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Beethoven, Ludwig von (1770-1827)

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Index of chants and/or other music written by this composer that other composers have arranged for their own chant. For original chants by this composer refer to the general index of composers

Click here for an explanation of the conventions used in the listings
Click to go to: Single == Double == Triple == Quadruple == Quintuple == Sextuple == Octuple == Irregular chants
(If the link appears non-operative, there is no chant of that type by this composer)

		Fingerprint	Key	First note	References	Arranged by:	Comments
		===== Single chants =====
		-1  -2  -2  -3   3 (4, 1)	D♭	d"♭	225‑52‑178	Turle, James
		-1  -2  -2  -3   3 (4, 1)	E♭	e"♭	39‑77‑339	Turle, James
		-1  -2  -2  -3   3 (4, 1)	E♭	e"♭	99‑134‑250	Turle, James
		-1  -2  -2  -3   3 (4, 1)	E♭	e"♭	128‑49‑143	Turle, James
		5  -5   2   0   2 (11, 4)	B♭	f'	209‑18‑4	Caley, Robert Llewellyn	attributed to Beethoven, the double with the same first half (single) is usually attributed to Caley
		===== Double chants =====
		-4   7  -3  -9   5	A♭	c"	94‑1027‑1	Thomas, James
		-2   0   5  -2  -1 ( 1, 3)	A♭	c"	135‑28‑66♦	Corfe, Arthur Thomas
		-2   0   5  -2  -1 (16, 3)	C	e'	176‑82‑1	Stainer, John	Posted 2017-10-05 attributed to John Goss but this is Stainer's chant.
		-2   0   5  -2  -1 (16, 3)	D	f'#	4‑96‑3	Stainer, John
		-2   0   5  -2  -1 (16, 3)	D	f'#	5‑96‑3	Stainer, John
		-2   0   5  -2  -1 (16, 3)	D	f'#	8‑58‑331	Stainer, John
		-2   0   5  -2  -1 (16, 3)	D	f'#	23‑42‑125	Stainer, John
		-2   0   5  -2  -1 (16, 3)	D	f'#	64‑70‑284	Stainer, John	Listed as " From Beethoven", but other sources attribute this arrangement to Stainer.
		-2   0   5  -2  -1 (16, 3)	D	f'#	80‑24‑1	Stainer, John
		-2   0   5  -2  -1 (16, 3)	D	f'#	86‑21‑17	Stainer, John	Listed as "From Beethoven", other sources attribute to Stainer; Print error in bar 10: tenor should be C natural, not sharp.
		-2   0   5  -2  -1 (16, 3)	D	f'#	136‑122‑406♦	Stainer, John
		-2   0   5  -2  -1 (16, 3)	D	f'#	194‑34‑22‑b	Stainer, John	Listed as " From Beethoven", but other sources attribute this arrangement to Stainer.
		-2   0   5  -2  -1 (16, 3)	D♭	f'	5‑163‑1	Stainer, John
		-2   0   5  -2  -1 (16, 3)	D♭	f'	49‑41‑147	Stainer, John
		-2   0   5  -2  -1 (16, 3)	D♭	f'	52‑82‑78	Stainer, John
		-2   0   5  -2  -1 (16, 3)	D♭	f'	52‑190‑195	Stainer, John
		-2   0   5  -2  -1 (16, 3)	D♭	f'	81‑46‑2‑a	Stainer, John
		-2   0   5  -2  -1 (16, 3)	D♭	f'	200‑19‑5	Stainer, John
		-1   1   2  -7   0 (2, 2)	c#	c"#	135‑21‑45♦	Corfe, Arthur Thomas	quote: "adapted from Beethoven; now first published"
		-1   1   2  -7   0 (2, 2)	c#	c"#	175‑70‑45	Corfe, Arthur Thomas
		0   0   0   0   0 ( 1, 43)	C	g'	168‑22‑19	Gooch, Frederick	on a theme by Beethoven
		0   0   0   0   2 (38, 12)	a	e'	1‑110‑228	Goss, John
		0   0   0   0   2 (38, 12)	a	e'	13‑71‑259‑1	Goss, John
		0   0   0   0   2 (38, 12)	a	e'	97‑228‑141	Goss, John	two tenors
		0   0   0   0   2 (38, 12)	b♭	f'	99‑60‑117	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	19‑11‑16	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	22‑106‑436	Goss, John	After Beethoven (attribution to John Goss in Bemrose and Bennet and Marshall)
		0   0   0   0   2 (38, 12)	c	g'	24‑59‑209	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	24‑65‑232	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	25‑88‑37	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	29‑18‑43	Goss, John	After Beethoven (attribution to John Goss in Bemrose and Bennet and Marshall)
