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Additional information for
Church Music Society's Chant Book



Number -- Status149 -- In_progress
Full TitleChurch Music Society's Chant Book
Author(s)Church Music Society
PublisherH. Milford, Oxford University Press, london
Year of Publication1912
ISBN
Chants numbered continuouslyNo
Psalms associated with chants - Pointed text includedYes/No
Sets of chants for certain psalmsYes
Separate selections of psalms includedNo
Formatpdf
Sourcecopies supplied by Emanuel Library, Emanuel College, Victoria University, Toronto, Canada
Additional comments Verbatim qoutes from the editor of this collection are shown in curly brackets in the Psalms/Notes field in the index.


Table of Contents


Click here for an explanation of the conventions used in the listings

p-n T Key Composer Finger
print
Psalms/
Notes
1-1 D C Corfe, Joseph [Lawes, Henry]    9  -2  -2   0  -1 (37, 4) Psalm: Te Deum Laudamus(1-9) [Set I];
1-2 D F Boyce, William    2   3  -1  -2   2 (53, 3) Psalm: Te Deum Laudamus(10-21) [Set I];
1-3 D C Dupuis, Thomas Saunders   -2  -2   9  -2   2 (40, 1) Psalm: Te Deum Laudamus(22-end) [Set I];
2-1 D G Elvey, George Job   -1   1  -5  12  -3 (10, -) Psalm: Te Deum Laudamus(1-9; 22-end) [Set II];
2-2 D D Elvey, George Job    1   4  -2  -2  -1 (34, 6) Psalm: Te Deum Laudamus(10-21) [Set II];
3-1 D E Camidge, John Jr.    0   1  -1  -2  -2 (33, 1) Psalm: Te Deum Laudamus(1-9) [Set III];
3-2 D A Crotch, William    5  -1  -2   2   1 (53, 2) Psalm: Te Deum Laudamus(10-21) [Set III]; {N.B.-The above is the original form of the chant, which has been conventionalized by later editors.}
3-3 D E Worgan, John   -2  -1  -2   2   1 (24, 4) Psalm: Te Deum Laudamus(22-end) [Set III];
4-1‑a D C Crotch, William   -8  -2  -2   2   2 (59, 2) Psalm: Te Deum Laudamus(1-9) [Set IV]; {original form}
4-1‑b D C Crotch, William   -8  -2  -2   2   2 (59, 2) Psalm: Te Deum Laudamus(1-9) [Set IV]; {The following modernized version may be used if preferred:}
4-2 D F Aldrich, Henry    3  -3  -2   0   2 (32, 4) Psalm: Te Deum Laudamus(10-21) [Set IV];
4-3 D C Hopkins, Edward John    2  -2  -2   2  -3 (49, 8) Psalm: Te Deum Laudamus(22-end) [Set IV];
5-1 D E♭ Wellesley, Garrett Colley, Earl of Mornington    0  -2  -1   3   2 (65, 1) Psalm: Te Deum Laudamus(1-9) [Set V];
5-2 D A♭ Woodward, Richard   -2  -2   0  -1   1 (27, 2) Psalm: Te Deum Laudamus(10-21) [Set V];
5-3 D E♭ Attwood, Thomas    4   0   3  -7   5 (45, -) Psalm: Te Deum Laudamus(22-end);
6-1 S C Hayes, William   -5  -2  -1   5   2 (16, -) Psalm: Te Deum Laudamus(1-9) [Set VI];
6-2 S F Cooke, Benjamin   -3  -4   9  -4   2 (54, 1) Psalm: Te Deum Laudamus(10-21) [Set VI]; {This later version is preferred, as more practical than the original}
6-3 S C Aylward (Sr.), Theodore   -1  -2  -2   0   2 (29, 7) Psalm: Te Deum Laudamus(22-end) [Set VI];
7-1 S D Battishill, Jonathan    0  -3   8  -3  -7 (44, -) Psalm: Benedicite, omnia opera Domini(1-17) [Set I];
7-2 S A Battishill, Jonathan   -5   9  -2   3  -1 (62, -) Psalm: Benedicite, omnia opera Domini(18-25) [Set I];
7-3 S D Battishill, Jonathan   -5   0  -7   0   9 (49, -) Psalm: Benedicite, omnia opera Domini(26-end) [Set I]; {original key E-flat}
