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Gregorian
Link for biographical information not available
Additional information: There are no "original" Gregorian chants, but many chants are arrangements of Gregorian tones. They are listed under the name of the composer or as "Anonymous". In such cases "Gregorian" is listed as the original composer. An overview of all chants with Gregorian roots can be found in the index of original composer under Gregorian.
 
Index of chants and/or other music written by this composer that other composers have arranged for their own chant.
For original chants by this composer refer to the general index of composers
Click here for an explanation of the conventions used in the listings

Click to go to: Single == Double == Triple == Quadruple == Quintuple == Octuple == Irregular chants
(If the link appears non-operative, there is no chant of that type by this composer)

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References Arranged by: Comments
   ===== Single chants =====
      -3   0   7  -7   2 e g' 334‑88AnonymousGregorian melody in tenor
      -2   0   2   0  -4 E♭ g' 59159‑119Mason, Lowell*
      -2   2   2  -2  -2 a a' 1956‑163Anonymous
      -2   2   2  -2  -2 a a' 3232‑I‑3‑bAnonymous*
      -2   2   2  -2  -2 a a' 3248‑I‑1‑bAnonymous
      -2   2   2  -2  -2 a a' 3267‑I‑1‑bAnonymous*
      -2   2   2  -2  -2 a a' 3283‑I‑2‑bAnonymous*
      -2   2   2  -2  -2 a a' 32102‑I‑2‑bAnonymous*
      -2   2   2  -2  -2 a a' 32128‑I‑2‑bAnonymous*
      -2   2   2  -2  -2 a a' 32140‑I‑2‑bAnonymous*
      -2   2   2  -2  -2 C a' 3235‑I‑7‑bAnonymous
      -2   2   2  -2  -2 C a' 3236‑I‑1‑bAnonymousMerbecke
      -2   2   2  -2  -2 C a' 3243‑I‑2‑bAnonymous
      -2   2   2  -2  -2 C a' 3252‑I‑2‑bAnonymous
      -2   2   2  -2  -2 C a' 32101‑I‑2‑bAnonymous*
      -2   2   2  -2  -2 C a' 32122‑I‑1‑bAnonymous*
      -2   2   2  -2  -2 C a' 32143‑I‑1‑bAnonymous*
      -2   2   2  -2  -2 C a' 32156‑I‑1‑bAnonymous*
      -2   2   2  -2  -2 C a' 32174‑1‑bAnonymousAsh-Wednesday (evening)
      -2   2   2  -2   0 a a' 30427‑213AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
      -2   2   2  -2   0 a a' 30428‑214AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
      -2   2   2  -2   0 a a' 30428‑215AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
      -2   2   2  -2   0 a a' 3232‑I‑3‑aAnonymous
      -2   2   2  -2   0 a a' 3248‑I‑1‑aAnonymous
      -2   2   2  -2   0 a a' 3267‑I‑1‑aAnonymous*
      -2   2   2  -2   0 a a' 3281‑I‑2‑aAnonymous*
      -2   2   2  -2   0 a a' 3281‑I‑2‑bAnonymous*
      -2   2   2  -2   0 a a' 3283‑I‑2‑aAnonymous*
      -2   2   2  -2   0 a a' 32102‑I‑2‑aAnonymous*
      -2   2   2  -2   0 a a' 32128‑I‑2‑aAnonymous*
      -2   2   2  -2   0 a a' 32140‑I‑2‑aAnonymous
      -2   2   2  -2   0 a a' 32146‑I‑2‑aAnonymous*
      -2   2   2  -2   0 a a' 32146‑I‑2‑bAnonymous*
      -2   2   2  -2   0 C a' 3235‑I‑7‑aAnonymous
      -2   2   2  -2   0 C a' 3236‑I‑1‑aAnonymousMerbecke
      -2   2   2  -2   0 C a' 3243‑I‑2‑aAnonymous
      -2   2   2  -2   0 C a' 3252‑I‑2‑aAnonymous
      -2   2   2  -2   0 C a' 32101‑I‑2‑aAnonymous*
      -2   2   2  -2   0 C a' 32122‑I‑1‑aAnonymous*
      -2   2   2  -2   0 C a' 32143‑I‑1‑aAnonymous*
      -2   2   2  -2   0 C a' 32156‑I‑1‑aAnonymous*
      -2   2   2  -2   0 C a' 32174‑1‑aAnonymousAsh-Wednesday (evening)
      -2   2   2  -2   0 C a' 6771‑477Vincent, Charles John Sr.arranged and harmonised by Charles Vincent
      -2   3  -1  -2  -2 c# g'# 62101‑33AnonymousSet A
      -2   3  -1  -2  -2 d a' 2811‑31AnonymousUnison; Organ parts as per no. 162 may be used
      -2   3  -1  -2  -2 d a' 2861‑162‑aAnonymousVoices in unison, but four different harmonizations
      -2   3  -1  -2  -2 d a' 2861‑162‑bAnonymousVoices in unison, but four different harmonizations
      -2   3  -1  -2  -2 d a' 2861‑162‑cAnonymousVoices in unison, but four different harmonizations
      -2   3  -1  -2  -2 d a' 2861‑162‑dAnonymousVoices in unison, but four different harmonizations
      -2   3  -1  -2  -2 d a' 28116‑314‑aAnonymousVoices in unison, but four different harmonizations
      -2   3  -1  -2  -2 d a' 28116‑314‑bAnonymousVoices in unison, but four different harmonizations
      -2   3  -1  -2  -2 d a' 28116‑314‑cAnonymousVoices in unison, but four different harmonizations
      -2   3  -1  -2  -2 d a' 28116‑314‑dAnonymousVoices in unison, but four different harmonizations
      -2   3  -1  -2  -2 d a' 3227‑I‑1Anonymous
      -2   3  -1  -2  -2 d a' 3234‑I‑3Anonymous
      -2   3  -1  -2  -2 d a' 3258‑I‑2Anonymous
      -2   3  -1  -2  -2 d a' 3282‑I‑1Anonymous*
      -2   3  -1  -2  -2 d a' 32129‑I‑3Anonymous*
      -2   3  -1  -2  -2 d a' 32136‑I‑1Anonymous*
      -2   3  -1  -2  -2 d a' 32140‑I‑1Anonymous*
      -2   3  -1  -2  -2 d a' 32153‑I‑2Anonymous*