		0   0   0   0   2 (38, 12)	c	g'	30‑453‑248	Goss, John	Here referred to as "from Beethoven", but in the index of composers in the book it reads "adapted by Sir John Goss".
		0   0   0   0   2 (38, 12)	c	g'	39‑30‑145	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	40‑*‑90	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	42‑174‑305	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	45‑58‑211	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	45‑105‑368	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	45‑193‑699	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	57‑82‑67	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	66‑244‑24	Goss, John	attribution "Beethoven"
		0   0   0   0   2 (38, 12)	c	g'	67‑32‑224	Goss, John	After a theme by Beethoven
		0   0   0   0   2 (38, 12)	c	g'	71‑23‑129	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	76‑34‑49	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	77‑126‑734	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	79‑36‑157	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	128‑17‑52	Goss, John	alternative for no. 51
		0   0   0   0   2 (38, 12)	c	g'	135‑32‑77	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	136‑23‑75	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	138‑30‑99	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	164‑260‑367	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	175‑72‑120	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	189‑34‑1	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	189‑39‑2	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	200‑27‑3	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	200‑39‑2	Goss, John	alternative for chant page 38, no. 5
		0   0   0   0   2 (38, 12)	c	g'	214‑13‑97	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	220‑14‑10	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	225‑31‑94	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	225‑38‑119	Goss, John
		0   0   0   0   2 (38, 12)	c	g'	225‑69‑259	Goss, John
		0   0   0   0   2 (38, 12)	c#	g'#	81‑12‑3	Goss, John
		0   0   0   0   2 (38, 12)	d	a'	204‑4‑6	Goss, John
		0   0   0   0   3 ( 1, 7)	c	g'	38‑166‑104	Goss, John
		0   0   2   0   2 (10, 13)	C	g'	66‑244‑23	Anonymous	attribution "Beethoven"
		0   1   2   2  -4 ( 1, 1)	F	a'	161‑123‑2	Jones, Thomas Evance
		5  -5   2   0   2 (11, 4)	B♭	f'	42‑171‑292	Caley, Robert Llewellyn
		5  -5   2   0   2 (11, 4)	B♭	f'	57‑ B‑2	Caley, Robert Llewellyn
		5  -5   2   0   2 (11, 4)	B♭	f'	79‑38‑169	Caley, Robert Llewellyn	In this source listed as an anonymous arrangement from Beethoven. In other sources attributed to Caley.
		5  -5   2   0   2 (11, 4)	B♭	f'	105‑1‑2	Caley, Robert Llewellyn
		5  -5   2   0   2 (11, 4)	B♭	f'	105‑38‑1	Caley, Robert Llewellyn	In this source attributed to Beethoven. In other sources attributed to Caley, from Beethoven .
		5  -5   2   0   2 (11, 4)	B♭	f'	105‑54‑1	Caley, Robert Llewellyn	In this source attributed to Beethoven. In other sources attributed to Caley, from Beethoven.
		5  -5   2   0   2 ( 1, 4)	B♭	f'	135‑55‑147	Cayley, R. W.
		5  -5   2   0   2 (11, 4)	B♭	f'	164‑98‑192	Caley, Robert Llewellyn	In this source attributed to Beethoven. In other sources attributed to Caley, from Beethoven .
		5  -5   2   0   2 (11, 4)	B♭	f'	172‑108‑1	Caley, Robert Llewellyn	Posted 2013-08-06 From Beethoven
		5  -5   2   0   2 (11, 4)	C	g'	71‑23‑128	Caley, Robert Llewellyn	In this source listed as an anonymous arrangement from Beethoven. In other sources attributed to Caley
		5  -5   2   0   2 (11, 4)	C	g'	77‑122‑708	Caley, Robert Llewellyn	In this source listed as an anonymous arrangement from Beethoven. In other sources attributed to Caley
		5   4  -5   3  -3	C	g'	67‑72‑485	Cooper, Joseph Thomas