p-n |
T |
Key |
Composer |
Finger print |
Psalms/ Notes |
2-1 |
S |
A |
Nares, James |
1 -3 -3 1 -3 (51, 1) |
Venite |
2-2 |
D |
A |
Norris, Thomas |
4 3 -7 0 -3 (45, -) |
1; 2; 3 |
2-3 |
D |
D |
Bentinck, George Cavendish |
-5 2 -2 -3 5 (8, -) |
4; 5 |
3-4‑a |
S |
d |
Purcell, Edward |
5 -4 -1 3 -2 (25, -) |
6 |
3-4‑b |
S |
d |
Purcell, Edward |
5 -4 -1 3 -2 (25, -) |
6 Note: with optional tenor note final bar |
3-5‑a |
D |
g |
Smith, John Stafford |
-2 -2 -1 -2 2 (22, 8) |
7(1-17) |
3-5‑b |
D |
g |
Smith, John Stafford |
-2 -2 -1 -2 2 (22, 8) |
7(1-17) Note: with optional tenor note penultimate bar |
3-6‑a |
D |
G |
Smith, John Stafford |
-2 -1 -2 -2 2 (33, 7) |
7(18; Gloria); 8 |
3-6‑b |
D |
G |
Smith, John Stafford |
-2 -1 -2 -2 2 (33, 7) |
7(18; Gloria); 8 Note: with optional tenor note penultimate bar |
4-7 |
S |
A |
Turton, Thomas |
-2 -3 1 -3 2 (19, 1) |
Venite |
4-8 |
D |
D |
Turle, James |
-7 2 2 0 0 (52, 1) |
9; 11 |
4-9 |
D |
d |
Turle, James |
-7 2 1 2 2 (50, 4) |
10 |
5-10 |
D |
f# |
Brownsmith, John Leman |
7 -2 -2 -1 1 (24, -) |
12; 13 |
5-11 |
S |
A |
Jekyll, Charles Sherwood |
-2 -5 2 -4 2 (2, 1) |
14 |
5-12 |
S |
f# |
Weldon, John |
4 -4 -1 0 3 (57, 1) |
14 Note: alternative for no. 11 |
6-13 |
S |
A |
Turner, William |
2 0 2 -4 5 (57, 7) |
Venite |
6-14 |
S |
D |
Barnby, Joseph |
-3 3 -2 -1 -2 (35, -) |
15; 16 |
6-15 |
D |
F |
Turle, James |
2 0 2 3 -5 (41, -) |
17 |
7-16‑a |
D |
A |
Turle, James |
-2 -2 -3 2 1 (46, 3) |
18(1-29) |
7-16‑b |
D |
A |
Turle, James |
-2 -2 -3 2 1 (46, 3) |
18(1-29) Note: with optional alto notes final bars |
7-17 |
D |
D |
Elvey, George Job |
1 4 -2 -2 -1 (33, 6) |
18(30-end) |
8-18 |
S |
A |
MacFarren, George Alexander |
2 2 1 -8 2 (47, 2) |
Venite |
8-19 |
D |
A |
Dupuis, Thomas Saunders |
-1 1 -3 8 -1 (59, 1) |
19; 20 |
8-20 |
S |
D |
Monk, Edwin George |
-8 1 2 2 2 (43, 3) |
21 |
9-21 |
D |
e |
Dupuis, Thomas Saunders |
4 5 -2 -3 1 (25, 2) |
22(1-22) |
9-22 |
D |
a |
Wesley, Samuel |
0 0 -1 1 -3 (27, 2) |
22(1-22) Note: alternative for no. 21 |
9-23 |
D |
E |
Gauntlett, Henry John |
0 0 0 -2 0 (12, 9) |
22(23-end) |
9-24 |
S |
E |
Turle, James |
2 3 -1 3 2 (30, 2) |
23 |
10-25 |
S |
G |
Turle, James |
0 2 2 0 3 (29, 5) |
Venite Note: two trebles |
10-26 |
S |
E♭ |
Elvey, George Job |
4 1 2 0 2 (21, 13) |
24 |
10-27 |
D |
E♭ |
Robinson, John |
5 -3 -2 -3 2 (79, -) |
25; 26 |
10-28 |
D |
E♭ |
Crotch, William |
1 2 -2 -1 0 (5, 4) |
25; 26 Note: alternative for no. 27 |
11-29‑a |
D |
C |
Turle, James |
3 0 5 -5 5 (53, -) |
27 |
11-29‑b |
D |
C |
Turle, James |
3 0 5 -5 5 (53, -) |
27 Note: optional alto notes 3rd quadrant |
11-30‑a |
S |
E♭ |
Felton, William |
0 0 0 0 1 (60, 14) |
28(1-6) |
11-31 |
S |
E♭ |
Hopkins, Edward John |
3 0 5 -12 2 (51, 3) |
