 (18, -) from the Norwich Collection
128-231‑M D D Oakeley, Herbert Stanley    5   0  -5   5  -1 (13, -) from the Norwich Collection
129-231‑m D d Oakeley, Herbert Stanley    5   0  -5   5  -2 (2, -) from the Norwich Collection
129-232 D E♭ Gunton, Frederick   -3   1   2   1   1 from the Norwich Collection
130-233 D F Fitzherbert, William    3  -2  -1  -2   2 (49, 9) from the Norwich Collection; attributed to "Fitzherbert & Hayes". In all other sources attributed to Fitzherbert; treble bar 6 should be B natural, not flat
130-234 S G Gibbons, Christopher    3  -7  -1   3   3 (63, 1) from the Norwich Collection; copy error: final note bass should be G, not A
130-235 D E♭ Robinson, John   -2   5  -7   4   2 (5, 1) from the Norwich Collection;
130-236 S D Buck, Zechariah   -2  -6   1   2  -2 from the Norwich Collection;
131-237 D F Löhr, George Augustus   -3   1   2  -3   5 from the Norwich Collection; copy error? Bass, bar 7 should be C not F
131-238 D E♭ Bunnett, Edward    1   2   5  -3  -7 (2, -) from the Norwich Collection
131-239 D E♭ Not specified [Handel, Georg Frederic] {Handel, Georg Frederic}    0   3  -2   0  -1 (2, 2) treble bar 8 is probably a copyist error: C should be B-flat as in other sources.
132-240 S A Nares, James {Anonymous}   -1   1   2   2  -7 (38, 3) from the Norwich Collection; in Parish Psalter and others chant books assigned to J. Nares
132-241 S C Beckwith, John Christmas    1  -1  -2  -2  12 ( 1, 1) attributed to "Beckwith", assumed to be John Christmas Beckwith
132-242 D f# Stonex, Henry    0   2   1   0   0 (34, 3) Copy error: bass first bar should be F-sharp, not D
132-243 D E Crotch, William    3  -5   2   1   2 ( 1, 2)
133-244 D C Buck, Zechariah [Haydn, Franz Joseph]    5   0   2   0   2 ( 1, 3)
133-245 S D Turle, James    0   2   2   1  -8 (32, 2)
133-246 S F Turle, James    0   4   3   1   1 (4, -)
133-247 S E Turle, James    7   2  -7  10  -3
133-248 S G Turle, James    0   2   2   0   3 (34, 6)
134-249‑a D c Turle, James    2   2   1   2   1 (2, 1)
134-249‑b S E♭ Turle, James    2   2   1   2   1 (2, 1)
134-249‑c S C Turle, James    2   2   1   2   2 (15, 30)
134-250 S E♭ Turle, James [Beethoven, Ludwig von]   -1  -2  -2  -3   3 (4, 1)
134-251 S E Turle, James    2   3  -1   3   2 (32, 2)
135-252 D A Turle, James   -2  -3   1   7  -3 (33, 3)
135-253 D D Turle, James    1  -1  -2   7  -7 (50, 1)
135-254‑m D d Turle, James   -7   2   1   0   0
135-254‑M D D Turle, James   -7   2   2   0   0 (60, 1)
136-255 D F Turle, James    0   0  -2  -1   5 (36, 1)
136-256 D f Turle, James [Purcell, Henry ]    0   0   0   0   2 (40, 12)
136-257 D d Turle, James   -4  -1   1   0   2 (9, 2) 13th Evening
137-258 D G Turle, James    7   2  -2  -3   1 (50, 1)
137-259‑M D E Turle, James    5  -4  -3  -2   9 (7, -)
137-259‑m D e Turle, James    5  -3  -3  -2   8 (8, -)
138-260 D D Turle, James    0   2   2   0  -2 ( 1, 25)
138-261 D D Turle, James    0   0   0  -5   0 ( 1, 1)
138-262 D D Elvey, George Job    4   3   2   0  -2 (7, 4)
139-263 D C Garrett, George Mursell    1  -1   5  -2   5 ( 1, 3)
139-264 S G Gibbons, Christopher    3  -7  -1   3   3 (63, 1)
139-265 S C Elvey, George Job    2   0  -2   5   2 (6, 5)
139-266 S B♭ Elvey, George Job    2   3  -1   1   2 (60, 2)
139-267 S A Elvey, George Job    0  -3   3   0  -1 (4, -)
140-268 S A Elvey, George Job    2   2   1   0   2 (10, 10)
140-269 S E Hopkins, Edward John    3   0   5 -12   2 (60, 4)