8-1 S G Felton, William    1   2   2  -7   5 (48, 7) Psalm: Benedicite, omnia opera Domini(1-17) [Set II];
8-2 S D Crotch, William   -2  -1  -2   5   2 (34, 1) Psalm: Benedicite, omnia opera Domini(18-25) [Set II];
8-3 S A Tucker, William    5  -1   1  -5   2 (59, 2) Psalm: Benedicite, omnia opera Domini(26-end) [Set II]; {If the crossing of the alto and tenor parts (beat 1, bar 2) be found too difficult, the expedient adopted in the Westminster Chant Book may be followed, and these two parts interchanged for this single minim.}
9-1 S B♭ Alcock sr., John   -3   5  -3   5  -4 (51, 1) Psalm: Benedicite, omnia opera Domini(1-17) [Set III]; incorrect attribution to Aldrich
9-2 S E♭ Ouseley, Frederick Arthur Gore    5  -3  -4  -3   5 (54, -) Psalm: Benedicite, omnia opera Domini(18-25) [Set III]; {Original form}
9-3 S B♭ Greene, Maurice   -2  -3   1   0   2 (54, 1) Psalm: Benedicite, omnia opera Domini(26-end) [Set III];
10-1 S F Wesley, Samuel Sebastian    3  -3  -2  -2   5 (4, -) Psalm: Benedicite, omnia opera Domini(1-17) [Set IV];
10-2 S B♭ Wesley, Samuel Sebastian    2   2   1  -1   1 (11, 7) Psalm: Benedicite, omnia opera Domini(18-25) [Set IV];
10-3 S F Wesley, Samuel Sebastian   -2  -1  -2   7  -2 (7, 4) Psalm: Benedicite, omnia opera Domini(26-end) [Set IV];
11-1 S G Battishill, Jonathan   -1   1   5  -1   5 (58, 2) Psalm: Benedictus Dominus Deus (Luke 1, 67-79); {This is the least florid of several versions. The original is min A. Compare chant to Psalm IV, p. 18.}
11-2 S B♭ Dupuis, Thomas Saunders    5  -1  -2   2  -4 (34, 2) Psalm: Benedictus Dominus Deus (Luke 1, 67-79); {Original form}
11-3 S G Fussell, Peter   -2  -1  -2   2  -2 (38, 4) Psalm: Benedictus Dominus Deus (Luke 1, 67-79);
11-4 S D Jones, John   -2  -1  -2   7   2 (46, 1) Psalm: Benedictus Dominus Deus (Luke 1, 67-79); {The second half of this chant only is given in the original form.}
11-5 S A♭ Nares, James   -1   1   2   2  -7 (33, 1) Psalm: Benedictus Dominus Deus (Luke 1, 67-79);
11-6 S A Savage, William    0  -1   1   5  -6 (3, 3) Psalm: Benedictus Dominus Deus (Luke 1, 67-79);
12-1 S C Tallis, Thomas    0  -5   2   0   2 (44, 3) Psalm: Jubilate; {Ascribed to Tallis in many modern collections.}
12-2 S B♭ Elvey, Stephen    4  -2  -2  -3   2 (33, 1) Psalm: Jubilate;
12-3 S F Wesley, Samuel Sebastian    1  -1  -2  -2  -1 (4, 5) Psalm: Jubilate;
13-1 S B♭ Elvey, George Job    9  -4  -3   0   8 (41, 3) Psalm: Magnificat (Luke 1, 46-55);
13-2 S C Goodson sr, Richard    5  -1  -2   0   5 (41, 6) Psalm: Magnificat (Luke 1, 46-55);
13-3 S E Hayes, Philip    3  -2  -1   5  -7 (23, 3) Psalm: Magnificat (Luke 1, 46-55);
13-4 S G Purcell, Thomas   -2  -2   2   5  -2 (59, 1) Psalm: Magnificat (Luke 1, 46-55);
13-5 S A Stewart, Robert Prescott    0  -3  -2  10   0 (12, -) Psalm: Magnificat (Luke 1, 46-55);
13-6 S E♭ Turle, James    5  -1   5  -2   5 (24, 3) Psalm: Magnificat (Luke 1, 46-55);
14-1 S E♭ Wesley, Samuel    3   0   5  -1  -2 ( 1, 2) Psalm: Cantate Domino;
14-2 S C Woodward, Richard    2   2   1   2   2 (64, 26) Psalm: Cantate Domino;
14-3 S F Cooke, Benjamin   -3  -4   9  -4   2 (54, 1) Psalm: Cantate Domino;