28(7-end); 29 |
12-32 |
S |
A |
Purcell, Daniel |
0 -1 1 5 -6 (50, 3) |
Venite |
12-33‑a |
S |
F |
Anonymous, on an ancient tune |
-2 3 -1 0 0 (5, 3) |
30 |
12-33‑b |
S |
F |
Anonymous, on an ancient tune |
-2 3 -1 0 0 (5, 3) |
30 Note: alternative note for alto, final bar |
12-34 |
S |
F |
Bellamy, Richard |
-7 4 -2 5 -10 (23, -) |
30 Note: alternative for no. 33 |
12-35 |
D |
F |
Turle, James |
0 2 -3 1 0 (55, -) |
31 |
13-36 |
D |
E |
Attwood, Thomas |
0 0 0 0 1 (31, 14) |
32 |
13-37 |
D |
C |
Bridge, John Frederick |
5 0 -2 5 -1 (8, 1) |
33; 34 |
13-38‑a |
D |
C |
Longhurst, William Henry |
1 2 2 0 8 (15, -) |
33; 34 Note: alternative for no. 37 |
13-38‑b |
D |
C |
Longhurst, William Henry |
1 2 2 0 8 (15, -) |
33; 34 Note: alternative note for tenor, final bar |
14-39 |
S |
G |
Fussell, Peter |
-2 -1 -2 2 -2 (34, 4) |
Venite |
14-40 |
D |
E♭ |
Pye, Kellow John |
3 -3 -4 7 2 (51, 1) |
35 |
14-41 |
S |
c |
Turle, James |
0 0 0 0 0 (5, 32) |
36(1-4) |
14-42‑a |
S |
C |
Turle, James |
2 2 1 2 2 (14, 26) |
36( 5-end) |
14-42‑b |
S |
C |
Turle, James |
2 2 1 2 2 (14, 26) |
36(5-end) Note: With alternative alto notes in 2nd quart |
15-43‑a |
D |
B♭ |
Cooke, Benjamin |
2 2 1 4 -7 (38, -) |
37(1-22) |
15-43‑b |
D |
B♭ |
Cooke, Benjamin |
2 2 1 4 -7 (38, -) |
37(1-22) Note: alternative note: alto 1st bar 4th quart |
15-44 |
S |
E♭ |
Battishill, Jonathan |
-5 0 -7 0 9 (47, -) |
37( 23-end) |
15-45 |
S |
E♭ |
Ayrton, Edmund |
5 -7 -1 5 -2 (40, 1) |
37(1-22) Note: alternative for no. 43 |
15-46 |
S |
G |
Farrant, Richard |
0 2 2 3 -2 (64, 2) |
37( 23-end) |
16-47 |
S |
G |
MacFarren, George Alexander |
-5 1 7 -5 3 (10, -) |
Venite |
16-48 |
D |
d |
Turle, James |
4 -4 -1 1 9 (18, -) |
38 |
16-49 |
S |
g |
Purcell, Thomas |
-1 -2 -1 8 -7 (52, 3) |
39 |
16-50 |
D |
E♭ |
Duckworth, W. N. |
0 -2 -2 9 -2 (5, 4) |
40 |
17-51 |
S |
b |
Croft, William |
-2 -2 -1 8 -1 (63, 4) |
41 |
17-52 |
D |
c |
Goss, John [Beethoven, Ludwig von] |
0 0 0 0 2 (28, 10) |
41 Note: alternative for no. 51 |
17-53 |
D |
G |
Wesley, Samuel |
-2 -2 5 -1 -2 (64, 20) |
42; 43 |
18-54 |
S |
C |
Russell, William |
5 4 -7 0 2 (42, -) |
Venite |
18-55 |
S |
G |
Monk, Edwin George |
-2 2 1 -3 5 (11, 8) |
44(1-9) |
18-56 |
S |
g |
Monk, Edwin George |
-1 1 2 -3 5 (7, -) |
44(10-end) |
18-57 |
D |
G |
Lemon, John |
-7 2 1 2 2 (49, 4) |
45; 46 |
19-58 |
D |
G |
Turle, James |
7 2 -2 -3 1 (44, 1) |
47; 48 |
19-59 |
D |
E♭ |
Goss, John |
4 1 2 5 -7 (10, 1) |
49 |
20-60 |
S |
A |
Turton, Thomas |
-4 2 2 -9 2 (6, -) |
Venite |
20-61 |
D |
E |
Turle, James |
5 -3 -3 -2 8 (7, -) |
50; 51(Gloria); 52 |
20-62 |
D |
e |
Turle, James |
5 -3 -3 -2 8 (7, -) |
51(All, except Gloria) |
20-63 |
S |
e |
Hayes, William |
1 -1 -2 -2 4 (24, 4) |