140-270 S G Anonymous   -1   1   2   2   1 (22, 21)
140-271 D G Elvey, Stephen    0   2   2   0  -2 (27, 25)
140-272 D F Elvey, Stephen    2  -2  -2  -1   1 (13, 4)
141-273 D F Elvey, Stephen   -1   1   2   2  -2 (10, 8)
141-274 D E Goss, John    3  -2  -1  -2  -2 (61, 20)
142-275 D D Elvey, George Job    0   0   0   3  -7 (7, 3)
142-276‑M D E Pratt, John   -2  -1   3  -7   2 (9, -)
142-276‑m D e Pratt, John   -2  -2   4  -7   2 (8, -)
142-277 S D Buck, Zechariah    2 -10   1   2  -2 (2, -)
142-278 D F Buck, Zechariah    4   3  -2   4 -10 as no. 220 (23872)
143-279 X a Hayes, Philip {Beckwith, John Christmas}   -1   0   1   2   1 (4, 1) attributed to Beckwith, in all other sources attributed to Philip Hayes; in 3/2 time; treble penultimate note should be G-sharp, not G
143-280 D E Fell, Stacey    1   0  -1  -2   5 ( 1, 2)
143-281 S F Alston, Joseph Haydn    0   3  -2  -3   5 attributed to Alston. The only known Alston (organist in Linswaite, 1899) could be the composer as the chant is entered around 1873 (note on page 154).
144-282 S F Russell, William    1  -3   5  -7   5 (46, -)
144-283 S a Monk, Edwin George   -1  -2  -1   3  -7 (29, 1)
144-284‑m S g Ouseley, Frederick Arthur Gore    0   4  -7   5   0 (9, -)
144-284‑M S G Ouseley, Frederick Arthur Gore    0   3  -7   5   0 (35, 1)
144-285‑m S e Blow, John    0   2   2   0  -2 (75, 25)
144-285‑M S E Blow, John    0   1   2   0  -2 (18, 3)
144-286 S a Goss, John    3  -1   3  -2  -1 (20, 1) bar 5, 1st alto note should be G-sharp (as tenor)
145-287‑M S C Ch MacFarren, George Alexander    2   3   4  -5   1 (45, 1) copy error: bass bar 2, 2nd note should be A, not G; coorrected in the midi
145-287‑m S c Ch MacFarren, George Alexander    1   4   3  -4   1 (12, -)
145-288 S G Purcell, Henry   -2  -2  -1   8  -2 ( 1, 3)
145-289 D G Garrett, George Mursell   -2  -2   7  -7  -1 (21, 1) likely copy errors, compared to other sources: bar 3 alto should be F, not G; bar 10 bass should be G-sharp, not flat; bar 13 alto 1st note should be G, not F; these are corrected in the midi
145-290 S a Crotch, William {Travers, John}   -1  -2  -2  -2  -1 (19, 29) attributed to Travers; all other sources attribute to Crotch
145-291‑m S g Hine, William {Kelway, Thomas}   -1   1   2   1  -1 (45, 4) attributed to Kelway; most other sources attribute to Hine
146-291‑M S G Hine, William {Kelway, Thomas}   -1   1   2   2  -2 (10, 8) attributed to Kelway; most other sources attribute to Hine
146-292 S G Taylor, William    3  -3  -2  -2   4 (11, 7)
146-293 S g Weldon, John    4  -4  -1   0   3 (67, 1) copy error: bar 2 bass 2nd note should be G, not A; corrected in the midi
146-294 D D Garrett, George Mursell   -1   0  -2  -2   0 (2, 1) copy error: bar 9 alto 1st note natural sign should be sharp.
146-295 S f Barnby, Joseph   -2  -2  -1   1   0 (7, 7) copy error: bar 3 alto should read E-natural, not E-flat
147-296 D A♭ Garrett, George Mursell   -2   2  -4   0  -3 (33, -)
147-297 D F Garrett, George Mursell   -2   0  -2   2   2 (4, 3)
147-298 D F Anonymous [Mendelssohn, Jakob Ludwig Felix] {Mendelssohn, Jakob Ludwig Felix}    1  -3   5  -7   2 ( 1, 1)
148-299 S C Hopkins, Edward John    2  -2  -2   2  -3 (52, 8) First half of Hopkins'double chant. Second half probably left out by mistake? Next chant originally also written as two singles (including a number which was removed at a later stage).