15-1 S F Batten, Adrian   -2   0   2   0  -2 ( 1, 3) Psalm: Nunc Dimittis (Luke 2, 29-32); {The tenor part (the Plainsong) is to be sung in unison by all voices.}
15-2 S E♭ Felton, William    0   0   0   0   1 (68, 14) Psalm: Nunc Dimittis (Luke 2, 29-32);
15-3 S D Kelway, Thomas    0   2   1   5  -3 (52, -) Psalm: Nunc Dimittis (Luke 2, 29-32); attribution print error: F. Kelway should be T. Kelway
15-4 S G Purcell, Daniel    0  -1   1   5  -6 (51, 3) Psalm: Nunc Dimittis (Luke 2, 29-32); {Version given in Boyce's Cathedral Music.}
15-5 S G Purcell, Thomas   -2  -2  -1   8  -7 (23, 2) Psalm: Nunc Dimittis (Luke 2, 29-32);
15-6 S G Farrant, Richard    0   2   2   3  -2 (71, 2) Psalm: Nunc Dimittis (Luke 2, 29-32); {Adapted from "Lord, for thy tender mercy's sake", commonly ascribed to Farrant.}
15-7 S C Turle, James    0   2   2   1  -8 (29, 2) Psalm: Nunc Dimittis (Luke 2, 29-32);
16-1 S F Hervey, Frederick Alfred John    1   4  -2  -7   2 (8, 3) Psalm: Deus misereatur;
16-2 S E Blow, John    0   1   2   0  -2 (14, 2) Psalm: Deus misereatur;
16-3 S A Crotch, William    0  -1   1  -3  -2 (46, 1) Psalm: Deus misereatur;
16-4 S E Wallace, William Vincent   -2  -1  -2   2   0 (18, 3) Psalm: Deus misereatur;
16-5 S G Hine, William   -2  -2  -1   1   2 (42, 21) Psalm: Deus misereatur;
18-1 S A Battishill, Jonathan   -5   9  -2   3  -1 (62, -) Psalm: Venite;
18-2 S D Battishill, Jonathan    0  -3   8  -3  -7 (44, -) Psalm: 1;
18-3 D A Battishill, Jonathan   -1  -2  -2   9  -2 (27, 7) Psalm: 2; 5(1-4; 7-8; 12-13);
18-4 S D Battishill, Jonathan   -5   0  -7   0   9 (49, -) Psalm: 3;
18-5 S G Battishill, Jonathan   -1   1   5  -1   5 (58, 2) Psalm: 4; {A later version of this chant on page 11 (Benedictus I)}
18-6 D a Battishill, Jonathan   -2  -2  -1   8  -1 (84, 4) Psalm: 5(5-6; 9-11);
19-1 S g Kelway, Thomas    0   2  -3   1  -3 (32, 3) Psalm: 6;
19-2 D c Cooke, Robert    8  -1  -2  -4   2 (71, -) Psalm: 7;
19-3 D C Corfe, Joseph [Lawes, Henry]    9  -2  -2   0  -1 (37, 4) Psalm: 8;
20-1 S G Felton, William    1   2   2  -7   5 (48, 7) Psalm: Venite;
20-2 D D Beckwith, Edward James {Beckwith, John Christmas}    7  -2   0  -1   0 (23, -) Psalm: 9; incorrect attribution to J. Beckwith
20-3 D g Clark, Richard    3  -3  -1   0   1 (35, 1) Psalm: 10;
20-4 S G Aldrich, Henry {Anonymous}    1   2   2  -7   2 (16, 1) Psalm: 11; {Anon. (in Boyce's Cathedral Music )} Other sources attribute to Aldrich
21-1 S f Blow, John    0   2   2   0  -2 (62, 22) Psalm: 12;
21-2 S A♭ Aldrich, Henry   -2   2   1  -1  -2 (52, 9) Psalm: 13;
21-3 D f Flintoft, Luke    2   0   1   0   2 (87, 4) Psalm: 14;
22-1 S F Anonymous    3  -3  -2   3  -1 (11, 3) Psalm: Venite; {Anon., from 'The European Psalmist'.} In the European Psalmist the tenor penultimate note is B-flat, not G
22-2 S C Goodson sr, Richard    5  -1  -2   0   5 (41, 6) Psalm: 15;
22-3 S F Cooke, Benjamin   -3  -4   9  -4   2 (54, 1) Psalm: 16;
22-4 D F Fitzherbert, William    3  -2  -1  -2   2 (44, 6) Psalm: 17;
23-1 D D Randall, John   -7   2   2   3   5 (73, -) Psalm: 18(1-30);
23-2 D D Wesley, Samuel Sebastian    1  -1   0  -2  -2 (12, 4) Psalm: 18(31-end);