51(All, except Gloria) Note: alternative for no. 62 |
20-64 |
S |
E |
Hayes, William |
2 -2 -2 -1 3 (31, 11) |
51(Gloria) Note: alternative for no. 61 |
21-65 |
D |
a |
Cooke, Benjamin |
1 2 1 -3 5 (27, -) |
53; 54 |
21-66‑a |
D |
f# |
Goss, John [Clarke, Jeremiah] |
-3 2 -3 -4 5 (27, -) |
55 |
21-66‑b |
D |
f# |
Goss, John [Clarke, Jeremiah] |
-3 2 -3 -4 5 (27, -) |
55 Note: alternative bass note final bar |
21-67 |
D |
F |
Hopkins, Edward John |
7 -2 -1 1 -3 (39, -) |
55 Note: alternative for no. 66 |
22-68 |
S |
A |
Goss, John |
4 -2 3 -1 -2 (52, 2) |
Venite |
22-69 |
D |
d |
Morley, William |
0 2 1 0 -1 (66, 4) |
56; 57(1-8) |
22-70 |
S |
D |
Kelway, Thomas |
0 2 1 5 -3 (50, -) |
57( 9-end); 58 |
23-71 |
S |
G |
Hine, William |
-2 -2 -1 1 2 (39, 20) |
59 |
23-72 |
D |
c |
Turle, James [Purcell, Henry ] |
1 1 1 1 1 (22, 3) |
60; 61 Note: first part adapted from Purcell |
24-73 |
S |
F |
Rimbault, Edward Francis |
-3 5 -2 0 -3 (35, 1) |
Venite |
24-74 |
D |
F |
Boyce, William |
2 3 -1 -2 2 (50, 3) |
62; 63 |
24-75 |
S |
f |
Bridge, John Frederick [Croft, William ] {Bridge, John Frederick} |
1 0 -1 0 1 (2, 1) |
64 |
25-76 |
S |
C |
Savage, William |
0 -1 1 0 0 (49, 1) |
65 |
25-77 |
D |
G |
Cooke, Robert |
-2 -2 -1 -2 2 (46, 8) |
66; 67 |
26-78 |
S |
G |
Turton, Thomas |
-7 2 2 -2 2 (20, -) |
Venite |
26-79 |
D |
G |
Crotch, William |
-2 -1 -2 -2 -1 (43, 3) |
68 |
26-80 |
D |
D |
Dupuis, Thomas Saunders |
2 2 1 -1 -4 (24, 5) |
68 Note: alternative for no. 79 |
27-81 |
D |
d |
Turle, James |
-4 -1 1 0 2 (9, 1) |
69(1-30) |
27-82 |
D |
D |
Turle, James |
-3 -2 2 0 1 (8, -) |
69( 31-end) |
27-83 |
D |
F |
Turle, James [Spohr, Ludwig] |
5 0 -1 0 1 (16, 2) |
70 |
28-84‑a |
S |
D |
Turle, James |
0 2 2 1 -8 (28, 2) |
Venite |
28-84‑b |
S |
D |
Turle, James |
0 2 2 1 -8 (28, 2) |
Venite Note: alternative note tenor in final bar |
28-85 |
D |
D |
Wellesley, Garrett Colley, Earl of Mornington |
0 -2 -1 3 2 (58, 1) |
71 |
28-86‑a |
D |
G |
Turton, Thomas |
5 4 -2 -7 -1 (7, -) |
72 |
28-86‑b |
D |
G |
Turton, Thomas |
5 4 -2 -7 -1 (7, -) |
72 Note: alternative note for bass final bar |
29-87‑a |
D |
f# |
Flintoft, Luke |
2 0 1 0 2 (81, 4) |
73 |
29-87‑b |
D |
f# |
Flintoft, Luke |
2 0 1 0 2 (81, 4) |
73 Note: alternative note tenor 1st bar final quadrant |
29-88 |
D |
b |
Goss, John |
3 -1 1 0 2 (17, 3) |
74 |
30-89 |
S |
E |
Ouseley, Frederick Arthur Gore |
5 -3 -4 -3 5 (48, -) |
Venite |
30-90 |
S |
A |
Aldrich, Henry |
-2 2 1 -1 -2 (51, 9) |
75; 76 |
30-91 |
D |
E |
Miller, T |
3 5 -1 1 -3 (3, 1) |
77 |
31-92 |
Q |
F |
Oakeley, Herbert Stanley |
-2 -2 5 -1 0 (39, 4) |
78 Note: Gloria to the second half |
31-93‑a |
Q |
E |
Turle, James |
4 3 -2 0 0 (2, -) |
78 Note: alternative for no. 92; Gloria to the second half |
