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| Index of chants and/or other music written by this composer that other composers have arranged for their own chant. For original chants by this composer refer to the general index of composers |
| Fingerprint | Key | First note |
References | Arranged by: | Comments | ||
| ===== Single chants ===== | |||||||
| -1 6 0 -2 4 | g | g' | 135‑64‑174♦ | Corfe, Arthur Thomas | |||
| 1 -8 1 4 -2 | D | c"# | 82‑3‑19 | Marlow, Richard Kenneth | after Händel: Messiah: Ev'ry valley shall be exalted | ||
| 1 2 2 5 -2 ( 1, 1) | F | e' | 82‑3‑22 | Marlow, Richard Kenneth | after Händel: Messiah: Worthy is the Lamb | ||
| 4 3 -2 -3 -3 | F | f' | 82‑3‑21 | Marlow, Richard Kenneth | after Händel: Messiah: Worthy is the Lamb | ||
| 5 -8 5 -9 5 ( 1, 1) | D | a' | 82‑3‑20 | Marlow, Richard Kenneth | after Händel: Messiah: Hallelujah! | ||
| ===== Double chants ===== | |||||||
| -7 2 1 2 -3 (2, -) | e | b' | 47‑14‑1 | Anonymous | |||
| -7 2 1 2 -3 (2, -) | e | b' | 172‑112‑5 | Anonymous | |||
| -4 -3 0 -1 1 | f# | c"# | 82‑12‑71 | Marlow, Richard Kenneth | after Händel: Messiah: How beautiful are the feet | ||
| -4 -3 8 -1 5 ( 1, 2) | c | g' | 82‑12‑70 | Marlow, Richard Kenneth | after Händel: Messiah: He was despised | ||
| -4 -1 1 7 -4 | E♭ | g' | 82‑11‑68 | Marlow, Richard Kenneth | after Händel: Messiah: He was despised | ||
| -3 1 2 -7 2 ( 1, 2) | D | a' | 176‑80‑1 | Attride, Tim | Posted 2017-10-05 | ||
| -3 1 2 -7 2 ( 1, 2) | E | b' | 13‑140‑397 | Pyne, James Kendrick | After Handel " See the conquering hero comes" from the oratorio Judas Maccabeus | ||
| -3 1 2 -7 5 | E♭ | b'♭ | 171‑18‑1 | Caldecote, Laurence | Posted 2012-04-24 After Händel " See the conquering hero comes" from the oratorio Judas Maccabeus | ||
| 0 1 2 -3 0 | E♭ | g' | 172‑112‑6 | Anonymous | |||
| 0 3 -2 0 -1 ( 1, 2) | E♭ | g' | 67‑17‑124 | Anonymous | |||
| 0 3 -2 0 -1 (2, 2) | E♭ | g' | 99‑131‑239 | Not specified | treble bar 8 is probably a copyist error: C should be B-flat as in other sources. | ||
| 0 3 -2 0 -1 (2, 2) | E♭ | g' | 116‑79‑130 | Not specified | |||
| 1 2 2 -2 -2 ( 1, 12) | A | g'# | 82‑13‑74 | Marlow, Richard Kenneth | after Händel: Messiah: Worthy is the Lamb | ||
| 1 2 2 -2 4 (4, 1) | D | f'# | 94‑640‑1 | Beckwith, John Christmas | |||
| 2 -7 8 -7 0 | E♭ | c" | 82‑12‑69 | Marlow, Richard Kenneth | after Händel: Messiah: He was despised | ||
| 2 0 2 -2 2 ( 1, 4) | E♭ | e'♭ | 82‑11‑67 | Marlow, Richard Kenneth | after Händel: Messiah: He was despised | ||
| 2 0 2 2 1 ( 1, 4) | D | d' | 82‑11‑66 | Marlow, Richard Kenneth | after Händel: Messiah: Ev'ry valley shal be exalted | ||
| 2 2 -2 3 -1 (24, 3) | F | f' | 1‑17‑52 | Knyvett, William | after Handel: "Joys in gentle strains appearing" from "Athalia" | ||
| 2 2 -2 3 -1 (24, 3) | F | f' | 13‑154‑425 | Knyvett, William | Although Bemrose credits the chant as adapted from a passage in Händels Oratorio "Theodora", it is after Händel: "Joys in gentle strains appearing" from "Athalia" | ||