      -2   3  -1  -2  -2 d a' 32184‑I‑1AnonymousEaster-Day (evening)
      -2   3  -1  -2  -2 d a' 7925‑85Cooper, Joseph ThomasHarmonised by Cooper
      -2   3  -1  -2  -2 d a' 8524‑15Anonymous*
      -2   3  -1  -2  -2 e b' 486‑1Anonymous*
      -2   3  -1  -2  -2 e b' 4130‑1Anonymous*
      -2   3  -1  -2  -2 e b' 586‑1Anonymous*
      -2   3  -1  -2  -2 e b' 5152‑1Anonymous*
      -2   3  -1  -2  -2 e b' 7182‑186Anonymous*
      -2   3  -1  -2  -2 e b' 851‑286AnonymousUnison
      -2   3  -1  -2  -2 e b' 1154‑114Anonymous*
      -2   3  -1  -2  -2 e b' 14114‑1Anonymousharmony by Christiaan Winter
      -2   3  -1  -2  -2 e b' 18210‑114Anonymous*
      -2   3  -1  -2  -2 e b' 22107‑442Anonymous*
      -2   3  -1  -2  -2 e b' 22123‑554Anonymous*
      -2   3  -1  -2  -2 e b' 2371‑212Anonymous*
      -2   3  -1  -2  -2 e b' 2725‑114Wulstan, DavidArranged by David Wulstan For vss. 5-6 arrangement for boys only Gloria to end with major chord (add g-sharp)
      -2   3  -1  -2  -2 e b' 3831‑23Anonymous*
      -2   3  -1  -2  -2 e b' 39110‑464Anonymous*
      -2   3  -1  -2  -2 e b' 40*‑51Anonymous*
      -2   3  -1  -2  -2 e b' 45134‑470Anonymous*
      -2   3  -1  -2  -2 e b' 45232‑839Anonymous*
      -2   3  -1  -2  -2 e b' 4917‑66AnonymousMay be sung in unison
      -2   3  -1  -2  -2 e b' 4963‑218AnonymousMay be sung in unison
      -2   3  -1  -2  -2 e b' 5017‑66AnonymousMay be sung in unison
      -2   3  -1  -2  -2 e b' 5069‑229Anonymousin unison
      -2   3  -1  -2  -2 e b' 5165‑219AnonymousIn unison
      -2   3  -1  -2  -2 e b' 5191‑306AnonymousTo be sung in unison
      -2   3  -1  -2  -2 e b' 52156‑152Anonymous*
      -2   3  -1  -2  -2 e b' 53202‑162AnonymousUnison throughout
      -2   3  -1  -2  -2 e b' 55159‑189Anonymous*
      -2   3  -1  -2  -2 e b' 6462‑249Anonymous*
      -2   3  -1  -2  -2 e b' 6488‑357Anonymous*
      -2   3  -1  -2  -2 e b' 6771‑482Vincent, Charles John Sr.arranged and harmonised by Charles Vincent
      -2   3  -1  -2  -2 e b' 7113‑55Anonymous*
      -2   3  -1  -2  -2 e b' 72161‑114‑aAnonymousAlternative to 114b. Adapted, unison
      -2   3  -1  -2  -2 e b' 7736‑212AnonymousUnison
      -2   3  -1  -2  -2 e b' 77103‑573AnonymousUnison
      -2   3  -1  -2  -2 e b' 8149‑1AnonymousUnison, no harmony provided
      -2   3  -1  -2  -2 e b' 9422‑2Anonymous*
      -2   3  -1  -2  -2 f c" 9230‑1Willcocks, David ValentineHarmony by David Willcocks
      -2   3  -1  -2  -2 f c" 5096‑320Anonymous*
      -2   3  -1  -2  -2 f c" 9422‑1Willcocks, David ValentineHarmonised by Willcocks;
From King's College Chant Book
      -2   3  -1  -2  -2 f# c"# 3975‑327Anonymous*
      -2   3  -1  -2  -2 f# c"# 5740‑2Anonymous*
       0  -2   2  -4   2 G b' 87*‑316Wilkes, Roger*
       0  -2   2  -4   4 C a' 3220‑I‑2Anonymous*
       0  -2   2  -4   4 C a' 3235‑I‑4Anonymous
       0  -2   2  -4   4 C a' 3246‑I‑1Anonymous
       0  -2   2  -4   4 C a' 3248‑I‑3Anonymous*
       0  -2   2  -4   4 C a' 3265‑I‑2Anonymous*
       0  -2   2  -4   4 C a' 3290‑I‑1Anonymous*
       0  -2   2  -4   4 C a' 3291‑I‑3Anonymous*
       0  -2   2  -4   4 C a' 32104‑I‑4Anonymous*
       0  -2   2  -4   4 C a' 32130‑I‑2Anonymous*
       0  -2   2  -4   4 C a' 32148‑I‑1Anonymous*
       0  -2   2  -4   4 F a' 30432‑222AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       0  -2   2  -4   4 F a' 42180‑337Anonymousunison
       0  -2   2  -4   4 F a' 6771‑479Vincent, Charles John Sr.arranged and harmonised by Charles Vincent
       0  -2   2   0  -4 B♭ d" 97201‑1‑1Anonymous6th tone
       0  -2   2   0  -4 E a'♭ 6299‑21AnonymousSet A
       0  -2   2   0  -4 E a'♭ 62101‑37AnonymousSet A
       0  -2   2   0  -4 F a' 77119‑692AnonymousUnison
       0  -2   2   0  -4 G b' 469‑2Anonymous*
       0  -2   2   0  -4 G b' 569‑2Anonymous*
       0  -2   2   0  -4 G b' 12816‑39Anonymous*
       0  -2   2   0  -4 G b' 197‑2Anonymous*
       0  -2   2   0  -4 G b' 1938‑98Anonymous*
       0  -2   2   0  -4 G b' 21254‑8Anonymous*
       0  -2   2   0  -4 G b' 2252‑157Anonymous*
       0  -2   2   0  -4 G b' 2283‑277Anonymous*
       0  -2   2   0  -4 G b' 4626‑60Anonymous*
       0  -2   2   0  -4 G b' 47x‑2‑2Anonymous*
       0  -2   2   0  -4 G b' 478‑3Anonymous*
       0  -2   2   0  -4 G b' 4749‑1Anonymous*
       0  -2   2   0  -4 G b' 4784‑2Anonymous*
       0  -2   2   0  -4 G b' 5739‑1Anonymous
       0  -2   2   0  -4 G b' 5740‑4Anonymous*
       0  -2   2   0  -4 G b' 7113‑48Anonymous
       0  -2   2   0  -4 G b' 8610‑7‑aAnonymous*
       0  -2   2   0  -2 d a' 30423‑204AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       0  -2   2   0  -2 d a' 30424‑206AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       0  -2   2   0  -2 d a' 34457‑1AnonymousPosted 2015-09-21
       0  -2   2   0  -2 d a' 7112‑41Anonymous