24-1 S F Tallis, Thomas    0  -2   2   0  -2 (46, 9) Psalm: Venite; {NOTE:-The chants to Psalms XX and XXI and to the Venite are arrangements of the same plainsong, which lies in the tenor part in the two psalm chants and in the treble in the other. If unison singing is preferred for any of these, care must be taken that the treble part of the first chant and the tenor part of the others (printed in larger type) should be sung.}
24-2 S C Tallis, Thomas    0  -5   2   0   2 (44, 3) Psalm: 19;
24-3 S F Anonymous    0  -1   1   0  -1 (2, 5) Psalm: 20; see note with no. 1
24-4 S F Child(e), William    0   0   0   0   0 ( 1, 35) Psalm: 21; see note with no. 1
25-1 D e Camidge, Matthew    2   0   1   2   2 (65, 3) Psalm: 22(1-22);
25-2 D E Camidge, Matthew    2   0   2   2   1 (39, 4) Psalm: 22(23-end);
25-3 S A Crotch, William    0  -1   1  -3  -2 (46, 1) Psalm: 23;
26-1 S A Dupuis, Thomas Saunders   -4   2  -3   1   2 (8, 1) Psalm: 26(Gloria); Venite;
26-2 S A Dupuis, Thomas Saunders    5  -1  -2   2  -4 (34, 2) Psalm: 24; {Original form. Original key B flat.}
26-3 D A Dupuis, Thomas Saunders   -1   1  -3   8  -1 (66, 1) Psalm: 25; {Original form.}
26-4 S a Dupuis, Thomas Saunders   -3   2  -3   1   2 (39, -) Psalm: 26(All, except Gloria);
27-1 D G Crotch, William   -2  -1  -2  -2  -1 (45, 3) Psalm: 27;
27-2 S g Kelway, Thomas   -1   1   2   1  -1 ( 1, 4) Psalm: 28(1-6);
27-3 S G Kelway, Thomas   -1   1   2   2  -2 (2, 7) Psalm: 28(7-10);
27-4 D G Cooke, Robert   -2  -2  -1  -2   2 (50, 8) Psalm: 29;
28-1 S D Crotch, William   -2  -1  -2   5   2 (34, 1) Psalm: Venite;
28-2 D G Crotch, William   -2  -2  -1   1   2 (33, 21) Psalm: 30; 31(Gloria);
28-3 D g Crotch, William   -1  -2  -1   1   2 (12, 4) Psalm: 31(All, except Gloria);
29-1 S E♭ Felton, William    0   0   0   0   1 (68, 14) Psalm: 32;
29-2 D E♭ Wellesley, Garrett Colley, Earl of Mornington   -2  -1  -2  -2  12 (55, 1) Psalm: 33; {Original form}
29-3 D E♭ Camidge, Matthew    1  -1  -2  -2   9 (26, 6) Psalm: 34;
30-1 S C Aylward (Sr.), Theodore   -1  -2  -2   0   2 (29, 7) Psalm: Venite;
30-2 D F Walmisley, Thomas Attwood    0   0   0   1   4 (52, 1) Psalm: 35;
30-3‑a D F Turle, James    0   0  -2  -1   5 (36, 1) Psalm: 36; additional organ notes (bars 11-12) not included in the midi
30-3‑b D F Turle, James    0   0  -2  -1   5 (36, 1) Psalm: 36; as no. 3-a. In the midi the harmony is played on the organ, with additional notes for bars 11-12
31-1 D E Goss, John    3  -2  -1  -2  -2 (56, 17) Psalm: 37;
31-2 D G Crotch, William   -2  -1  -2  -2  -1 (45, 3) Psalm: 37; alternative for no. 1
32-1 S D Jones, John   -2  -1  -2   7   2 (46, 1) Psalm: Venite;
32-2 D d Morley, William    0   2   1   0  -1 (72, 4) Psalm: 38; {Version in Boyce's Cathedral Music.}
32-3 S a Turner, William    2   0   1  -3   5 (15, 1) Psalm: 39;
32-4 D D Randall, John   -7   2   2   3   5 (73, -) Psalm: 40;
33-1 S G Turle, James    0   2   2   0   3 (31, 6) Psalm: 41; {two trebles}
33-2 D D Turle, James    1  -1   0  -2   7 (8, -) Psalm: 42; {* In the Westminster Chant Book (edited by Turle himself) the treble part of this bar consists of the plain semibreve E.} Note: as the asterisk is missing in the music it is assumed that bar 3 is intended.