31-93‑b |
Q |
E |
Turle, James |
4 3 -2 0 0 (2, -) |
78 Note: alternative notes in 2nd half for alto (3rd bar) and tenor (4th bar) |
32-94 |
S |
A |
Hayes, William |
4 -2 -2 0 5 (44, 4) |
Venite |
32-95 |
S |
E |
Foster, John |
-2 -2 7 0 0 (14, -) |
79; 80 Note: explicit note: "Original key E-flat" |
32-96‑a |
D |
e |
Turle, James |
3 4 5 -9 5 (3, -) |
79; 80 Note: alternative for no.95 |
32-96‑b |
D |
e |
Turle, James |
3 4 5 -9 5 (3, -) |
79; 80 Note: alternative note for bass in 1st bar final quarter |
32-97‑a |
D |
E |
Turle, James |
4 3 5 -8 5 (5, 3) |
81 |
32-97‑b |
D |
E |
Turle, James |
4 3 5 -8 5 (5, 3) |
81 |
33-98 |
D |
E♭ |
Henley, Phocion |
-2 -2 9 -2 -2 (53, 2) |
82; 83 |
33-99 |
D |
A♭ |
Coward, James |
-1 -2 -2 7 2 (14, 4) |
84; 85 |
33-100 |
D |
E♭ |
Attwood, Thomas |
2 2 1 2 2 (34, 26) |
84; 85 Note: alternative for no. 99 |
34-101 |
S |
G |
King, Charles |
1 4 -7 5 -7 (34, 1) |
Venite |
34-102 |
S |
g |
Langdon, Richard |
-1 -2 8 -3 2 (26, 1) |
86 Note: From Langdon's collection ("Divine Harmony") |
34-103 |
S |
G |
Barnby, Joseph |
0 -2 -3 1 -1 (4, -) |
87 |
34-104 |
D |
e |
Bishop, Henry Rowley |
0 2 1 4 -2 (6, 3) |
88 |
35-105 |
D |
G |
Cooke, Robert |
1 2 2 -2 -2 (48, 11) |
89(1-30) |
35-106 |
S |
E♭ |
Battishill, Jonathan |
-2 -2 12 -3 -7 (26, 1) |
89( 37-end) |
36-107 |
S |
G |
Lamb, Benjamin (1) |
4 2 1 0 2 (29, 2) |
Venite |
36-108 |
S |
g |
Turton, Thomas |
-7 2 1 -1 1 (10, 1) |
90 |
36-109‑a |
D |
D |
Attwood, Thomas |
2 2 -9 5 -8 (57, -) |
91; 92 |
36-109‑b |
D |
D |
Attwood, Thomas |
2 2 -9 5 -8 (57, -) |
91; 92 Note: optional 2nd quart basses 1 octave lower |
37-110 |
S |
A |
Crotch, William |
0 -1 1 -3 -2 (41, 1) |
93 |
37-111 |
D |
D |
Lemon, John |
-1 -4 2 0 -2 (27, 2) |
94 |
37-112 |
D |
A |
Woodward, Richard |
-2 -2 -1 1 2 (26, 20) |
94 Note: alternative for no. 111 |
38-113 |
S |
F |
Tallis, Thomas |
0 -2 2 0 -2 (42, 8) |
95 |
38-114 |
D |
C |
Corfe, Joseph [Lawes, Henry] {Lawes, Henry} |
9 -2 -2 0 -1 (33, 4) |
96; 97 Note: attributed to Lawes, but this is Corfe's adaptation |
39-115 |
D |
C |
Crotch, William |
-8 -2 -2 2 2 (53, 1) |
98; 99; 100 |
39-116 |
S |
G |
Lee, William |
7 -3 -2 3 0 (27, -) |
101 |
40-117‑a |
S |
A |
Tucker, William |
5 -1 1 -5 2 (56, 2) |
Venite |
40-117‑b |
S |
A |
Tucker, William |
5 -1 1 -5 2 (56, 2) |
Venite Note: alternative bass notes (octave up) bar 5 |
40-118 |
S |
a |
Purcell, Henry |
-2 2 1 0 -1 (19, 5) |
102(1-14; 23-end) |
40-119 |
S |
A |
Purcell, Henry |
-2 2 2 0 -2 (22, 3) |
102(15-22; Gloria) |
40-120 |
D |
D |
Davy, John |
-1 -4 5 -12 9 (47, -) |
103 |
41-121‑a |
D |
A |
Turle, James |
0 0 0 4 -7 (13, -) |
104(All, except Gloria) |
41-121‑b |
D |
A |
Turle, James |
0 0 0 4 -7 (13, -) |
104(Gloria) |
41-122‑a |
D |