       0  -2   2   0  -2 d a' 7112‑42Anonymous
       0  -2   2   0  -2 d a' 77119‑686AnonymousUnison
       0  -2   2   0  -2 d a' 77119‑687AnonymousUnison
       0  -2   2   0  -2 d a' 87*‑321Wilkes, Roger*
       0  -2   2   0  -2 d a' 88221‑168AnonymousUnison; for Good Friday; as no. 167 with another ending
       0  -2   2   0  -2 E♭ g' 77119‑685AnonymousUnison
       0  -2   2   0  -2 F a' 1348‑188Tallis, Thomas *
       0  -2   2   0  -2 F a' 6297‑7AnonymousSet A;
       0  -2   2   0  -2 F a' 7112‑35Anonymous
       0  -2   2   0  -2 F a' 7112‑36Tallis, Thomas after Gregorian
       0  -2   2   0  -2 F a' 7112‑40Anonymous
       0  -2   2   0  -2 F a' 97201‑6Anonymous1st tone, 4th ending
       0  -2   2   0  -2 G b' 334‑90AnonymousGregorian melody in treble
       0  -2   2   0  -2 G b' 335‑91AnonymousGregorian melody in unison voices, obligato organ setting
       0  -2   2   0  -2 g d" 97201‑1‑2Anonymous*
       0  -1   1   0  -1 e g' 7112‑43AnonymousPlainsong in tenor
       0  -1   1   0  -1 G g' 7112‑37AnonymousPlainsong in tenor
       0   0   2  -2  -3 B♭ a'# 1956‑161Anonymous
       0   0   2  -2  -3 C c" 3233‑I‑4‑bAnonymous
       0   0   2  -2  -3 C c" 3250‑I‑1‑bAnonymous
       0   0   2  -2  -3 C c" 3254‑I‑1‑bAnonymous
       0   0   2  -2  -3 C c" 3266‑I‑3‑bAnonymous*
       0   0   2  -2  -3 C c" 3285‑I‑2‑bAnonymous*
       0   0   2  -2  -3 C c" 3293‑I‑2‑bAnonymous*
       0   0   2  -2  -3 C c" 32109‑I‑2‑bAnonymous*
       0   0   2  -2  -3 C c" 32120‑I‑1‑bAnonymous*
       0   0   2  -2  -3 C c" 32160‑I‑2‑bAnonymous*
       0   0   2  -2  -3 C c" 32166‑I‑1‑bAnonymousChristmas Day (morning)
       0   0   2  -2  -3 C c" 32167‑I‑3‑bAnonymousChristmas Day (morning)
       0   0   2  -2  -3 C c" 32183‑I‑3‑bAnonymousEaster-Day (morning)
       0   0   2  -2  -3 C c" 32191‑I‑2‑bAnonymousWhit-Sunday (morning)
       0   0   2  -2  -1 A a' 87*‑319Wilkes, Roger*
       0   0   2  -2  -1 C c" 3230‑I‑2‑bAnonymous*
       0   0   2  -2  -1 C c" 3255‑I‑3‑bAnonymous
       0   0   2  -2  -1 C c" 3276‑I‑2‑bAnonymous*
       0   0   2  -2  -1 C c" 3292‑I‑1‑bAnonymous*
       0   0   2  -2  -1 C c" 32111‑I‑2‑bAnonymous*
       0   0   2  -2  -1 C c" 32117‑I‑1‑bAnonymous*
       0   0   2  -2  -1 C c" 32124‑I‑1‑bAnonymous*
       0   0   2  -2  -1 C c" 32158‑I‑2‑bAnonymous*
       0   0   2  -2  -1 C c" 32166‑I‑2‑bAnonymousChristmas Day (morning)
       0   0   2  -2  -1 C c" 32192‑I‑1‑bAnonymousWhit-Sunday (evening)
       0   0   2  -2  -1 C c" 32193‑I‑3‑bAnonymousWhit-Sunday (evening)
       0   0   2  -2  -1 C c" 32194‑I‑1‑bAnonymous20th June
       0   0   2  -2   0 A a' 30424‑207AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       0   0   2  -2   0 A a' 30425‑208AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       0   0   2  -2   0 C c" 30435‑229AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       0   0   2  -2   0 C c" 30436‑230AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       0   0   2  -2   0 C c" 3220‑I‑1‑aAnonymousMerbecke
       0   0   2  -2   0 C c" 3220‑I‑1‑bAnonymousMerbecke
       0   0   2  -2   0 C c" 3230‑I‑1‑aAnonymousMerbecke
       0   0   2  -2   0 C c" 3230‑I‑2‑aAnonymousMerbecke
       0   0   2  -2   0 C c" 3233‑I‑4‑aAnonymous
       0   0   2  -2   0 C c" 3233‑I‑5‑aAnonymous
       0   0   2  -2   0 C c" 3250‑I‑1‑aAnonymous
       0   0   2  -2   0 C c" 3254‑I‑1‑aAnonymous
       0   0   2  -2   0 C c" 3255‑I‑3‑aAnonymous
       0   0   2  -2   0 C c" 3260‑I‑1‑aAnonymous
       0   0   2  -2   0 C c" 3261‑I‑3‑aAnonymous
       0   0   2  -2   0 C c" 3266‑I‑3‑aAnonymous*
       0   0   2  -2   0 C c" 3276‑I‑2‑aAnonymous*
       0   0   2  -2   0 C c" 3278‑I‑1‑aAnonymous*
       0   0   2  -2   0 C c" 3285‑I‑2‑aAnonymous*
       0   0   2  -2   0 C c" 3292‑I‑1‑aAnonymous*
       0   0   2  -2   0 C c" 3293‑I‑2‑aAnonymous*
       0   0   2  -2   0 C c" 32107‑I‑2‑aAnonymous*
       0   0   2  -2   0 C c" 32109‑I‑2‑aAnonymous*
       0   0   2  -2   0 C c" 32111‑I‑2‑aAnonymous*
       0   0   2  -2   0 C c" 32117‑I‑1‑aAnonymous*
       0   0   2  -2   0 C c" 32120‑I‑1‑aAnonymous*
       0   0   2  -2   0 C c" 32123‑I‑2‑aAnonymous*
       0   0   2  -2   0 C c" 32124‑I‑1‑aAnonymous*
       0   0   2  -2   0 C c" 32132‑I‑1‑aAnonymous*
       0   0   2  -2   0 C c" 32135‑I‑2‑aAnonymous*
       0   0   2  -2   0 C c" 32152‑1‑aAnonymous*
       0   0   2  -2   0 C c" 32153‑I‑3‑aAnonymous*
       0   0   2  -2   0 C c" 32158‑I‑2‑aAnonymous*
       0   0   2  -2   0 C c" 32159‑I‑1‑aAnonymous*
       0   0   2  -2   0 C c" 32160‑I‑2‑aAnonymous*
       0   0   2  -2   0 C c" 32166‑I‑1‑aAnonymousChristmas Day (morning)
       0   0   2  -2   0 C c" 32166‑I‑2‑aAnonymousChristmas Day (morning)
       0   0   2  -2   0 C c" 32167‑I‑3‑aAnonymousChristmas Day (morning)