| 2 2 -2 3 -1 (24, 3) | F | f' | 19‑19‑42 | Knyvett, William | after Händel: "Joys in gentle strains appearing" from "Athalia" | ||
| 2 2 -2 3 -1 (24, 3) | F | f' | 32‑35‑III‑5 | Knyvett, William | after Händel: "Joys in gentle strains appearing" from "Athalia" | ||
| 2 2 -2 3 -1 (24, 3) | F | f' | 47‑xi‑10 | Knyvett, William | after Händel: "Joys in gentle strains appearing" from "Athalia" | ||
| 2 2 -2 3 -1 (24, 3) | F | f' | 47‑2‑1 | Knyvett, William | after Händel: "Joys in gentle strains appearing" from "Athalia" | ||
| 2 2 -2 3 -1 (24, 3) | F | f' | 57‑35‑2 | Knyvett, William | after Händel: "Joys in gentle strains appearing" from "Athalia" | ||
| 2 2 -2 3 -1 (24, 3) | F | f' | 67‑32‑228 | Knyvett, William | after Händel: "Joys in gentle strains appearing" from "Athalia" | ||
| 2 2 -2 3 -1 (24, 3) | F | f' | 73‑252‑238 | Knyvett, William | after Händel: "Joys in gentle strains appearing" from "Athalia" | ||
| 2 2 -2 3 -1 (24, 3) | F | f' | 76‑34‑50 | Knyvett, William | |||
| 2 2 -2 3 -1 (24, 3) | F | f' | 79‑21‑60 | Knyvett, William | after Händel: "Joys in gentle strains appearing" from "Athalia" | ||
| 2 2 -2 3 -1 (24, 3) | F | f' | 116‑77‑124 | Knyvett, William | attributed to Handel, but this is Knyvett's arrangement of "Joys in gentle strains appearing" | ||
| 2 2 -2 3 -1 (24, 3) | F | f' | 135‑30‑71 | Knyvett, William | Athalia | ||
| 2 2 -2 3 -1 (24, 3) | F | f' | 189‑44‑3 | Knyvett, William | after Handel: "Joys in gentle strains appearing" from "Athalia" | ||
| 2 2 -2 3 -1 (24, 3) | F | f' | 214‑5‑50 | Knyvett, William | |||
| 2 2 -2 3 -1 (24, 3) | G | g' | 24‑80‑292 | Knyvett, William | after Händel: "Joys in gentle strains appearing" from "Athalia" | ||
| 2 2 -2 3 -1 (24, 3) | G | g' | 29‑57‑128 | Knyvett, William | after Händel: "Joys in gentle strains appearing" from "Athalia" | ||
| 2 2 -2 3 -1 (24, 3) | G | g' | 40‑*‑77 | Knyvett, William | after Händel: "Joys in gentle strains appearing" from "Athalia" | ||
| 2 2 -2 3 -1 (24, 3) | G | g' | 47‑114‑1 | Knyvett, William | after Händel: "Joys in gentle strains appearing" from "Athalia" | ||
| 2 2 -2 3 -1 (24, 3) | G | g' | 93‑90‑27‑a | Knyvett, William | |||
| 2 2 -2 3 -1 (24, 3) | G | g' | 97‑211‑74 | Knyvett, William | Adapted from Handel (Athalia), refer to no. 73 | ||
| 2 2 -2 3 -1 (24, 3) | G | g' | 136‑15‑49 | Knyvett, William | |||
| 2 2 -2 3 -1 (24, 3) | G | g' | 172‑112‑1 | Knyvett, William | Posted 2013-08-06 after Händel: "Joys in gentle strains appearing" from "Athalia" | ||
| 2 2 1 -1 3 (2, 4) | E | e' | 136‑118‑389 | Marks, James Christopher | after Händel: "Where'er you walk" from "Semele" | ||
| 2 2 1 -1 3 (2, 4) | E♭ | e'♭ | 172‑112‑2 | Marks, James Christopher | after Händel: "Where'er you walk" from "Semele" | ||
| 2 2 1 -1 3 (2, 4) | G | g' | 186‑21‑25 | Meijer, Ton | after "Where e'er you walk" from Semele; with suggestions from Neville Richards | ||