A |
Soaper, John |
0 2 2 0 1 (27, 19) |
104 Note: alternative for no. 121 |
41-122‑b |
D |
A |
Soaper, John |
0 2 2 0 1 (27, 19) |
104 Note: alternative note bass bar 1 (octave) |
42-123 |
S |
A |
Alcock sr., John |
1 -1 -2 3 -1 (46, 2) |
Venite |
42-124 |
D |
A |
Crotch, William |
5 -1 -2 2 1 (51, 2) |
105(1-22) |
42-125 |
D |
D |
Turle, James |
-7 2 2 0 0 (52, 1) |
105( 23-end) |
43-126‑a |
D |
A |
Soaper, John |
0 2 2 0 1 (27, 19) |
106(1-12) |
43-126‑b |
D |
A |
Soaper, John |
0 2 2 0 1 (27, 19) |
106(1-12) Note: alternative note bass bar 1 (octave) |
43-127 |
D |
D |
Turle, James |
1 -1 -2 7 -7 (48, 1) |
106( 13-end) |
44-128 |
S |
B♭ |
Dupuis, Thomas Saunders |
5 -1 -2 2 -4 (33, 2) |
Venite |
44-129 |
D |
F |
Fitzherbert, William |
3 -2 -1 -2 2 (41, 5) |
107 |
44-130 |
D |
F |
Higgins, Edward |
-2 -1 -2 -2 5 (17, 3) |
107 Note: alternative for no. 129 |
45-131 |
D |
E |
Attwood, Thomas |
4 0 3 -7 5 (43, -) |
108; 109( 25-end) |
45-132 |
D |
e |
Attwood, Thomas |
3 0 4 -7 5 (18, -) |
109(1-24) |
45-133 |
S |
F |
Barnby, Joseph |
-2 -1 -2 -2 9 (7, 3) |
108 Note: alternative for no. 131 |
45-134 |
D |
a |
Gladstone, Francis Edward |
-3 2 -7 5 0 (4, -) |
109 Note: alternative for no. 132 |
46-135 |
S |
D |
Hindle, John |
-1 -4 2 0 -2 (24, 2) |
Venite |
46-136 |
D |
G |
Barrow, Isaac |
-3 -4 -3 5 -2 (13, 2) |
110; 111 |
46-137 |
D |
D |
Boyce, William |
-5 -2 -1 0 -2 (69, 2) |
112; 113 |
47-138 |
S |
f# |
Anonymous [Gregorian] |
-2 3 -1 -2 -2 (40, 11) |
114 |
47-139 |
D |
A |
Turle, James |
-2 -3 1 7 -3 (27, 3) |
115 |
48-140 |
S |
A |
Monk, Edwin George |
-2 -2 -1 3 -7 (27, -) |
Venite |
48-141 |
D |
E |
Goss, John |
3 -2 -1 -2 -2 (50, 17) |
116 |
48-142 |
D |
A |
Bridge, John Frederick |
3 -2 -3 0 3 (8, 1) |
117; 118 |
49-143 |
S |
E♭ |
Turle, James [Beethoven, Ludwig von] |
-1 -2 -2 -3 3 (3, -) |
119(1-8); 119(9-16) |
49-144 |
D |
E♭ |
Harris, Joseph Thorne |
0 0 0 0 -2 (18, 5) |
119(17-24); 119(25-32) |
49-145 |
S |
A♭ |
Nares, James |
-1 1 2 2 -7 (28, 2) |
119(17-24); 119(25-32) Note: alternative for no. 144 |
50-146 |
S |
F |
Turle, James |
0 -3 -2 -2 0 (4, 1) |
Venite |
50-147‑a |
D |
C |
Bridge, John Frederick |
-5 3 4 -2 0 (7, -) |
119(33-40); 119(41-48); 119(49-56) |
50-147‑b |
D |
C |
Bridge, John Frederick |
-5 3 4 -2 0 (7, -) |
119(33-40); 119(41-48); 119(49-56) Note: alternative note for tenor, final bar |
50-148 |
S |
F |
Hayes, Philip |
-3 1 -3 2 -4 (27, 1) |
119(57-64); 119(65-72) |
51-149 |
D |
D |
Gregory, Edward |
0 5 -1 -2 0 (19, 1) |
119(73-80); 119(81-88) |
51-150 |
D |
F |
Walmisley, Thomas Attwood |
0 0 0 1 4 (50, 1) |
119(89-96); 119(97-104) |
52-151 |
S |
G |
Monk, Edwin George |
-2 2 -4 2 -3 (20, 3) |
Venite |
52-152 |
D |
D |
Woodward, Richard |
0 0 5 -8 5 (62, 1) |