       0   0   2  -2   0 C c" 32183‑I‑3‑aAnonymousEaster-Day (morning)
       0   0   2  -2   0 C c" 32189‑I‑2‑aAnonymousAscension-Day (evening)
       0   0   2  -2   0 C c" 32190‑I‑1‑aAnonymousWhit-Sunday (morning)
       0   0   2  -2   0 C c" 32191‑I‑2‑aAnonymousWhit-Sunday (morning)
       0   0   2  -2   0 C c" 32192‑I‑1‑aAnonymousWhit-Sunday (evening)
       0   0   2  -2   0 C c" 32193‑I‑3‑aAnonymousWhit-Sunday (evening)
       0   0   2  -2   0 C c" 32194‑I‑1‑aAnonymous20th June
       0   0   2  -2   0 D a' 30429‑216AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       0   0   2  -2   0 D a' 30430‑218AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       0   0   2  -2   0 F a'# 3231‑I‑3‑aAnonymous
       0   0   2  -2   0 F a'# 3231‑I‑3‑bAnonymous*
       0   0   2  -2   0 F a'# 3244‑I‑1‑aAnonymous
       0   0   2  -2   0 F a'# 3244‑I‑1‑bAnonymous
       0   0   2  -2   0 F a'# 3256‑I‑1‑aAnonymous
       0   0   2  -2   0 F a'# 3256‑I‑1‑bAnonymous
       0   0   2  -2   0 F a'# 3257‑I‑2‑aAnonymous
       0   0   2  -2   0 F a'# 3257‑I‑2‑bAnonymous
       0   0   2  -2   0 F a'# 3271‑I‑1‑aAnonymous*
       0   0   2  -2   0 F a'# 3271‑I‑1‑bAnonymous*
       0   0   2  -2   0 F a'# 3287‑I‑2‑aAnonymous*
       0   0   2  -2   0 F a'# 3287‑I‑2‑bAnonymous*
       0   0   2  -2   0 F a'# 3296‑I‑1‑aAnonymous*
       0   0   2  -2   0 F a'# 3296‑I‑1‑bAnonymous*
       0   0   2  -2   0 F a'# 32114‑I‑1‑aAnonymous*
       0   0   2  -2   0 F a'# 32114‑I‑1‑bAnonymous*
       0   0   2  -2   0 F a'# 32115‑I‑2‑aAnonymous*
       0   0   2  -2   0 F a'# 32115‑I‑2‑bAnonymous*
       0   0   2  -2   0 F a'# 32138‑I‑2‑aAnonymous*
       0   0   2  -2   0 F a'# 32138‑I‑2‑bAnonymous*
       0   0   2  -2   0 F b'♭ 32151‑I‑2‑aAnonymous*
       0   0   2  -2   0 F b'♭ 32151‑I‑2‑bAnonymous*
       0   0   2  -2   0 F b'♭ 32161‑I‑1‑aAnonymous*
       0   0   2  -2   0 F b'♭ 32161‑I‑1‑bAnonymous*
       0   0   2  -2   0 F b'♭ 32173‑I‑1‑aAnonymousAsh-Wednesday (morning)
       0   0   2  -2   0 F b'♭ 32173‑I‑1‑bAnonymousAsh-Wednesday (morning)
       0   0   2  -2   0 F b'♭ 32176‑I‑1‑aAnonymousGood Friday (morning)
       0   0   2  -2   0 F b'♭ 32176‑I‑1‑bAnonymousGood Friday (morning)
       0   0   2  -2   0 F b'♭ 32178‑I‑3‑aAnonymousGood Friday (morning)
       0   0   2  -2   0 F b'♭ 32178‑I‑3‑bAnonymousGood Friday (morning)
       0   0   2  -2   0 F b'♭ 32185‑I‑2‑aAnonymousEaster-Day (evening)
       0   0   2  -2   0 F b'♭ 32185‑I‑2‑bAnonymousEaster-Day (evening)
       0   0   2  -2   0 g b'♭ 87*‑320Wilkes, Roger*
       0   0   2  -2   2 C c" 3230‑I‑1‑bAnonymous*
       0   0   2  -2   2 C c" 3233‑I‑5‑bAnonymous
       0   0   2  -2   2 C c" 3260‑I‑1‑bAnonymous
       0   0   2  -2   2 C c" 3261‑I‑3‑bAnonymous
       0   0   2  -2   2 C c" 3278‑I‑1‑bAnonymous*
       0   0   2  -2   2 C c" 32107‑I‑2‑bAnonymous*
       0   0   2  -2   2 C c" 32123‑I‑2‑bAnonymous*
       0   0   2  -2   2 C c" 32132‑I‑1‑bAnonymous*
       0   0   2  -2   2 C c" 32135‑I‑2‑bAnonymous*
       0   0   2  -2   2 C c" 32152‑I‑1‑bAnonymous*
       0   0   2  -2   2 C c" 32153‑I‑3‑bAnonymous*
       0   0   2  -2   2 C c" 32159‑I‑1‑bAnonymous*
       0   0   2  -2   2 C c" 32189‑I‑2‑bAnonymousAscension-Day (evening)
       0   0   2  -2   2 C c" 32190‑I‑1‑bAnonymousWhit-Sunday (morning)
       0   0   2   0   2 C g' 97201‑5Anonymous*
       0   2  -2   0  -5 f# a' 6771‑475Vincent, Charles John Sr.arranged and harmonised by Charles Vincent
       0   2  -2   0  -3 A a' 2243‑81Anonymous*
       0   2  -2   0  -3 A a' 47iv‑4‑2Anonymous*
       0   2  -2   0  -3 A a' 47viii‑2‑3Anonymous*
       0   2  -2   0  -3 A a' 5723‑2Anonymous
       0   2  -2   0  -3 A a' 5723‑3Anonymous
       0   2  -2   0  -3 A a' 6728‑199AnonymousSet I
Unison from vs. 14-21
       0   2  -2   0  -3 A a' 6771‑481Vincent, Charles John Sr.arranged and harmonised by Charles Vincent
       0   2  -2   0  -3 A a' 77120‑694AnonymousUnison
       0   2  -2   0  -3 b a' 28132‑351‑bRoper, Stanley*
       0   2  -2   0  -3 b a' 28132‑351‑dRoper, Stanley*
       0   2  -2   0  -3 B♭ a'# 1950‑135Anonymous
       0   2  -2   0  -3 B♭ b'♭ 22105‑430AnonymousVoices in unison
       0   2  -2   0  -3 B♭ a'# 40*‑50Anonymous
       0   2  -2   0  -3 B♭ b'♭ 4625‑59Anonymous*
       0   2  -2   0  -3 B♭ b'♭ 4753‑2Anonymous*
       0   2  -2   0  -3 B♭ b'♭ 4788‑2‑2Anonymous*
       0   2  -2   0  -3 B♭ b'♭ 47110‑2Anonymous*
       0   2  -2   0  -3 B♭ b'♭ 5740‑3Anonymous*
       0   2  -2   0  -3 B♭ a'# 7113‑53Anonymous
       0   2  -2   0  -3 B♭ a'# 7113‑54Anonymous
       0   2  -2   0  -3 B♭ b'♭ 88222‑179Anonymous*
       0   2  -2   0  -3 C c" 5740‑1Anonymous
       0   2  -2   0  -3 D a' 1920‑47AnonymousVoices in unison
       0   2  -2   0  -3 D a' 2269‑176‑2Elliott, James WilliamBased on a Gregorian tune. Voices in unison