33-3 D G Turle, James    7   2  -2  -3   1 (46, 1) Psalm: 43;
34-1 S C Hayes, William   -1   1  -3   5  -3 (27, 2) Psalm: Venite;
34-2 D G Hayes, William    0  -2  -2   5   0 (39, 5) Psalm: 44(1-9; Gloria);
34-3 D g Wesley, Samuel {Wesley, Samuel Sebastian}    0   2  -3   1  -3 (11, 3) Psalm: 44(10-26); incorrect attribution to S.S. Wesley
34-4 S A Hayes, William    4  -2  -2   0   5 (47, 4) Psalm: 45;
34-5 S C Hayes, William   -5  -2  -1   5   2 (16, -) Psalm: 46;
35-1 S B♭ Alcock sr., John   -3   5  -3   5  -4 (51, 1) Psalm: 47; incorrect attribution to Aldrich
35-2 S B♭ Elvey, George Job    9  -4  -3   0   8 (41, 3) Psalm: 48;
35-3 D E♭ Wesley, Samuel Sebastian   -4   4   3  -3  -2 (5, 1) Psalm: 49;
36-1 S B♭ Elvey, Stephen    4  -2  -2  -3   2 (33, 1) Psalm: Venite;
36-2 D F Langdon, Richard    0   2   2   0  -2 (76, 22) Psalm: 50; 51(Gloria);
36-3 D f Flintoft, Luke    2   0   1   0   2 (87, 4) Psalm: 51(All, except Gloria);
36-4 S F Hayes, Philip   -3   1  -3   2  -4 (31, 1) Psalm: 52;
37-1 S E♭ Cooke, Benjamin   -3  -4   9  -4   0 (2, -) Psalm: 53; {alternative version}
37-2 S E♭ Turle, James    5  -1   5  -2   5 (24, 3) Psalm: 54;
37-3 D A♭ Jones, John   -2  -2  -1   1   0 (43, 5) Psalm: 55;
38-1 S E Goss, John   -2   0   5  -3   1 (27, 1) Psalm: Venite;
38-2 D A Goss, John    2   2   1   2   2 (34, 26) Psalm: 56;
38-3 D D Goss, John    1   2  -7   5  -1 (23, 1) Psalm: 57;
38-4 S A Goss, John    4  -2   3  -1  -2 (57, 2) Psalm: 58;
39-1 D d Wesley, Samuel Sebastian   -4   2  -3  10  -4 (16, -) Psalm: 59;
39-2 S a Purcell, Thomas {Anonymous}   -1  -2   0  -1   3 (2, -) Psalm: 60; attribution {Anon. (Brit. Mus. Add. MS. 17,784).} Vandernan (book no. 69) attributes to "Mr. Tho. Purcell"
39-3 S C Woodward, Richard    2   2   1   2   2 (64, 26) Psalm: 61;
40-1 S B♭ Greene, Maurice   -2  -3   1   0   2 (54, 1) Psalm: 64(Gloria); Venite;
40-2 D E♭ Elvey, Stephen    1  -1   5  -2   4 (29, 1) Psalm: 62;
40-3 S E♭ Tudway, Thomas    2  -4  -1  -2   2 (11, 1) Psalm: 63;
40-4 S g Weldon, John    4  -4  -1   0   3 (60, 1) Psalm: 64(All, except Gloria); {Original form. For the Gloria go back to Chant for the Venite.}
41-1‑a D C Turle, James    3   0   5  -5   5 (57, -) Psalm: 65;
41-1‑b D C Turle, James    3   0   5  -5   5 (57, -) Psalm: 65; as no. 1-a, organ setting with additional notes for organ in bars 9&10
41-2 D F Turle, James    0   2  -3   1   0 (58, -) Psalm: 66;
41-3 S C Turle, James    0   2   2   1  -8 (29, 2) Psalm: 67;
42-1 S G Purcell, Daniel    0  -1   1   5  -6 (51, 3) Psalm: Venite;
42-2 D D Attwood, Thomas    2   2   1   2   2 (36, 26) Psalm: 68(1-23);
42-3 D G Smith, John Stafford   -2  -1  -2  -2   2 (38, 7) Psalm: 68(24-end);
43-1 D g Hopkins, Edward John   -1  -2  -1   3   1 (40, 2) Psalm: 69(1-29);
43-2 D G Hopkins, Edward John   -2  -2  -1   3   2 (56, 4) Psalm: 69(30-end);
43-3 S G Battishill, Jonathan   -1   1   5  -1   5 (58, 2) Psalm: 70;
