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Luther, Martin (1483-1546)
Click here for biographical information.
Additional information: Composer of the Hymn "Ein feste Burg is unser Gott" (after Psalm 46). Several chants are based on the melody of this hymn. They are indexed under the chantname "Luther"
 
Index of chants and/or other music written by this composer that other composers have arranged for their own chant.
For original chants by this composer refer to the general index of composers

Click here for an explanation of the conventions used in the listings
Click to go to: Single == Double == Triple == Quadruple == Quintuple == Sextuple == Octuple == Irregular chants
(If the link appears non-operative, there is no chant of that type by this composer)

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References Arranged by: Comments
   ===== Double chants =====
      -7   7   1   2  -2 a b' 14130‑1Winter, ChristiaanAfter Luther - Aus Tiefer Not
       0   0  -5   4   1 (37, 1)  C c" 5126‑2Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 782‑97‑1Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 782‑97‑2Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 822‑127Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 1446‑1Anonymousoften attributed to John Goss, see Facebook discussion
Attributed to Christiaan Winter, but this is the standard (anonymous) version; descant probably by Sydney Nicholson.
       0   0  -5   4   1 (37, 1)  C c" 1690‑98Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 1691‑99Anonymoussecond half melody in alto; often attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 17740‑695Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 1880‑46Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 18269‑144Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 20*‑S-‑283Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 2331‑92Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 2710‑46Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 281‑1Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 2876‑204Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 2887‑239Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 30535‑330Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 ( 1, 1)  C c" 3425‑1Smart, JasonUpdated 2015-01-06; often attributed to John Goss, see Facebook discussion
Descant for second half by Jason Smart. Verse 7 starts at second half of the chant.
       0   0  -5   4   1 (37, 1)  C c" 34390‑1AnonymousPosted 2015-01-06
With anonymous descant for the second half, posted in the comments on Jason Smart's descant (no. 38).
       0   0  -5   4   1 (37, 1)  C c" 34689‑1AnonymousPosted 2017-10-29
       0   0  -5   4   1 (37, 1)  C c" 3656‑144Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 40*‑75Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 47vii‑15‑1Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 4734‑3Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 4745‑1Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 4935‑129Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 5129‑109Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 5240‑37Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 5265‑59Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 5380‑66‑aAnonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 5380‑66‑bAnonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 53266‑213Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 5583‑121‑1AnonymousArranged from Luther Ein Fester Burg; often attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 5583‑121‑2AnonymousSame as no. 121, second half anonymous descant.
       0   0  -5   4   1 (37, 1)  C c" 775‑25Anonymoussetting 9
Arranged from Luther Ein Fester Burg; often attributed to John Goss, ref https://www.facebook.com/photo.php?fbid=10208181399611953&set=gm.1614558741897543&type=3&theater&ifg=1
       0   0  -5   4   1 (37, 1)  C c" 7734‑200Anonymouspairing with Psalm 46 on page 18
Arranged from Luther Ein Fester Burg; often attributed to John Goss, ref https://www.facebook.com/photo.php?fbid=10208181399611953&set=gm.1614558741897543&type=3&theater&ifg=1
       0   0  -5   4   1 (37, 1)  C c" 7743‑261Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 7755‑312Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 7787‑485Anonymouspairing with Psalm 46 on page 84
Arranged from Luther Ein Fester Burg; often attributed to John Goss, ref https://www.facebook.com/photo.php?fbid=10208181399611953&set=gm.1614558741897543&type=3&theater&ifg=1
       0   0  -5   4   1 (37, 1)  C c" 8119‑1‑aAnonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 8119‑1‑bAnonymousSame as no. 1a, with descant (by John Bertalot?) for vs. 7, which is sung to the 2nd half.
       0   0  -5   4   1 (37, 1)  C c" 8374‑46Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  C c" 9410‑1Anonymous
       0   0  -5   4   1 (37, 1)  C c" 9410‑3Anonymous
       0   0  -5   4   1 (37, 1)  C c" 9547‑174Anonymous
       0   0  -5   4   1 (37, 1)  C c" 11126‑97Anonymous
       0   0  -5   4   1 (37, 1)  C c" 13258‑46Anonymous
       0   0  -5   4   1 (37, 1)  C c" 13817‑50Anonymous
       0   0  -5   4   1 (37, 1)  C c" 15347‑257‑aAnonymous
       0   0  -5   4   1 (37, 1)  C c" 16067‑46Anonymous
       0   0  -5   4   1 (37, 1)  D d" 987‑1‑aAnonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  D d" 987‑1‑bAnonymousDescant second half for vss 7 and 11
       0   0  -5   4   1 (37, 1)  D d" 7136‑204AnonymousArranged from Luther Ein Fester Burg; often attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  D d" 9410‑2‑aAnonymous
       0   0  -5   4   1 (37, 1)  D d" 1102‑3Anonymous
       0   0  -5   4   1 (37, 1)  D d" 13078‑46Anonymous
       0   0  -5   4   1 (37, 1)  D d" 16219‑3Anonymousoften attributed to John Goss, see Facebook discussion
       0   0  -5   4   1 (37, 1)  D♭ d"♭ 5037‑132Anonymousoften attributed to John Goss, see Facebook discussion