       0   2  -2   0  -3 D a' 2860‑157Anonymous*
       0   2  -2   0  -3 D a' 28132‑351‑aRoper, Stanleyunison with several arrangements for the accompaniment
       0   2  -2   0  -3 D a' 28132‑351‑cRoper, Stanley
       0   2  -2   0  -3 D a' 28132‑351‑eRoper, Stanley*
       0   2  -2   0  -3 D a' 28132‑351‑fRoper, Stanley*
       0   2  -2   0  -3 D a' 4783‑1Anonymous*
       0   2  -2   0  -3 D a' 4792‑3Anonymous*
       0   2  -2   0  -3 D a' 47109‑2Anonymous*
       0   2  -2   0  -3 D a' 5741‑1Anonymous*
       0   2  -2   0  -3 D a' 7113‑47Anonymous
       0   2  -2   0  -3 D a' 77119‑690AnonymousUnison
       0   2  -2   0  -3 D a' 77119‑691AnonymousUnison
       0   2  -2   0  -3 E b' 4x‑34AnonymousGood Friday
       0   2  -2   0  -3 E b' 5xi‑39AnonymousGood Friday
       0   2  -2   0  -3 E b' 3923‑112Bridge, John FrederickArranged by J. F. Bridge; CF in treble; first quarter unison
       0   2  -2   0  -3 E b' 3923‑113Bridge, John FrederickArranged by J. F. Bridge; CF in treble; same as preceding chant (no. 112) but first quarter harmony
       0   2  -2   0  -3 E b' 39115‑486Bridge, John FrederickArranged by J. F. Bridge; CF in treble; first quarter unison
       0   2  -2   0  -3 E b' 39115‑487Anonymous*
       0   2  -2   0  -3 E b' 40*‑47Anonymous
       0   2  -2   0  -3 E b' 47ii‑4Anonymous*
       0   2  -2   0  -3 E b' 4723‑2Anonymous*
       0   2  -2   0  -3 E b' 4738‑2Anonymous*
       0   2  -2   0  -3 E b' 4776‑2Anonymous*
       0   2  -2   0  -3 E b' 5092‑306Anonymous*
       0   2  -2   0  -3 E b' 6484‑343Anonymous*
       0   2  -2   0  -3 E b' 6720‑144AnonymousSet II
       0   2  -2   0  -3 E b' 6734‑239AnonymousSet I
       0   2  -2   0  -3 E b' 6765‑436AnonymousAscension Day
       0   2  -2   0  -3 E♭ b'♭ 21258‑18Anonymous*
       0   2  -2   0  -3 E♭ b'♭ 2277‑240Anonymous*
       0   2  -2   0  -3 E♭ b'♭ 45216‑783Anonymous*
       0   2  -2   0  -3 E♭ a'# 5738‑4Anonymous
       0   2  -2   0  -3 E♭ b'♭ 794‑3‑aAnonymous*
       0   2  -2   0  -3 F c" 2277‑238Anonymous*
       0   2  -2   0  -3 F c" 4792‑2Anonymous*
       0   2  -2   0  -3 F c" 97250‑227Anonymous 5th tone, 3rd ending
       0   2  -2   0  -1 A a' 2243‑79Anonymous*
       0   2  -2   0  -1 A a' 2274‑210Anonymous*
       0   2  -2   0  -1 A a' 22107‑444Anonymous*
       0   2  -2   0  -1 A a' 47iv‑4‑1Anonymous*
       0   2  -2   0  -1 A a' 47viii‑2‑1Anonymous*
       0   2  -2   0  -1 A a' 47xvii‑6Anonymous*
       0   2  -2   0  -1 A a' 4727‑2Anonymous*
       0   2  -2   0  -1 A a' 5723‑1Anonymous
       0   2  -2   0  -1 A a' 77120‑693AnonymousUnison
       0   2  -2   0  -1 B♭ b'♭ 1951‑139Anonymous*
       0   2  -2   0  -1 B♭ b'♭ 2239‑31Anonymous*
       0   2  -2   0  -1 B♭ a'# 40*‑49Anonymous
       0   2  -2   0  -1 B♭ b'♭ 4744‑2Anonymous*
       0   2  -2   0  -1 B♭ b'♭ 4768‑2Anonymous*
       0   2  -2   0  -1 B♭ b'♭ 4788‑2‑1Anonymous*
       0   2  -2   0  -1 B♭ b'♭ 47112‑2Anonymous*
       0   2  -2   0  -1 B♭ b'♭ 5741‑4Mercer, Edward G.*
       0   2  -2   0  -1 B♭ a'# 7113‑51Anonymous
       0   2  -2   0  -1 B♭ b'♭ 7931‑111Monk, Edwin George*
       0   2  -2   0  -1 C c" 5739‑4Anonymous
       0   2  -2   0   0 B♭ a'# 1956‑158Anonymous
       0   2  -2   0   0 B♭ b'♭ 4625‑57Anonymous
       0   2  -2   0   0 B♭ b'♭ 4628‑70Anonymous*
       0   2  -2   0   0 D a' 1952‑141Anonymous*
       0   2  -2   0   0 D a' 1956‑159Anonymous
       0   2  -2   0   0 E♭ b'♭ 4625‑58Anonymous
       0   2  -2   0   0 E♭ a'# 7113‑46Anonymous
       0   2  -2   0   0 f# a' 2243‑80Anonymous*
       0   2  -2   0   0 f# a' 47iv‑4‑3Anonymous*
       0   2  -2   0   0 f# a' 47viii‑2‑2Anonymous*
       0   2  -2   0   0 f# a' 5723‑4Anonymous
       0   2  -2   0   0 f# a' 5738‑2AnonymousThe key signature is G-major, but this must be a transcription error. It should read F-sharp minor (as it is in other sources. This is used in the midi)
       0   2  -2   0   0 f# a' 7113‑45Anonymous
       0   2  -2   0   0 f# a' 77119‑689AnonymousUnison
       0   2  -2   0   0 g b'♭ 21255‑12‑1Anonymous*
       0   2  -2   0   0 g b'♭ 4628‑71Anonymous*
       0   2  -2   0   0 g b'♭ 4752‑2Anonymous*
       0   2  -2   0   0 g b'♭ 4764‑2Anonymous*
       0   2  -2   0   0 g b'♭ 47111‑2Anonymous*
       0   2  -2   0   0 g b'♭ 97201‑3Anonymous*
       0   2  -2   0   2 E♭ a'# 5738‑3Anonymous
       0   2   2   0  -2 a g' 87*‑318Wilkes, Roger*
       0   2   2   1  -3 a g' 87*‑318‑aWilkes, RogerFinal verse
       1  -1  -2  -2   2 d a' 45101‑355Anonymous
       1  -1  -2  -2   2 d a' 45222‑801Anonymous
       1  -1  -2  -2   2 e b' 16256‑267Hurd, Davidunison, after Tonus Peregrinus
       1  -1  -2  -2   2 e b' 20*‑S-‑50Hurd, David*
       1  -1  -2  -2   2 e b' 30436‑231AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       1  -1  -2  -2   2 e b' 47x‑2‑1Mercer, Edward G.