44-1 S B♭ Aldrich, Henry   -5   5  -1   3  -2 (11, -) Psalm: Venite;
44-2 D F Aldrich, Henry    3  -3  -2   0   2 (32, 4) Psalm: 71;
44-3 S B♭ Alcock sr., John {Aldrich, Henry}   -3   5  -3   5  -4 (51, 1) Psalm: 72; incorrect attribution to Aldrich
45-1 D F Wesley, Samuel Sebastian    3  -3  -4   5   0 (20, 2) Psalm: 73;
45-2 D f Turle, James [Purcell, Henry ]    0   0   0   0   2 (37, 11) Psalm: 74;
46-1 S E♭ Hopkins, Edward John    3   0   5 -12   2 (55, 4) Psalm: Venite;
46-2 S A♭ Nares, James   -1   1   2   2  -7 (33, 1) Psalm: 75;
46-3‑a S E♭ Battishill, Jonathan   -2  -2  12  -3  -7 (29, 1) Psalm: 76;
46-3‑b S E♭ Battishill, Jonathan   -2  -2  12  -3  -7 (29, 1) Psalm: 76; {* The treble part of the second half of this chant stands thus in the original:}, notes following and included in the midi
46-4 D E♭ Attwood, Thomas    0   0   0   0   1 (33, 14) Psalm: 77; {Original key in E}
47-1 D A Goss, John    4  -4  -3   2   1 (43, 6) Psalm: 78(1-52); {In the third section, the disposition of the parts in the original takes the tenor voices fairly high and the alto voices very low: the exchange of parts usually made is here adopted.}
47-2 D E Havergal, William Henry   -2   5  -7   9  -2 (52, 3) Psalm: 78(53-end); Composer name misspelled as Rev. L.H. Havergal
48-1 S C Savage, William    0  -1   1   0   0 (54, 1) Psalm: Venite;
48-2 D G Elvey, Stephen    0   2   2   0  -2 (26, 22) Psalm: 79;
48-3 D G Crotch, William    2   2   1  -1   5 (36, 6) Psalm: 80; {original form}
48-4 D C Crotch, William   -8  -2  -2   2   2 (59, 2) Psalm: 81;
49-1 S A Nares, James    1  -3  -3   1  -3 (54, 1) Psalm: 82;
49-2 D E Matthews, Samuel    0  -2  -2   9  -2 (40, 4) Psalm: 83;
49-3 D E Goss, John    3  -2  -1  -2  -2 (56, 17) Psalm: 84;
49-4 D E Henley, Phocion   -2  -2   9  -2  -2 (56, 2) Psalm: 85;
50-1 S G Gibbons, Christopher    3  -7  -1   3   3 (52, 1) Psalm: Venite;
50-2 D g Attwood, Thomas   -7   2  -7   5   2 (11, 1) Psalm: 86(1-7);
50-3 D G Attwood, Thomas   -7   2  -7   5   2 (11, 1) Psalm: 86(8-end); {The above version of Attwood's major chant is slightly altered from the original in the disposition of its parts, &c.}
50-4 S G Walmisley, Thomas Attwood    3   2  -7   3  -1 (18, 2) Psalm: 87;
51-1 D g Clark, Richard    3  -3  -1   0   1 (35, 1) Psalm: 88;
51-2 D G Smith, John Stafford   -2  -1  -2  -2   2 (38, 7) Psalm: 89(1-36; Gloria);
51-3 D g Smith, John Stafford   -2  -2  -1  -2   2 (25, 8) Psalm: 89(37-end); {* The minor form of this chant may be by a later hand}
52-1 S E Wallace, William Vincent   -2  -1  -2   2   0 (18, 3) Psalm: Venite;
52-2 S a Croft, William   -2  -2  -1   8  -1 (69, 4) Psalm: 90(1-12);
52-3 S A Croft, William   -1  -2  -2   9  -2 (4, 7) Psalm: 90(13-end);
52-4 D E Robinson, John    5  -3  -2  -3   2 (88, -) Psalm: 91;
52-5 D E Russell, William    5  -1  -2  -2  -2 (49, 6) Psalm: 92;


******* Work in progress, more to follow *******