119(105-112); 119(113-120); 119(121-128) |
52-153 |
D |
D |
Goss, John |
1 2 -7 5 -1 (22, 1) |
119(129-136); 119(137-144) |
53-154 |
D |
a |
Battishill, Jonathan |
-2 -2 -1 8 -1 (79, 4) |
119(145-152); 119(153-160) |
53-155 |
D |
E |
Foster, John |
-1 1 2 3 -1 (32, -) |
119(161-168); 119(169-176) |
54-156 |
S |
B♭ |
Crotch, William |
0 -1 1 -3 -2 (41, 1) |
Venite |
54-157 |
D |
E♭ |
Wellesley, Garrett Colley, Earl of Mornington |
-2 -1 -2 -2 12 (48, 1) |
120; 121; 122 |
54-158 |
D |
A♭ |
Hopkins, Edward John |
-2 -2 -1 3 2 (54, 4) |
123; 124; 125 |
55-159‑a |
D |
F |
Turle, James |
0 0 -2 -1 5 (33, 1) |
126; 127; 128; 129; 130(Gloria); 131(Gloria) |
55-159‑b |
D |
F |
Turle, James |
0 0 -2 -1 5 (33, 1) |
126; 127; 128; 129; 130(Gloria); 131(Gloria) Note: alternative notes alto final bar |
55-160 |
D |
f |
Turle, James [Purcell, Henry ] |
0 0 0 0 2 (35, 10) |
130(All, except Gloria); 131(All, except Gloria) |
56-161 |
S |
G |
King, Charles |
1 4 -7 5 -7 (34, 1) |
Venite |
56-162 |
D |
E♭ |
Attwood, Thomas |
2 2 1 2 2 (34, 26) |
132 |
56-163 |
D |
G |
Turle, James |
0 0 -3 5 3 (8, -) |
133; 134; 135 |
57-164 |
S |
G |
Turle, James |
-3 1 -3 -2 9 (25, -) |
136; 137(Gloria) Note: two trebles |
57-165 |
S |
g |
Turle, James |
-4 2 -3 -2 8 (12, -) |
137(All, except Gloria) |
57-166 |
S |
G |
Purcell, Thomas |
-2 -2 2 5 -2 (53, 1) |
136; 137(Gloria) Note: alternative for no. 164 |
57-167 |
S |
g |
Purcell, Thomas |
-1 -2 -1 8 -7 (52, 3) |
137(All, except Gloria) Note: alternative for no. 165 |
57-168 |
S |
C |
Bridge, John Frederick |
-2 7 -1 -2 -2 (3, -) |
138 |
58-169 |
S |
F |
Dyce, William |
3 -1 1 -3 -2 (27, -) |
Venite |
58-170 |
D |
c |
Cooke, Robert |
8 -1 -2 -4 2 (68, -) |
139 |
58-171 |
D |
A♭ |
Goss, John |
0 0 0 0 5 (22, 12) |
140; 141 |
59-172 |
S |
a |
Dupuis, Thomas Saunders |
-3 2 -3 1 2 (36, -) |
142 |
59-173 |
D |
a |
Turle, James [Bach, Johann Sebastian] |
0 0 -1 1 2 (6, 4) |
143 |
60-174 |
S |
D |
Crotch, William |
-2 -1 -2 5 2 (32, 1) |
Venite |
60-175 |
S |
G |
Battishill, Jonathan |
-1 1 5 -1 5 (54, 2) |
144 |
60-176‑a |
D |
D |
Dupuis, Thomas Saunders |
-2 -2 9 -2 2 (37, 1) |
145; 146 |
60-176‑b |
D |
D |
Dupuis, Thomas Saunders |
-2 -2 9 -2 2 (37, 1) |
145; 146 Note: alternative note alto bar 7 |
61-177 |
D |
G |
Aldrich, Henry |
3 -3 -2 0 2 (30, 4) |
147 |
61-178 |
D |
D |
Hopkins, John Larkin |
2 2 1 0 2 (29, 10) |
148; 149 |
61-179 |
S |
G |
Fussell, Peter |
-2 -1 -2 2 -2 (34, 4) |
150 |
62-180 |
S |
D |
Turner, William |
-3 -2 -1 1 0 (25, -) |
Venite |
62-181 |
S |
A |
Anonymous |
5 2 -2 0 2 (9, -) |
144 |
62-182‑a |
D |
D |
Turle, James |
0 -2 -1 7 1 (5, -) |
145; 146 |
62-182‑b |
D |
D |
Turle, James |
0 -2 -1 7 1 (5, -) |
145; 146 Note: alternative note tenor bar 2 final quart |