       1  -1  -2  -2   2 e b' 47xvi‑8Mercer, Edward G.*
       1  -1  -2  -2   2 e b' 4722‑2Mercer, Edward G.*
       1  -1  -2  -2   2 e b' 5741‑3Mercer, Edward G.
       1  -1  -2  -2   2 e b' 97250‑226Anonymous*
       1  -1  -2   2   0 C a' 3297‑I‑2Anonymous*
       1  -1  -2   2   0 d a' 3231‑I‑4Anonymous
       1  -1  -2   2   0 d a' 3234‑I‑2Anonymous
       1  -1  -2   2   0 d a' 3235‑I‑5Anonymous
       1  -1  -2   2   0 d a' 3264‑I‑1Anonymous
       1  -1  -2   2   0 d a' 3270‑I‑2Anonymous*
       1  -1  -2   2   0 d a' 3289‑I‑2Anonymous*
       1  -1  -2   2   0 d a' 3299‑I‑2Anonymous*
       1  -1  -2   2   0 d a' 32103‑I‑3Anonymous*
       1  -1  -2   2   0 d a' 32126‑I‑1Anonymous*
       1  -1  -2   2   0 d a' 32132‑I‑2Anonymous*
       1  -1  -2   2   0 d a' 32145‑I‑1Anonymous*
       1  -1  -2   2   0 d a' 32149‑I‑2Anonymous*
       1  -1  -2   2   0 d a' 32155‑I‑2Anonymous*
       1  -1  -2   2   0 d a' 32172‑I‑1AnonymousAsh-Wednesday (morning)
       1  -1  -2   2   0 d a' 32175‑I‑2AnonymousAsh-Wednesday (evening)
       1  -1  -2   2   0 F a' 30420‑199AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       1  -1  -2   2   0 F a' 30421‑201AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       1  -1  -2   2   0 F a' 30422‑202AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       1  -1  -2   2   0 F a' 3220‑I‑3Anonymous*
       1  -1  -2   2   0 F a' 3226‑I‑1Anonymous
       1  -1  -2   2   0 F a' 3232‑I‑1AnonymousMerbecke
       1  -1  -2   2   0 F a' 3247‑I‑2Anonymous
       1  -1  -2   2   0 F a' 3260‑I‑2Anonymous
       1  -1  -2   2   0 F a' 3269‑I‑1Anonymous*
       1  -1  -2   2   0 F a' 3286‑I‑1Anonymous*
       1  -1  -2   2   0 F a' 32121‑I‑2Anonymous*
       1  -1  -2   2   0 F a' 32125‑I‑2Anonymous*
       1  -1  -2   2   0 F a' 32130‑I‑1Anonymous*
       1  -1  -2   2   0 F a' 32139‑I‑1Anonymous*
       1  -1  -2   2   0 F a' 32146‑I‑1Anonymous*
       1  -1  -2   2   0 F a' 32192‑I‑2AnonymousWhit-Sunday (evening)
       1  -1  -2   2   0 F a' 32196‑I‑3Anonymous20th June
       1  -1  -2   2   0 F a' 40*‑45Anonymous
       1  -1  -2   2   0 F a' 7112‑39Anonymous
       1  -1  -2   2   0 F a' 7713‑74AnonymousUnison
       1  -1  -2   2   0 F a' 77119‑684AnonymousUnison
       1  -1  -2   2   0 F a' 7919‑52Anonymous
       1  -1  -2   2   0 G b' 1953‑146Anonymous
       1  -1  -2   2   0 G b' 5738‑1Anonymous
       1   2  -3   5   0 e f'# 334‑89AnonymousGregorian melody in bass
       1   4  -2   5  -1 D f'# 77120‑696Tours, BertholdUnison; pairing with Psalm 26 on page 72
       2  -2  -3   3   0 a c" 3221‑I‑4Anonymous*
       2  -2  -3   3   0 a c" 3231‑I‑5Anonymous
       2  -2  -3   3   0 a c" 3232‑I‑2Anonymous
       2  -2  -3   3   0 a c" 3242‑I‑1Anonymous
       2  -2  -3   3   0 a c" 3251‑I‑1Anonymous
       2  -2  -3   3   0 a c" 3255‑I‑2Anonymous
       2  -2  -3   3   0 a c" 3262‑I‑2Anonymous
       2  -2  -3   3   0 a c" 3274‑I‑1Anonymous
       2  -2  -3   3   0 a c" 3280‑I‑1Anonymous*
       2  -2  -3   3   0 a c" 3282‑I‑3Anonymous*
       2  -2  -3   3   0 a c" 3284‑I‑1Anonymous*
       2  -2  -3   3   0 a c" 3294‑1Anonymous*
       2  -2  -3   3   0 a c" 32110‑I‑1Anonymous*
       2  -2  -3   3   0 a c" 32111‑I‑3Anonymous*
       2  -2  -3   3   0 a c" 32128‑I‑1Anonymous*
       2  -2  -3   3   0 a c" 32129‑I‑4Anonymous*
       2  -2  -3   3   0 a c" 32141‑I‑2Anonymous*
       2  -2  -3   3   0 a c" 32144‑I‑2Anonymous*
       2  -2  -3   3   0 a c" 32154‑I‑1Anonymous*
       2  -2  -3   3   0 a c" 32179‑I‑1AnonymousGood Friday (evening)
       2  -2  -3   3   0 a c" 32180‑I‑3AnonymousGood Friday (evening)
       2  -2  -3   3   0 a c" 32181‑I‑1AnonymousEaster-Day (morning)
       2  -2  -3   3   0 a c" 32182‑I‑2AnonymousEaster-Day (morning)
       2  -2  -3   3   0 a c" 32187‑I‑2AnonymousAscension-Day (morning)
       2  -2  -3   3   0 a c" 32195‑I‑2Anonymous20th June
       2  -2  -3   3   0 C c" 3235‑I‑6Anonymous
       2  -2  -3   3   0 C c" 3268‑I‑2Anonymous*
       2  -2  -3   3   0 C c" 32102‑I‑1Anonymous*
       2  -2  -3   3   0 C c" 32108‑I‑1Anonymous*
       2  -2  -3   3   0 C c" 32116‑I‑1Anonymous*
       2  -2  -3   3   0 C c" 32157‑I‑1Anonymous*
       2  -2  -1   1   0 A a' 30426‑210AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       2  -2  -1   1   0 A a' 30427‑212AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       2  -2  -1   1   0 B♭ a'# 1955‑155Anonymous
       2  -2  -1   1   0 f# a' 1956‑160Anonymous
       2  -2  -1   1   0 f# a' 30425‑209AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       2  -2  -1   1   0 f# a' 40*‑46Anonymous
       2  -2  -1   1   0 f# a' 42180‑334Anonymous
       2  -2  -1   1   0 f# a' 7112‑44Anonymous
       2  -2  -1   1   0 f# a' 77119‑688AnonymousUnison
