| Click here for biographical information. |
| Additional information: Composer of the Hymn "Ein feste Burg is unser Gott" (after Psalm 46). Several chants are based on the melody of this hymn. They are indexed under the chantname "Luther" |
| Index of chants and/or other music written by this composer that other composers have arranged for their own chant. For original chants by this composer refer to the general index of composers |
| Fingerprint | Key | First note |
References | Arranged by: | Comments | ||
| ===== Double chants ===== | |||||||
| -7 7 1 2 -2 | a | b' | 14‑130‑1 | Anonymous | After Luther - Aus Tiefer Not | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 5‑126‑2 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 7‑82‑97‑1 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 7‑82‑97‑2 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 8‑22‑127 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 14‑46‑1 | Anonymous | often attributed to John Goss, see Facebook discussion Attributed to Christiaan Winter, but this is the standard (anonymous) version; descant probably by Sydney Nicholson. | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 16‑90‑98 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 16‑91‑99 | Anonymous | second half melody in alto; often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 17‑740‑695 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 18‑80‑46 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 18‑269‑144 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 20‑*‑S-‑283 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 23‑31‑92 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 27‑10‑46‑a | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 27‑10‑46‑b | Anonymous | Descant by Wulstan; vv. 7 & 11 on 2nd half | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 28‑1‑1 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 28‑76‑204 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 28‑87‑239 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 30‑535‑330 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 36‑56‑144 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 40‑*‑75 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 47‑vii‑15‑1 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 47‑34‑3 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 47‑45‑1 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 49‑35‑129 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 51‑29‑109 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 52‑40‑37 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 52‑65‑59 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 53‑80‑66‑a | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 53‑80‑66‑b | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 53‑266‑213 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 55‑83‑121‑1 | Anonymous | Arranged from Luther Ein Fester Burg; often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 55‑83‑121‑2 | Anonymous | Same as no. 121-1 (11258), second half anonymous descant. | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 77‑5‑25 | Anonymous | Arranged from Luther Ein Fester Burg; often attributed to John Goss, ref https://www.facebook.com/photo.php?fbid=10208181399611953&set=gm.1614558741897543&type=3&theater&ifg=1 | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 77‑34‑200 | Anonymous | Arranged from Luther Ein Fester Burg; often attributed to John Goss, ref https://www.facebook.com/photo.php?fbid=10208181399611953&set=gm.1614558741897543&type=3&theater&ifg=1 | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 77‑43‑261 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 77‑55‑312 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 77‑87‑485 | Anonymous | Arranged from Luther Ein Fester Burg; often attributed to John Goss, ref https://www.facebook.com/photo.php?fbid=10208181399611953&set=gm.1614558741897543&type=3&theater&ifg=1 | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 81‑19‑1‑a | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 81‑19‑1‑b | Anonymous | Same as no. 1-a (16647), with descant (by John Bertalot?) for vs. 7, which is sung to the 2nd half. | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 83‑74‑46 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 94‑10‑1 | Anonymous | |||
| 0 0 -5 4 1 (54, 2) | C | c" | 94‑10‑3 | Anonymous | |||
| 0 0 -5 4 1 (54, 2) | C | c" | 95‑47‑174 | Anonymous | |||
| 0 0 -5 4 1 (54, 2) | C | c" | 111‑26‑97 | Anonymous | |||
| 0 0 -5 4 1 (54, 2) | C | c" | 129‑16‑I‑53 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 131‑227‑3 | Anonymous | Portsmouth - 5th June 2019 | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 132‑58‑46 | Anonymous | |||
| 0 0 -5 4 1 (54, 2) | C | c" | 138‑17‑50 | Anonymous | |||
| 0 0 -5 4 1 (54, 2) | C | c" | 139‑9‑46‑a | Anonymous | |||
| 0 0 -5 4 1 ( 1, 2) | C | c" | 139‑9‑46‑b | Wulstan, David | Descant by Wulstan; vv. 7 & 11 on 2nd half | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 144‑109‑264 | Anonymous | |||
| 0 0 -5 4 1 (54, 2) | C | c" | 150‑19‑58 | Anonymous | |||
| 0 0 -5 4 1 (54, 2) | C | c" | 153‑47‑257‑a | Anonymous | |||
| 0 0 -5 4 1 (54, 2) | C | c" | 154‑1‑2 | Anonymous | |||
| 0 0 -5 4 1 (54, 2) | C | c" | 160‑67‑46 | Anonymous | |||
| 0 0 -5 4 1 (2, 2) | C | c" | 171‑25‑1 | Smart, Jason | Posted 2015-01-06 Descant for second half by Jason Smart. Verse 7 starts at second half of the chant. | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 174‑3‑1 | Anonymous | Posted 2015-01-06
With anonymous descant for the second half, posted in the comments on Jason Smart's descant (no. 38). | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 176‑92‑1 | Anonymous | Posted 2017-10-29 | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 179‑15‑83 | Anonymous | |||
| 0 0 -5 4 1 (54, 2) | C | c" | 180‑2‑1 | Anonymous | |||
| 0 0 -5 4 1 (2, 2) | C | c" | 180‑2‑2 | Smart, Jason | arrangement of the original anonymus setting after Luther; vs. 7 starts at the second half | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 194‑78‑46 | Anonymous | often attributed to John Goss | ||
| 0 0 -5 4 1 (54, 2) | C | c" | 217‑15‑3 | Anonymous | |||
| 0 0 -5 4 1 (54, 2) | C | c" | 217‑25‑1 | Anonymous | |||
| 0 0 -5 4 1 (54, 2) | D | d" | 9‑87‑1‑a | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | D | d" | 9‑87‑1‑b | Anonymous | Descant second half for vss 7 and 11 | ||
| 0 0 -5 4 1 (54, 2) | D | d" | 71‑36‑204 | Anonymous | Arranged from Luther Ein Fester Burg; often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | D | d" | 94‑10‑2‑a | Anonymous | |||
| 0 0 -5 4 1 (54, 2) | D | d" | 110‑2‑3 | Anonymous | |||
| 0 0 -5 4 1 (54, 2) | D | d" | 130‑78‑46 | Anonymous | |||
| 0 0 -5 4 1 (54, 2) | D | d" | 154‑55‑1 | Anonymous | |||
| 0 0 -5 4 1 (54, 2) | D | d" | 162‑19‑3 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | D | d" | 163‑20‑64 | Anonymous | |||
| 0 0 -5 4 1 (54, 2) | D | d" | 182‑3‑5 | Anonymous | |||
| 0 0 -5 4 1 (54, 2) | D♭ | d"♭ | 34‑48‑II‑227 | Anonymous | |||
| 0 0 -5 4 1 (54, 2) | D♭ | d"♭ | 50‑37‑132 | Anonymous | often attributed to John Goss, see Facebook discussion | ||
| 0 0 -5 4 1 (54, 2) | D♭ | d"♭ | 178‑20‑77 | Anonymous | |||
| 0 0 -5 4 1 (54, 2) | D♭ | d"♭ | 223‑18‑4 | Anonymous | |||
| ===== Quadruple chants ===== | |||||||
| -1 -2 -2 2 -2 ( 1, 12) | C | c" | 217‑25‑2‑a | Dowden, James | |||
| -1 -2 -2 2 -2 ( 1, 12) | C | c" | 217‑25‑2‑b | Dowden, James | |||