63-183‑a |
D |
C |
Turle, James |
3 0 5 -5 5 (53, -) |
147 |
63-183‑b |
D |
C |
Turle, James |
3 0 5 -5 5 (53, -) |
147 Note: alternative notes alto 3rd quart |
63-184 |
D |
G |
Crotch, William |
2 2 1 -1 5 (34, 5) |
148; 149 |
63-185 |
S |
C |
Humphrey, Pelham |
0 0 -1 0 1 (76, 11) |
150 |
64-186 |
S |
A |
Vandernan, Thomas {Hayes, William} |
5 2 2 3 0 (12, -) |
Venite Note: or special hymn for Christmas Day Morning; attributed to W. Hayes; in other sources to Vandernan; |
64-187 |
D |
E |
Russell, William |
5 -1 -2 -2 -2 (45, 6) |
19; 45 |
64-188 |
D |
E |
Stevens, C. A. |
3 -2 -1 1 2 (2, -) |
85 |
65-189 |
D |
G |
Cooke, Robert |
1 2 2 -2 -2 (48, 11) |
89(1-36) |
65-190 |
S |
E♭ |
Battishill, Jonathan |
-2 -2 12 -3 -7 (26, 1) |
89( 37-end) |
65-191 |
D |
E♭ |
Attwood, Thomas |
2 2 1 2 2 (34, 26) |
110; 132 |
66-192 |
S |
F |
Webbe Sr, Samuel {Anonymous} |
0 0 -2 2 5 (16, -) |
Venite Note: or special hymn for Ash Wednesday Morning;
attributed as "Anonymous", other sources (e.g. Hutchins, book 45) attribute to Webbe |
66-193 |
S |
d |
Crotch, William |
1 -1 -2 2 -4 (29, 8) |
6; 32 |
66-194 |
D |
d |
Turle, James |
4 -4 -1 1 9 (18, -) |
38 |
67-195 |
S |
a |
Purcell, Henry |
-2 2 1 0 -1 (19, 5) |
102(1-14; 23-end) |
67-196 |
S |
A |
Purcell, Henry |
-2 2 2 0 -2 (22, 3) |
102(15-22; Gloria) |
67-197‑a |
D |
f# |
Goss, John [Clarke, Jeremiah] |
-3 2 -3 -4 5 (27, -) |
130; 143 |
67-197‑b |
D |
f# |
Goss, John [Clarke, Jeremiah] |
-3 2 -3 -4 5 (27, -) |
130; 143 Note: alternative bass note (octave) final bar |
68-198 |
S |
e |
Blow, John |
0 2 2 0 -2 (57, 22) |
Venite Note: or special hymn for Good Friday |
68-199 |
D |
a |
Wesley, Samuel |
0 0 -1 1 -3 (27, 2) |
22 |
68-200 |
D |
E |
Gauntlett, Henry John |
0 0 0 -2 0 (12, 9) |
40; 54 |
69-201 |
D |
d |
Turle, James |
-4 -1 1 0 2 (9, 1) |
69(1-30) |
69-202 |
D |
D |
Turle, James |
-3 -2 2 0 1 (8, -) |
69( 31-end) |
69-203 |
S |
f# |
Foster, John |
0 0 0 -1 -2 (12, 2) |
88 |
70-204 |
S |
E |
Anonymous |
0 2 -2 0 -3 (31, 8) |
Easter Anthems |
70-205‑a |
S |
A |
Tucker, William |
5 -1 1 -5 2 (56, 2) |
2 |
70-205‑b |
S |
A |
Tucker, William |
5 -1 1 -5 2 (56, 2) |
2 Note: alternative bass notes (1 octave up) bar 5 |
70-206 |
D |
E |
Havergal, William Henry |
-2 5 -7 9 -2 (49, 3) |
57; 101 |
71-207 |
S |
C |
Savage, William |
0 -1 1 0 0 (49, 1) |
113 |
71-208 |
S |
e (Per) |
Anonymous [Gregorian] |
-2 3 -1 -2 -2 (40, 11) |
114 |
71-209 |
D |
E |
Randall, John |
-7 2 2 3 5 (67, -) |
118 |
72-210 |
S |
A |
MacFarren, George Alexander |
2 2 1 -8 2 (47, 2) |
Venite Note: or a special hymn for Ascension Day morning |
72-211 |
D |
A |
Goss, John |
2 2 1 2 2 (32, 26) |
8 |
72-212 |
S |
D |
Barnby, Joseph |
-3 3 -2 -1 -2 (35, -) |
15 |
72-213 |
S |
D |