       2  -2  -1   1   0 G g' 87*‑315Wilkes, Roger*
       2  -2  -1   1   0 g a'# 6771‑476Vincent, Charles John Sr.arranged and harmonised by Charles Vincent
       2  -2   0   0   0 g b'♭ 97201‑2Anonymous3rd tone, 2nd ending
       3  -3  -2   2   0 d a' 30422‑203AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       3  -3  -2   2   0 F a' 30421‑200AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       3  -3  -2   2   0 F a' 6771‑474Vincent, Charles John Sr.arranged and harmonised by Charles Vincent
       3  -3   2  -2   2 e a' 87*‑317Wilkes, Roger*
       3  -3   2  -2   2 F g' 38107‑74Anonymous*
       3  -3   2  -2   2 G a' 2251‑141Anonymous*
       3  -2  -1  -2   0 E g'# 810‑50Anonymous*
       3  -2  -1  -2   0 E g'# 9330‑1Anonymous*
       3  -2  -1  -2   0 E g'# 10111‑58Anonymous*
       3  -2  -1  -2   0 E g'# 2368‑204Anonymous*
       3  -2  -1  -2   0 E g'# 3976‑336Anonymous*
       3  -2  -1  -2   0 E g'# 39110‑467Anonymous*
       3  -2  -1  -2   0 E g'# 4917‑65AnonymousMay be sung in unison
       3  -2  -1  -2   0 E g'# 5017‑64Anonymous*
       3  -2  -1  -2   0 E g'# 5117‑65Anonymous*
       3  -2  -1  -2   0 E g'# 7741‑248Anonymous*
       3  -2  -1  -2   0 E g'# 94587‑1Ley, Henry George*
       3  -2  -1  -2   0 E g'# 94587‑2Anonymous*
       3  -2  -1  -2   0 E♭ g' 16273‑283Anonymous*
       3  -2  -1  -2   0 E♭ g' 2725‑115AnonymousFirst bar of second quarter omitted for vss. 2, 4, 5, 6, 13, 14 and 15
       3  -2  -1  -2   0 F a' 1620‑25Anonymous*
       3  -2  -1  -2   0 F a' 2273‑204Anonymous*
       3  -2  -1  -2   0 F a' 2487‑332Anonymous*
       3  -2  -1  -2   0 F a' 2730‑135‑bAnonymous*
       3  -2  -1  -2   0 F a' 2811‑32Anonymous*
       3  -2  -1  -2   0 F a' 2842‑113Anonymous*
       3  -2  -1  -2   0 F a' 2885‑234Anonymous*
       3  -2  -1  -2   0 F a' 30432‑223AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       3  -2  -1  -2   0 F a' 5732‑4Anonymous*
       3  -2  -1  -2   0 F a' 6745‑314AnonymousSet I
Unison
       3  -2  -1  -2   0 F a' 7922‑68Anonymous*
       3  -2  -1  -2   0 F a' 8524‑14Anonymous*
       3  -2  -1  -2   0 G b' 3255‑II‑2Anonymous*
       3  -2  -1  -2   0 G b' 32187‑II‑2AnonymousAscension-Day (morning)
       3  -2  -1  -2   0 G b' 32195‑II‑2Anonymous20th June
       3  -2  -1  -2   0 G b' 6747‑325AnonymousSet I
       3  -1  -2   2  -2 a d" 3227‑I‑2Anonymous*
       3  -1  -2   2  -2 a d" 32100‑I‑1Anonymous*
       3  -1  -2   2  -2 a d" 32113‑I‑2Anonymous*
       3  -1  -2   2  -2 a d" 32142‑I‑1Anonymous*
       3  -1  -2   2  -2 a d" 32170‑I‑2AnonymousChristmas Day (evening)
       3  -1  -2   2  -2 a d" 32180‑I‑2AnonymousGood Friday (evening)
       3  -1  -2   2  -2 B♭ c" 5739‑2Anonymous
       3  -1  -2   2  -2 C d" 3221‑I‑5Anonymous*
       3  -1  -2   2  -2 C d" 3226‑I‑2Anonymous
       3  -1  -2   2  -2 C d" 3233‑I‑6Anonymous
       3  -1  -2   2  -2 C d" 3234‑I‑1AnonymousMerbecke
       3  -1  -2   2  -2 C d" 3245‑I‑2Anonymous
       3  -1  -2   2  -2 C d" 3250‑I‑2Anonymous
       3  -1  -2   2  -2 C d" 3262‑I‑1Anonymous
       3  -1  -2   2  -2 C d" 3275‑I‑1Anonymous*
       3  -1  -2   2  -2 C d" 3288‑I‑1Anonymous*
       3  -1  -2   2  -2 C d" 32105‑I‑1Anonymous*
       3  -1  -2   2  -2 C d" 32112‑I‑1Anonymous*
       3  -1  -2   2  -2 C d" 32119‑I‑2Anonymous*
       3  -1  -2   2  -2 C d" 32127‑I‑2Anonymous*
       3  -1  -2   2  -2 C d" 32134‑I‑1Anonymous*
       3  -1  -2   2  -2 C d" 32137‑I‑1Anonymous*
       3  -1  -2   2  -2 C d" 32147‑I‑2Anonymous*
       3  -1  -2   2  -2 C d" 32150‑I‑1Anonymous*
       3  -1  -2   2  -2 C d" 32168‑I‑1AnonymousChristmas Day (evening)
       3  -1  -2   2  -2 C d" 32171‑I‑3AnonymousChristmas Day (evening)
       3  -1  -2   2  -2 C d" 32186‑I‑1AnonymousAscension-Day (morning)
       3  -1  -2   2  -2 C d" 32188‑I‑1AnonymousAscension-Day (evening)
       3  -1  -2   2  -2 e a' 30434‑226AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       3  -1  -2   2  -2 e a' 42180‑339Anonymous
       3  -1  -2   2  -2 e a' 4626‑61Anonymous
       3  -1  -2   2  -2 e a' 47vi‑8‑3Anonymous*
       3  -1  -2   2  -2 e a' 4787‑1Anonymous*
       3  -1  -2   2  -2 e a' 6771‑480Vincent, Charles John Sr.arranged and harmonised by Charles Vincent
       3  -1  -2   2  -2 e a' 7113‑49Anonymous
       3  -1  -2   2  -2 F g' 198‑8Anonymous*
       3  -1  -2   2  -2 F c" 3258‑I‑1Anonymous
       3  -1  -2   2  -2 F c" 3259‑I‑3Anonymous
       3  -1  -2   2  -2 F c" 3279‑I‑2Anonymous*
       3  -1  -2   2  -2 F c" 3291‑I‑2Anonymous*
       3  -1  -2   2  -2 F c" 3298‑I‑1Anonymous*
       3  -1  -2   2  -2 F g' 40*‑48Anonymous
       3  -1  -2   2  -2 G a' 1954‑149Anonymous*