| 2 2 1 -1 3 (2, 4) | G | g' | 187‑2‑1 | Meijer, Ton | Posted 26-2-2021; after Handel "Where'er you walk" from Semele | ||
| 2 2 1 -1 4 (5, -) | d | f' | 94‑639‑1 | Beckwith, John Christmas | |||
| 2 2 1 0 -1 ( 1, 18) | F | f' | 82‑12‑72 | Marlow, Richard Kenneth | after Händel: Messiah: Hallelujah! | ||
| 2 2 1 2 0 (4, 6) | E | e' | 97‑211‑75 | Heathcote, Gilbert | Adapted from Handel (Solomon), refer to no. 73 | ||
| 2 2 1 2 0 (4, 6) | E | e' | 135‑19‑38 | Heathcote, Gilbert | after Handel's Solomon; attributed to Rev. W. Heathcote, Archdeacon of Winchester, died 1829. Apparently an error, should be G. Heathcote (indeed Archdeacon of Winchester and died in 1829) | ||
| 4 -2 -2 0 2 ( 1, 1) | C | c" | 114‑27‑1 | Anonymous | attribution "Arranged from Handel"; assumed to be by Loder | ||
| 4 -2 3 -1 5 (11, 3) | F | f' | 7‑20‑31 | Knyvett, William | |||
| 4 -2 3 -1 5 (11, 3) | F | f' | 8‑8‑38 | Knyvett, William | |||
| 4 -2 3 -1 5 (11, 3) | F | f' | 16‑5‑7 | Knyvett, William | |||
| 4 -2 3 -1 5 (11, 3) | F | f' | 23‑29‑85 | Knyvett, William | |||
| 4 -2 3 -1 5 (11, 3) | F | f' | 38‑89‑63 | Knyvett, William | |||
| 4 -2 3 -1 5 (11, 3) | F | f' | 55‑26‑52 | Knyvett, William | after Händel: "Joys in gentle strains appearing" from "Athalia" | ||
| 4 -2 3 -1 5 (11, 3) | F | f' | 101‑27‑57 | Knyvett, William | |||
| 4 -2 3 -1 5 (11, 3) | F | f' | 106‑15‑20 | Knyvett, William | |||
| 4 -2 3 -1 5 (11, 3) | G | g' | 30‑507‑302 | Knyvett, William | |||
| 4 -2 3 -1 5 (11, 3) | G | g' | 42‑174‑306 | Knyvett, William | after Händel: "Joys in gentle strains appearing" from "Athalia" | ||
| 4 0 5 -9 5 | e | g' | 135‑22‑48♦ | Corfe, Arthur Thomas | |||
| 4 1 -1 0 1 | A | e' | 82‑12‑73 | Marlow, Richard Kenneth | after Händel: Messiah: Worthy is the Lamb | ||
| 4 1 2 0 2 (6, 14) | D | d' | 214‑10‑81 | Elvey, Stephen | |||
| 4 1 2 0 2 (3, 14) | E | e' | 39‑132‑565 | Goss, John | afterHändel: "What though I trace" from "Solomon" | ||
| 4 1 2 0 2 (3, 14) | E | e' | 57‑ I‑3 | Goss, John | after Händel: "What though I trace" from "Solomon" | ||
| 4 1 2 0 2 (6, 14) | E | e' | 106‑30‑35‑a | Elvey, Stephen | |||
| 4 1 2 0 2 (6, 14) | E | e' | 106‑30‑35‑b | Elvey, Stephen | as no. 35-a, with optional anticipations treble/alto in bar 6 | ||
| 4 1 2 0 2 (3, 14) | E | e' | 172‑112‑3 | Goss, John | after Händel: "What though I trace" from "Solomon" | ||
| 4 1 2 0 2 ( 1, 14) | E | e' | 172‑114‑1 | Anonymous | Posted 2014-05-21 From Händel ("What though I trace" from "Solomon") | ||
| 4 1 2 0 2 ( 1, 14) | E♭ | e'♭ | 168‑17‑14 | Gooch, Frederick | melody taken from "What tho' I trace" (Solomon) | ||
| 4 1 2 2 -4 | E | e' | 172‑112‑4 | Corfe, Arthur Thomas | |||
| 5 -8 -2 -2 9 (2, -) | E | b' | 57‑ I‑4 | Anonymous | after Händel: "I know that my Redeemer liveth" from "The Messiah" | ||
| 5 -8 -2 -2 9 (2, -) | E | b' | 172‑114‑2 | Anonymous | after Händel: "I know that my Redeemer liveth" from "The Messiah" | ||
| 5 4 0 -2 0 ( 1, 1) | A | e' | 82‑13‑75 | Marlow, Richard Kenneth | after Händel: Messiah: Worthy is the Lamb | ||