Monk, Edwin George |
-8 1 2 2 2 (43, 3) |
21 |
73-214 |
S |
E♭ |
Elvey, George Job |
4 1 2 0 2 (21, 13) |
24 |
73-215 |
D |
g |
Russell, William |
7 -2 -2 5 -1 (19, 1) |
47; 108 |
74-216 |
S |
F |
Cooke, Benjamin |
-3 -4 9 -4 2 (50, 1) |
Venite Note: or a special hymn for Whitsunday morning |
74-217 |
S |
B♭ |
Alcock sr., John {Aldrich, Henry} |
-3 5 -3 5 -4 (45, 1) |
48 |
74-218 |
D |
D |
Woodward, Richard |
0 0 5 -8 5 (62, 1) |
68 |
75-219‑a |
D |
A |
Turle, James |
0 0 0 4 -7 (13, -) |
104(All, except Gloria) |
75-219‑b |
D |
A |
Turle, James |
0 0 0 4 -7 (13, -) |
104(Gloria) |
75-220‑a |
D |
D |
Dupuis, Thomas Saunders |
-2 -2 9 -2 2 (37, 1) |
145 |
75-220‑b |
D |
D |
Dupuis, Thomas Saunders |
-2 -2 9 -2 2 (37, 1) |
145 Note: alternative note alto bar 7 |
76-221 |
D |
A |
Dupuis, Thomas Saunders |
-1 1 -3 8 -1 (59, 1) |
20; 101 |
76-221 |
S |
A |
Nares, James |
1 -3 -3 1 -3 (51, 1) |
Venite |
76-222 |
D |
A |
Dupuis, Thomas Saunders |
-1 1 -3 8 -1 (59, 1) |
20; 101 |
76-223 |
S |
F |
Barnby, Joseph |
-2 -1 -2 -2 9 (7, 3) |
121 |
77-224 |
S |
E |
Turle, James |
5 -1 5 -2 5 (22, 3) |
|
77-225 |
S |
C |
Russell, William |
5 4 -7 0 2 (42, -) |
|
77-226 |
S |
g |
Hine, William |
-1 1 2 1 -1 (37, 3) |
|
77-227 |
S |
a |
Purcell, Henry |
1 1 -1 3 3 (44, -) |
|
77-228 |
S |
F |
Turle, James |
0 4 3 1 1 (4, -) |
|
77-229 |
S |
B♭ |
Elvey, George Job |
9 -4 -3 0 8 (36, 3) |
|
77-230‑m |
S |
e Ch |
Chard, George William |
-4 -3 8 0 -1 (16, -) |
|
77-230‑M |
S |
E Ch |
Chard, George William |
-3 -4 9 0 -2 (21, -) |
|
77-231 |
S |
F |
Monk, Edwin George |
2 -5 1 2 -3 (9, -) |
|
78-232 |
S |
C |
Goodson sr, Richard |
0 -1 -2 0 5 (21, -) |
|
78-233 |
S |
C |
Tallis, Thomas |
0 -5 2 0 2 (42, 3) |
|
78-234 |
S |
a |
Tallis, Thomas |
2 -2 -1 0 1 (32, 2) |
|
78-235 |
S |
G |
Gibbons, Christopher |
3 -7 -1 3 3 (49, 1) |
|
78-236 |
S |
C |
Woodward, Richard |
2 2 1 2 2 (58, 26) |
|
78-237 |
S |
A |
Battishill, Jonathan |
-5 9 -2 3 -1 (57, -) |
|
78-238‑M |
S |
A Ch |
Monk, Edwin George |
-2 -2 -1 3 -7 (27, -) |
|
78-238‑m |
S |
a Ch |
Monk, Edwin George |
-1 -2 -1 3 -7 (24, 1) |
|
78-239 |
S |
c |
King, Charles |
0 2 1 -8 2 (17, -) |
|
79-240‑m |
D |
a Ch |
Attwood, Thomas |
-7 2 -7 5 2 (10, 1) |
|
79-240‑M |
D |
A Ch |
Attwood, Thomas |
-7 2 -7 5 2 (10, 1) |
|
79-241 |
D |
E♭ |
Alcock sr., John |
3 0 -2 -1 -2 (14, 5) |
|
79-242 |
D |
D |
Battishill, Jonathan |
-1 -2 -2 -2 -1 (37, 22) |
|
79-243 |
D |
C |
Gladstone, Francis Edward |
-1 -2 -2 2 -2 (6, 9) |
|
80-244 |
D |
E♭ |
Gladstone, Francis Edward |
1 2 -7 5 0 (7, -) |
|
80-245 |
D |
C |
Jekyll, Charles Sherwood |
2 -2 5 -3 5 (2, -) |
|
80-246 |
D |
F |
Langdon, Richard |
0 2 2 0 -2 (68, 22) |
|
81-247 |
D |
G |
Prendergast, A. H. D. |
4 -4 -3 8 0 (3, -) |
|