       3  -1  -2   2  -2 G a' 30433‑224AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       3  -1  -2   2  -2 G a' 30433‑225AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       3  -1  -2   2  -2 G a' 30434‑227AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       3  -1  -2   2  -2 G a' 30435‑228AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       3  -1  -2   2  -2 G a' 3859‑42Anonymous*
       3  -1  -2   2  -2 G a' 42180‑338Anonymous
       3  -1  -2   2  -2 G a' 4626‑62Anonymous
       3  -1  -2   2  -2 G a' 47vi‑8‑2Anonymous*
       3  -1  -2   2  -2 G a' 4750‑2Anonymous*
       3  -1  -2   2  -2 G a' 4786‑3Anonymous*
       3  -1  -2   2  -2 G a' 5741‑2Mercer, Edward G.*
       3  -1  -2   2  -2 G a' 5742‑1Anonymous*
       3  -1  -2   2  -2 G a' 6748‑330Cooper, Joseph ThomasSet I
Unison; harmonisation for organ by J. T. Cooper
       3  -1  -2   2  -2 G a' 6759‑405Cooper, Joseph ThomasSet I
Unison; harmonisation for organ by J. T. Cooper
       3  -1  -2   2  -2 G a' 7113‑50Anonymous
       3  -1  -2   2  -2 G a' 97201‑4Anonymous7th tone, 3rd ending
       3  -1  -2   2  -2 g c" 3273‑I‑2Anonymousprint error: key signature should be one flat (as in no. I-2 on page 177), with the accidentals the harmony is g-minor (two flats)
       3  -1  -2   2  -2 g d" 3295‑I‑2Anonymous*
       3  -1  -2   2  -2 g d" 32177‑I‑2AnonymousGood Friday (morning)
       3  -1  -2   2  -2 g c" 5739‑3Anonymous
       4   3  -3  -4   2 G g' 334‑87AnonymousGregorian melody in tenor
       4   3   0   2  -2 F f' 6771‑478Vincent, Charles John Sr.arranged and harmonised by Charles Vincent
       4   3   2  -2   0 E♭ e'♭ 3869‑48Anonymous*
       5  -1  -2  -2  -3 D a' 30431‑220Anonymous(Parisian); For the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       5  -1  -2  -2  -3 D a' 5732‑3AnonymousListed as Parisian Chant I
       5  -1  -2  -2  -3 D a' 6743‑300AnonymousSet I
       5  -1  -2  -2  -3 D a' 7919‑51Anonymous*
       5  -1  -2  -2  -3 E b' 3976‑335Anonymous*
       5  -1  -2  -2  -3 E b' 39110‑466Anonymous*
       5  -1  -2  -2  -3 E b' 7741‑247Anonymous*
       5  -1  -2  -2   0 D a' 30429‑217AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       5  -1  -2  -2   0 D a' 30430‑219AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
       5  -1  -2   0  -2 C g' 7113‑52Mullen, JosephPlain song in tenor; Harmonised by Joseph Mullen
       5   2  -2   0   2 A e' 3996‑414Anonymous*
       5   2  -2   0   2 A e' 45173‑632Anonymous*
       5   2  -2   0   2 B♭ f' 21255‑11Anonymous*
       5   2  -2   0   2 B♭ f' 673‑23Anonymous*
       5   2  -2   0   2 B♭ f' 6730‑211Anonymous*
       5   2  -2   0   2 G d' 7112‑38AnonymousPlainsong in tenor
       5   2   2  -4   2 B♭ f' 5742‑2Anonymous*
   ===== Double chants =====
       2  -2   5   0  -5 B♭ f' 14104‑1AnonymousAfter the Gregorian - Veni Creator Spiritus
       2   0  -2   0   2 F c" 73252‑237AnonymousDouble composed of two Singles: 5th mode (V), followed by Parisian-I (V-F**)
       3  -3   2  -2   2 F g' 3895‑67Anonymous*
       3   0  -3   0   1 e b' 74*‑51Williamson, Magnusafter "Tonus Peregrinus"
   ===== Irregular chants =====
      -2  -2   0   4  -2 d a' 3228‑I‑1Anonymous, on an ancient tuneMerbecke
       0  -2   2  -4   4 F a' 30431‑221AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
1st half 4 bars; 2nd bar 2nd half 3 half notes
       0  -2   3  -1  -2 d a' 57 S‑1Stainer, John*
       0  -2   3  -1  -2 d a' 57 S‑2Stainer, John*
       0  -2   3  -1  -2 d a' 57 S‑3Helmore, Thomas*
       0  -2   3  -1  -2 e b' 19-1‑0AnonymousOn the last page preceding the Chants part. Irregular notation: first half has 4 bars.
       0  -2   3  -1  -2 e b' 1956‑162AnonymousIrregular notation: first half has 4 bars.
       0  -2   3  -1  -2 e b' 42180‑342Anonymous*
       0  -2   3  -1  -2 e b' 57 S‑4Helmore, Thomas*
       1  -1  -2   2   0 d a' 30423‑205AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
Last bar has 4 half notes.
       1  -1  -2   2   0 F a' 42180‑333AnonymousTo be sung in unison
       2  -2  -1   1   0 A a' 30426‑211AnonymousFor the purpose of indexing the fingerprint, the (optional) intonation is left out; it is sung with the first verse only.
Penultimate bar has 3 half notes.
       2  -2   0  -3   1 D a' 42180‑336Anonymousunison
       2  -2   0  -3   3 A a' 42180‑341Anonymous
       2  -2   0  -1   1 A a' 42180‑340Anonymous
       2  -2   0   2  -4 D a' 42180‑335Anonymous
       2   2  -2   0   2 F f' 3885‑59Anonymous*
       2   2   0  -2   2 F f' 38108‑75Anonymous*
       2   2   0  -2   2 G g' 38109‑76Anonymous*
       2   3   2   0  -2 C g' 3883‑58AnonymousAcclamation Praise ye the Lord not included
       4   3   2   0  -2 E e' 38112‑79Anonymous*
       4   3   2   0  -2 E♭ e'♭ 3860‑43AnonymousIncludes intonation


Last updated/corrected 19-10-2018