148-300 D F Hopkins, Edward John    1  -1  -2   5  -7 (28, 6)
148-301 D B♭ Woodward, Richard [Boyce, William]    0   4  -2  -2   5 ( 1, 3) attributed to "Woodward", probably an arrangement of a theme by Boyce; only final quarter different from others that are attributed to Boyce or anonymous arrangements of a Boyce theme.
148-302 D E♭ Garrett, George Mursell   -2  -2   5  -1   2 (5, 1)
149-303‑M S G Turle, James   -3   1  -3  -2   9 (28, -)
149-303‑m S g Turle, James   -4   2  -3  -2   8 (12, -)
149-304 S B♭ Garrett, George Mursell    2   3   5  -1   0 ( 1, 2) bar 4 bass written as G-sharp, should be F-sharp
149-305 S f Garrett, George Mursell    3   2   2   0   5 ( 1, 1)
149-306 S b Barnby, Joseph    5   3  -1  -2  -2 (18, 3)
150-307‑M S G Russell, William    4  -2  -2   7   2 ( 1, 2)
150-307‑m S g Russell, William    3  -1  -2   7   1 Gloria in major (no. 307-M)
150-308 S a Hayes, William    3  -1  -2   0   5 (29, 5)
150-309 S e Hayes, William    4  -2  -2   5  -6 ( 1, 2)
150-310 S g MacFarren, George Alexander    4  -4  -3   2   1 (4, 6)
150-311 S a Turner, William    2   0   1  -3   5 (17, 1) bar 2 both tenor and bass should have G-sharp
150-312 S a Crotch, William   -1  -2  -2  -2  -1 (19, 29) Minor of no. 119
151-313 S a Ouseley, Frederick Arthur Gore   -3   2   1   2  -3 (6, 2)
151-314 S e Chard, George William   -4  -3   8   0  -1 (20, -)
151-315‑m S e♭ Ouseley, Frederick Arthur Gore   -7   2   1   2   2 (4, 4)
151-315‑M S E♭ Ouseley, Frederick Arthur Gore   -7   2   2   1   2 (7, 2)
151-316‑M S A Purcell, Henry   -2   2   2   0  -2 (22, 3)
151-316‑m S a Purcell, Henry   -2   2   1   0  -1 (20, 5)
152-317 S g Turton, Thomas {Monk, Edwin George}   -7   2   1  -1   1 (11, 1) attributed to E. G. Monk, other sources attribute to Thomas Turton
152-318‑M S D Monk, Edwin George   -2   2  -3   5  -2 (8, -)
152-318‑m S d Monk, Edwin George   -2   2  -4   5  -1 (7, 1)
152-319 S e Monk, Edwin George    4  -2  -2   5  -6 ( 1, 2)
152-320 S e Chard, George William   -4  -3   8   0  -1 (20, -) copy error: bar 13 alto 2nd note should be D-sharp, not D-natural
152-321 S g Turton, Thomas {Anonymous}   -7   2   1  -1   1 (11, 1) Listed as "Anonymous", other sources attribute to Thomas Turton
153-322 D G Attwood, Thomas   -2   2  -4   5  -6 (3, -)
153-323 D C Hopkins, Edward John    2  -2  -2   2  -3 (52, 8)
154-325‑M D B Hopkins, Edward John   -1   1  -5   0   2 (27, -)
154-325‑m D b Hopkins, Edward John   -1   1  -5   0   1 (9, -)
154-326 S E Barnby, Joseph   -3   3  -2  -1  -2 (41, 1)
154-327 D F Maybrick, Michael    0   0   0   2   3 (4, 1)
155-324‑m D g Hopkins, Edward John   -1  -2  -1   3   1 (42, 3) copy error: bar 3 alto should be D-natural, not D-sharp (corrected in the midi); possibly also a copy error: treble bar 11 should be A (as in other sources), not B (this is also corrected in the midi)
155-324‑M D G Hopkins, Edward John   -2  -2  -1   3   2 (57, 5) corrected version of no. 324 on page 153
155-328 D G Elvey, George Job   -1   1  -5  12  -3 (11, -)
156-329‑m S e Johnson, Edward   -1   1  -4  -3   7 wrong key signature (E major), chant is E minor (also labelled as such).
156-329‑M S E Johnson, Edward   -1   1  -3  -4   7